WPC
2BZR
F3dHP LaserJet IIIHPLASIII.PRSd\ @,\,$}X@Courier 12cpiCourier 10cpiCourier 10cpi (Bold)Courier 12cpi (Bold)20Y.Xd\ @X@2\ `((Roman 12cpip p piXXx6X@X@<4x 9Z.Courier New RegularXXx6X@X@<09Z.Courier New RegularXXx6X@X@<09Z.Courier New RegularX&n6X@&@<4x 9Z.Courier New Regular&6s4ddd,jd6X@87@?xxx,gx6X@87X@?xxx,x `B7X&r5ddd,1d `J7?#&n6X@g&@#XXXXX,X` hp x (#%'0*,.8135@8:MeasXCthDD hPRAVO Short Basic Done at the start, to the slower musicT$
s511DDFacing center & moving R, step to R and slightly back onto R
s52DDStep L next to R
s56212Step to R and slightly back onto R (Ct. 1), Pause (Ct. 2)
s5312Step slightly forward onto L foot (Ct. 1), Pause (Ct. 2)
s5DD(, REPEAT the above pattern as long as desired then transition onto measure
4 of the next stepT$
r5DDPRAVO Basic
s5# 11DDFacing center and moving R, step diagonally forward onto R
s5 2DDStep onto L next to R
s5s!212Step diagonally fwd onto R (Ct. 1); Slight uh on R (Ct. 2)
s5"312Step onto L in front of R (Ct. 1); Slight uh on L (Ct. 2)
s5"41DDStep back and slightly R onto R foot
s5k#2DDStep back onto L foot
s5$512Step slightly back onto R (Ct. 1); Slight uh on R (Ct. 2)
s5$612Step slightly to L onto L (Ct. 1); Slight uh on L (Ct. 2)
All of the Pravo variations can be added at the individual dancers option, depending
on the speed of the music and the energy of the adjacent dancers. Remember to dance
with the adjacent dancers.
s5(XhDDhPRAVO Variation Slower music PauseT$
12DDAs in the Basic above
s5)31DDStep onto L in front of R
s5*2DDStep onto R slightly to R
s5E+41DDPause on R
s5+2DDStep back onto L
56DDAs in the Basic above
0..XXs5MeasXCthDD hPRAVO Variation Energetic music JumpT$
12DDAs in the Basic above
s5O31DDStep onto L in front of R
s52DDJump onto both feet, leaving L in place (feet should be about 12" apart)
s541DDLeap back onto R
s5G2DDStep back onto L
56DDAs in the Basic above
s5=XhDDhPRAVO Variation Energetic music StampsT$
s511DDStamp diagonally forward onto R
s52DDStep onto L next to R
s55&DDScuff diagonally fwd with R (with no weight)
s521DDStamp diagonally fwd onto R (completing the scuffing motion)
s52DDSlight Uh or Chug on R
36DDAs in the Basic or the Jump variation above
s5{
XhDDhPRAVO Variation Energetic music Step BehindT$
s5#11DDStep diagonally fwd onto R (should have a falling feeling)
s52DDStep diagonally forward onto L (with same falling feeling)
s5s21DDStep diagonally forward onto R (with same falling feeling)
s5
&DDStep on L close Behind to R of R foot (a sort of running 3)
s5
2DDStep diagonally forward onto R
36DDAs in the Basic or the Jump variation above
s5XhDDhPRAVO Variation Energetic music SquatsT$
14DDAs in the Basic above
s551DDStep slightly back onto R
2DDSwing L across in front of R in upward bicycle motion
s5W612Squat on both feet facing slightly R (Ct. 1); Pause (Ct. 2)
&DDBegin to rise with weight on L, ready to repeat the basic
s5MThe bestoto chorus step, called Tropoli (literally tapping) is danced in place
between each of the bestoto steps. The call for the next step is shouted at the beginning of any two measure Tropoli step. At least 4 measures of Tropoli should separate
the called steps. bestoto starts by doing tropoli for measures 56 of the basic Pravo.
