RITCHIE'S VIDEO ESSAYS |  |
Practice and Production:
The Keys to Artists’ Successes
Reflecting on his past experience as a professor of art
for part of his career, he remembers the students who focused on practice and
production and how they succeeded after leaving school. Now the lesson is coming
to reside in the playing of video games.
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Practice and Production. ©2003 Bill H Ritchie, Jr.
A Land Like Emeralda:
Roadmap to Developing An Intentional Community
Mention of independent communities in a conversation
sends this author back in time to when he realized that the dream, so common
among artists and poets, has interested many others. Why not take a new approach
in this region of creativity and technology? 1052
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A Land Like Emeralda. ©2003 Bill H Ritchie, Jr.
Stamp Out Art:
Artists Stamps and Video Games
Why use stamps as an item in a video game, you may
wonder. The author is inventing a game designed for artists and art teachers,
using his 40-year experience in both domains as the foundation for a virtual
Communiversity. He says stamps are the best part. 1034
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Stamp Out Art. ©2003 Bill H Ritchie, Jr.
Where in the World is Professor Ritchie?
Search for the Absent Professor!
The inventor of Emeralda: Games for the Gifts of Life,
is searching for metaphors to give more clarity to the method of playing his
game. One of his richest resources is the news from campuses where imaginative
professors sometimes provide models for him. 1451
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Where in the World Is .... ©2003 Bill H Ritchie, Jr.
Watching Your
Assets:
Growing a Big Fat Smart E-Art Portfolio
At
a moment’s notice the Emeralda player can add to a growing collection of
articles ready to publish on-line or print. There’s pause for reflection; he
can take new perspectives on works of art he’s done, people he’s worked
with, and the value of it all.
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Watching Your Assets. ©2003 Bill H Ritchie, Jr.
If Gates Were Alive Today:
He’ be a digital game-based learning producer / designer
Elmer Gates was a turn-of-the-century brain researcher,
educator, inventor and philosopher. He died in 1923, his dreams unfilled. Had
worked 100 years later it’d be a different story. His ghost lives, however, in
the new machines of one mid-career artist. 1238
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If Gates Were Alive Today. ©2002 Bill H Ritchie, Jr.
The Gates Story:
A Gamer’s Introduction to Emeralda
Understanding Emeralda—a simulation game for learning
all about art processes—requires knowing Elmer Gates, whose legacy is at the
heart of Emeralda Region. Emeralda is an imaginary Northwest area where an evil
cult hides amidst a paradisiacal art colony. 515
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The Gates Story. ©2003 Bill H Ritchie, Jr.
MiniDemoCamp:
The Long Arm of Art
The Seattle Independent Mall may be the site of a camp
for people who want to return to a teaching/learning setting right the city. In
this teacher's mind he is painting a picture of his ideal: a short, fast
effective art demonstration like you see on TV. 597
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MiniDemoCamp: The Long Arm of Art. ©2002 Bill H Ritchie, Jr.
Don't
Look Backward:
Good advice for an Emeralda Defender
He's coming to realize his path towards
certification as an Emeralda Defender entails the concomitant loss of his
permanent abode. As soon as he begins to see the portal of a new, abiding site
for his mission, he begins to anticipate a plan for departure. 876
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Don't
Look Backward. ©2002 Bill H Ritchie, Jr.
Crossroad
or Fork in the Road?
Once upon a path less taken
One who chose a path less taken finds people,
places and events lie in wait, fall, or are missing as he strives toward his
goal, his vision of the Gates Prize. Or, another path crosses, or branches off.
Which way does he choose, and why? Is it his choice? 808
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Crossroad or Fork in the Road-Once upon a path less taken. ©2002 Bill H
Ritchie, Jr.
Deep Emeralda:
Sounding the Depth
A search for a former student, a space ship crash, an
artist’s last love letter—what’s the connection? The love letter’s
author compares it to an underwater search using a remote-controlled camera, for
the “black tetrahedron” in the wreckage of his craft. 2242
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Deep Emeralda Sounding the Depths. ©2002 Bill H Ritchie, Jr.
An
Art Professor Grapples with Activists Who Take Extreme Measures:
Gloom and Doom Not An Option Now
How does an art professor deal with colleagues
who go to extreme measures to uphold an old and obsolete school system? This
author says learning, research and practice are intertwined in an unbeatable
noose for an atrophied 20th Century art school system. 668
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An Art Professor Grapples with Activists Who Take Extreme Measures.
©2002 Bill H Ritchie, Jr.
Postcards
and E-stamps:
A New Paradigm for Reinventing Arts
Studios
In a dreamed call from a book artist who sees
sculpture in book form, the author wakens to how he can write his new book by
traveling to and sending postcards from an imaginary artist colony where all
shop signs are spelled backward and stamps go digital. 556
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Postcards and E-stamps. ©2002 Bill H Ritchie, Jr.
Video in the Age of Digital Reproduction:
What’s Next?
How does video fit in the age of digital reproduction?
It has a bit part in the history of multimedia arts in the Pacific Northwest,
co-mingled now in computers and telephones. This author says they’re virtually
an alloy comprising new substances for art. 504
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Video in the Age of Digital Reproduction. ©2002 Bill H Ritchie, Jr.
Putting Yourself in the Pathway of Success:
Inventing the electronic metastamp
There are some days in the life of a Great World
Teacher when he thinks he may have gotten on the wrong track, when there’s no
need or desire for his services, knowledge and skills. What can one do at a time
like this but put him self on a different path? 730
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Putting Yourself in the Pathway of Success. ©2002 Bill H Ritchie, Jr.
