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Articles
My essays have appeared in SCIENTIFIC
AMERICAN EXPLORATIONS SEATTLE MAGAZINE SEATTLE TIMES PACIFIC NORTHWEST MAGAZINE HARVARD MAGAZINE ANIMALS: THE JOURNAL OF THE MASSACHUSETTS
SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS MERIDIAN: THE IN-FLIGHT MAGAZINE FOR
MIDWAY AIRLINES HORIZON AIR INFLIGHT MAGAZINE SANCTUARY: THE JOURNAL OF THE MASSACHUSETTS
AUDUBON SOCIETY SEATTLE TIMES HIGH COUNTRY NEWS BOSTON GLOBE THE NATURE CONSERVANCY SUNSET Scientific American
Explorations Pick Up and Go Downtown Rock Hound Seattle Magazine
Urban Safari: It's a Jungle Out There
Seattle Times Pacific Northwest
Magazine Playgrounds of the Imagination Stories in Stone Harvard
Magazine Lessons in Stone Animals Meridian Horizon
Air Magazine Sanctuary:
The Journal of the Massachusetts Audubon Society I regularly review science and natural history books
for the Seattle Times. More important, a pair of innovative and beautiful bird books has recently been published by two of the country's best known birders, David Allen Sibley and Kenn Kaufman. Weighing in at more than 2 1/2 pounds, The Sibley Guide to Birds is the larger and more heavily praised of the duo, called in ornithological circles "a quantum leap," "the high water mark for bird guides," and "a natural history book that changes the way people look at the world." Kaufman's Birds of North America is no less unique. It incorporates an entirely new method of organization enhanced by the first ever field guide use of digitally altered photographs. These books come at a time when birding is the fastest growing recreational activity in the country. Locally, the Seattle Audubon Society sells a ton of bird seed a week from its retail store in the Wedgewood neighborhood and fills more than 150 field trips per year. "I know that I see a lot more kids birding in Seattle now than when I was a kid in Tennessee in the 1970s. I have also noticed that birding is starting to cross ethnic and age boundaries," says Helen Ross, the society's local conservation coordinator. Both Sibley and Kaufman started birding as youngsters. Like many kids, Kaufman was interested in the exotic aspects of nature, like tigers and volcanoes, but quickly realized he wouldn't find them in Indiana. "I started looking at birds because they were all around and I quickly discovered that they were fascinating creatures," said Kaufman in a recent interview. David Allen Sibley was born into a bird-oriented family. He learned to bird from his father, ornithologist Fred Sibley, who directed the Point Reyes Bird Observatory and later curated vertebrates at the Peabody Museum of Natural History at Yale. "I started birding when I was six and tracing bird pictures from Arthur Singer's Birds of the World at seven," Sibley said prior to a recent speech in Seattle. He started sketching birds in the field and by age 12 knew he wanted to do a field guide. "I pictured a book that was more complete and filled with more details and more illustrations than any other." And he has done so. The Sibley guide contains over 6,600 gouache paintings of 810 species and 350 regional populations. Instead of one or two drawings of each bird, he includes the array of plumage patterns from drab juveniles to colorful breeding adults, as well as birds in flight. For example, dark eyed juncos appear in 29 different drawings. Good layout was also a central concern. "Turn to any page and all the birds have the same plumage across the page, so you can easily compare one species to the other," Sibley said. "All the birds face the same way and all are drawn at the same scale." Sibley uses a method pioneered by Roger Tory Peterson in his field guides¤details that aid in identification are placed next to each bird generally with a line pointing to a specific feature. Sibley, however, uses up to 15 additional identification pointers per bird. Kaufman also had aspirations from a young age. "I have fantasized putting together a guide since I was 11," he said. "They idea for this one, though, came about from a conversation with Roger Tory Peterson." Peterson had just released his Western States guide. "Roger said he had included too much detail. Most guide books, his included, he said, were written with the assumption that the user would know what he was looking for before he had even opened the book. After this conversation, I decided I wanted to put together a book for someone who had never birded before." Like Sibley, Kaufman has departed from the normal bird guide. Instead of organizing birds taxonomically, which puts loons first and finches last, he has placed birds into distinct groups such as "Ducks, Geese, and Swans" or Chicken-like Birds." These are further subdivided into categories with all birds within a group sharing a similar tabbed color code. "To emphasize the more common birds, I put them at the top of the page," Kaufman said, "I wanted to make it easy to find the birds that a beginner would notice." Kaufman's other innovation is his use of technology. He scanned over 2,000 photographs and invested over 3,000 hours digitally altering them for consistent size, color, and lighting; sharpening contrast and emphazing distinct field marks. Both authors have carried their childhood passion into adulthood because birding is still exciting to them. "I have continued to bird because it is so unpredictable," said Sibley. "You know that birds are always around you but you never know which exact birds you are going to see. An addititional part of the excitement of birding for me is the intellectual challenge of identification. It's a reasoning puzzle. You look for a clues to deduce a name and from there you put the bird into a larger picture." Kaufman supplemented this aspect of naming by noting its imporance to conservation. "Learning names helps you create a 3-dimensional picture of the bird's environment," he said. "You know where it came from and where its going. A name is an initial step in developing appreciation for nature, which in turn leads toward a better chance for protection." In a society that places so much importance on speed and quickly turning out products, it is a pleasure to see the results of two people who have devoted their lives to quiet, careful, and detailed study. The Boilerplate Rhino: Nature in the Eye of the