s5XhDDhbESTOTO Basic Tropoli Danced in place as the chorusT$
s5911DDStep on R in place (the step is like a fall onto the R)
s5&DDTouch ball of L in place, taking weight very slightly
s52DDStep on R in place
s51&DDStamp L in place
s52DDREPEAT measure 1 with opposite footwork
XhDDhThe Tropoli step can be simulated by rocking from L to R tapping your
feet as you go.T$
s5vXhDDhbESTOTO Izvrli (Throws) Shout YeeHa during meas. 1T$
s511DDStep on R directly forward, leaving L foot on the floor
s52DDSwing the L foot low and forward
21DDSlight uh on R, continuing to swing the L foot
s5 2DDStep on L back in place
r5d!XhDDhbESTOTO Izvrli Dva Puti (Izvrli Two Times)T$
14DDRepeat the above Izvrli step twice
r5Y#XhDDhbESTOTO Napred (Forward)T$
s5$112Step fwd on R (Ct. 1); Step fwd on L (Ct. 2)
s5$21DDClose R to L (Ct. 1); Pause (Ct. 2)
34DDREPEAT meas. 1
56DDIzvrli step above
r5E'XhDDhbESTOTO Tri V'Djasno, Tri V'Ljavo (3 to the Right, 3 to the Left)T$
s5'112Step on R sideways to R (Ct. 1); Step on L behind R (Ct. 2)
s5(212Step on R sideways to R (Ct. 1); Step on L behind R (Ct. 2)
s5<)31DDStep on R sideways to R
s5)&DDTap L next to R
s5*2DDStep on R in place
46DDREPEAT meas. 13 with opposite footwork and direction4+0

r5MeasXCthDD hbESTOTO Hlopka (Slaps)T$
s5112Step fwd on R (Ct. 1); Step fwd on L (Ct. 2)
s5O212Close R to L
s5312Step fwd on R (Ct. 1); Step fwd on L (Ct. 2)
s5412Slap R on floor diagonally fwd to R
s5G512Slap R on floor
s5612Slap R on floor
s5712Slap R on floor (Ct. 1); Slap R on floor (Ct. 2)
s5?812Slap R on floor
910DDIzvrli step above
r55XhDDhbESTOTO Hlopka i Kljakane (Slaps & Squat)T$
18DDHlopka step above
s59DDSquat in place
s5+ 10DDRise Up from squat onto both feet
r5z
XhDDhbESTOTO Po bertami (In Line)T$
s5!11DDStamp on R straight fwd, twisting knee to R
s5&DDStamp on L next to R cont. fwd motion (stamp is like a scuff)
s5q2DDStamp on L straight fwd, twisting knee to L
s5
&DDStamp on R next to L cont. fwd motion (like a scuff)
212Repeat meas. 1 with opposite footwork
s5h31DDStamp on R straight fwd, twisting knee to R
s52DDStamp on L straight fwd, twisting knee to L
412Repeat meas. 3 with opposite footwork
5612Repeat measures 34
78DDIzvrli step above
r5TXhDDhbESTOTO ZarediT$
s511DDStep forward onto R
s52DDStep forward onto L turning to face diag. R
s5K21DDStep on R to R diagonally away from center
s5&DDTouch L next to R, taking weight very slightly
s52DDStep on R in place
s5C&DDStamp on L in next to R
s531DDLeap to L onto L, turning to face diag. L
s52DDStamp on R beside L
s5;41DDStepstraight forward onto R
s52DDJump onto both feet facing diag. R (feet should be about 12" apart)
s551DDLeap onto R back in place (now facing directly forward)
s532DDStep on L in place (ever so slightly back)
67DDIzvrli step above
(811)DD(Tropoli for 4 measures)
(1218)DD(Repeat again to get back on the phrase)
DDNote: Drop the last stamp of the Tropoli preceeding this step.
". Dance Description by Tom Deering
Presented by Tom Deering