Beholder by David Quammen In The Boilerplate Rhino, Quammen has collected together columns from Outside that address how people interact with the natural world. His essays are humorous and informative. They make you think. They clearly reveal Quammen's passion for language and the pecularities of people and science. In the introduction he writes, "Even a part-time misanthrope like myself has to admit that, of all the weird species that inhabit this planet, few are more richly and horrifically fascinating than Home sapiens." He fleshes out our pecularities in 26 essays that range across the planet from Baja to Bali examining subjects as diverse as the origins of the nutmeg trade, why big animal species don't thrive, and his goal of making Tyranosaurus rex the state bird of Montana. His essay on his search for the Durian, a fruit "renowned throughout Asia for its luxuriant flavor, its peculiar anatomy, and its indecent stench" shows Quammen's thorough research, field time, and attention to details. I am ready to travel to the island of Ternate to find "The Great Stinking Clue." One of Quammen's strengths is that he asks questions that most of us would not think of. Why are people so concerned with the relatively few dead dolphins and not with the millions of yellowfin tuna who perish in the same nets? Why don't owls have penises? How can cats always land on their feet and why do they survive their falls from high rise apartment buildings? Reading these essays brought back fine memories of reading Quammen's John Burroughs Award-winning book Song of the Dodo and reminded me again that he is one of the most fascinating and thought provoking writers of natural history. Flu: The Story of the Great Influenza Pandemic
of 1918 and the Search for the Virus That Caused It
by Gina Kolata "It is one of the most forgotten epidemics of the 20th century but it also touched millions of people on a very personal level. The big picture was lost because it didn't show up in history books," said Kolata. Her fascinating new book may change that traditional perspective on the disease. The influenza virus first appeared in Boston in September, 1918. "One day you are young, strong and invulnerable [and then] You might notice a dull headache," writes Kolata. "You start to shiver your muscles will ache You start to cough up blood you frantically gasp for breath. A blood tinged saliva bubbles out of your mouth. You dieby drowning, actuallyas your lungs fill with reddish fluid." It may take a few days or a few hours. "Some said it was a terrible new weapon of war," writes Kolata. They thought the Germans delivered it via Bayer aspirin, from u-boats, or from a camouflaged ship. No one knew where it came from but they saw the effects daily. First soldiers began to die. The disease soon spread to urban areas and from there outward eventually reaching across the globe. By the end of 1918, when the epidemic mysteriously ended, somewhere between 20 and 100 million people had died worldwide. "Under ordinary circumstances, that would be the end of the story But nothing about the 1918 flu was ordinary," writes Kolata. In what may be the most intriguing part of the story, researchers in the 1990s have tracked down three specimens of the flu virus, preserved from remains of three people who died in 1918. These samples may provide the answer to one of the greatest questions of 20th century medicine: "Why was the 1918 flu virsus so deadly?" Kolata begins the most recent chapter of this mystery with 74-year-old Swedish pathologist Johan Hultin, who in 1951 flew to Alaska and exhumed five bodies buried in permafrost and extracted lung tissue from people who died in the 1918 epidemic. He spent six weeks conducting every possible experiment to revive the virus. None succeeded. Hultin stopped working on the virus until 1997, when he read a paper in Science by Taubenberger. Taubenberger and his associate, Ann Reid, described their discovery of the first genetic evidence ever of the 1918 flu virus. They did not have to go to Alaska to find their specimens. Instead, they acquired their preserved lung tissue from a Raiders of the Lost Ark-like warehouses in Washington D.C., where the military has been storing medical remains since the Civil War. Encouraged by Taubenberger's research and racing another more high-profile search for a frozen sample, Hultin flew back to Alaskaby himself againdug another body out of permafrost, and retrieved an important sample of lung tissue. Taubenberger's team has now sequenced 3 of the 8 genes and they don't look unusual for a flu virus. That is a real shock because they thought theyÃd see the answer," said Kolata. Even with the latest tools in medical science, this most infectious of all diseases is still and abiding mystery. Researchers believe it may be another decade before they understand the virus well enough to know why it was so lethal. Kolata's book is a well-written story of intrigue, individual perseverance, medical history, and scientific insights. On a more personal level, the book has changed Kolata. provides an illuminating example to this conundrum. "I never had a flu shot until this year. I thought I could get Guillain-Barré syndrome (a nerve disorder). Now, I don't worry about that anymore" because she's learned that the chance of getting the disease from a flu shot is extremely remote. "But it is only because I wrote this book," she said. Halflives: Reconciling Work and Wildness
by Brooke Williams A direct descendent of Mormon pioneer Brigham Young, Williams was cultivated to work in his family's fourth generation plumbing supply business. He had the outward appearance of the good life: new car every other year, latest skis and bikes, fancy dinners, season's tickets. And yet, he was unhappy and felt this veneer hid the true Brooke Williams, the one who telemarked challenging backcountry or explored seldom seen desert canyons. In this personal search, Williams contrasts the challenges and frustrations of his life and his pursuits of wildness with profiles of several people who found the balance between work and wildness. Jeff Foott is a successful landscape and wildlife photographer who "had the courage to pick a fascinating, risky path over more comfortable and secure options," while Sally Cole has "melded her love of art and her passion for exploration into a career as a rock art archaeologist." Williams ultimately quits his job after 16 years in the family business and starts his own company, which explores ways of balancing land preservation with economic development in rural communities. His rejection of the conventional, the expected, the accepted, forges his two halflives together, "so tightly joined that it is hard to tell the difference between them." But he also muses: "And even though I still go through dark periods, they're different now; they're more fertile and quiet times for me to assess which way to move next." This book is neither a how-to-change manual nor a self-help guide. For Williams, no simple answer to his conundrum exists. He writes: "I still believe that life has two sides¤that each of us is an amalgam of nature and culture, wildness and work. Our challenge is to find the right mix, the balance, and the courage to make the necessary adjustments." Other Reviews All material©David B. Williams 2000,2001,
2002. |
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