Questions
to Ask Your Art Education On-line Teacher:
And
Answers You Should Get
These essentials you need if you want to study art
on-line under the four principles of art education (teaching/learning, research,
practice/production and community) provide assurance that there are ways to
empower yourself in the arts. But you must ask. 812
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Questions to Ask Your Art Education On Line Teacher. ©2002 Bill H
Ritchie, Jr.
Basic Books of Emeralda:
The Trilogy that Makes Sense
Years of research, starting with sales, then marketing,
and then the design of the Games for the Gifts of Life—Emeralda—yields a
trilogy this author envisioned as “Art Student” alongside a student from the
last century. He launches into reverse nostalgia. 739
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Basic Books of Emeralda. ©2002 Bill H Ritchie, Jr.
Tipping-in
Artistamps at Video:
The
21st Century Art Teacher
Art teachers of the 21st C will be different from those of the
20th. The main difference is orientation from inner to outer vision.
Sweeping changes, starting from outside the institutionalized education sector,
will occur. What will be the tipping point? (Continuation
of a copy-writing excercise over another author's work) 6875
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Tipping In Artistamps at Video. ©2002 Bill H Ritchie, Jr.
FUNding the Multimedia Center:
A new paradigm for an old dream
Thinking about a multimedia center today is very
different from that in years past, and so a new paradigm is needed. Today’s
people are not like yesterday’s, and such a facility as he’s thinking of
can’t be based on old-time models—including paying plans. 1331
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FUNding the Multimedia Center. ©2002
Bill H Ritchie, Jr.
A
Million Dollar Idea for Parks?
Maybe A Two-for-One Special
An artist/scholar is loose in the neighborhood, strolling around Queen Anne
and focusing on a vision of future Uptown Seattle. Here new parks are in
planning stages and artists, crafts people and designers are in the frontline,
and this can help everyone. 795
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A Million Dollar Idea for Parks. ©2002 Bill H Ritchie, Jr.
Teaching,
Learning, Research and Practice for Arts Wisdom Boomers:
It's
Not What You Know, but How and When You Use It
The inventor of Emeralda discovers a paragraph in an essay on knowledge
and wisdom he thinks is the way of the Emeralda Warrior. He copy-writes over
that essay, shaping the article by a Yale professor to fit his own needs as an
ITinerant Professor of art. 2023
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Teaching and Learning for Wisdom Boomers. ©2002 Bill H Ritchie, Jr.
Giclee
Printmaking:
Inkjet Goes Upscale and Artists Get On-line for Fun and Community Building
More people know what an inkjet printer is,
and how it’s different from, say, a laser printer. But when technology went from simple things like graphs
to realistic image the principle developed into a color printing process that
exceeded inkjet printer. 1439
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Inkjet Goes to College. ©2002 Bill H Ritchie, Jr.
Answer to A Ten Year Prayer:
Emeralda Works II for You
Are the recent indicators in this artist/teacher’s
life—a life that’s experiencing a change—the answer to his ten-year long
quest for the answer to his question, “What can artists and poets do to save
the Earth now?” Scientists have it in their Union; can artists? 1552
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Answer to A Ten-Year Prayer. ©2002 Bill H Ritchie, Jr.
If I had half a million dollars:
I’d build myself a school
In the night he dreamed of an appropriate phrase to
describe his current interest in writers and writing, so this artist thinks what
it would be like to have the resources to achieve what his dream has given him:
A school for the arts of the 21st Century. 984
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If I Had Half A Million Dollars. ©2002 Bill H Ritchie, Jr.
Artists’ Stamps in the Age of Digital Reproduction:
What Artists’ Stamps are Really About
Now’s a new era, and the traditional mechanically
printed stamp is part of it, this artist writes. Digital stamps will not replace
paper and hand-stamps; they will increase artists’ stamps’ values in several
ways, beyond the stamps previous utility value. 838
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Artists' Stamps in the Age of Digital Reproduction. ©2002 Bill H
Ritchie, Jr.
Formula for Art Ed On-line:
A Better Paradigm for Art Education in the 21s Century
Forty years of teaching inside and from the margins the
established arts education channels, it’s easier to arrive at a formula in art
education than it will be for those who have had only an insider’s track. This
professor of art works from the margins in. 1855
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Formula for Art Ed On-line. ©2002 Bill H Ritchie, Jr.
Making My Moves:
Asset Management and Legacy Transfer in the Age of Digital Reproduction
The ultimate goal of his Emeralda games is a “live”
artist’s story attached to artist’s stamps. Some woodblocks the
artist/scholar carved are the image he scanned and saved to permanent .BMP files
on his computer and while making stamps taping on the fly. 847
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Making My Moves. ©2002 Bill H Ritchie, Jr.
Emeralda
Works:
A new approach to art education on-line
He’s
reminded how great it felt when, as a student and then a graduate from college,
he passed the examinations that led him to becoming an arts professor. When that
faded, what took its place was passing the “build tests” of his e-portfolio
tests on DVD. 1047
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Emeralda Works A New Approach to Arts Education On-line. ©2002 Bill H
Ritchie, Jr.
You
Are Good, But Are You Good Enough?
Striking out on campus is a home run for the world class professor
If you made it up the ladder of success on campus, think what you could
do in the real world! This is on the mind of this professor who a generation ago
was successful at the university and then set out on a tougher climb. He reasons
that he’ll be better. (Corrupted
file being restored) 693 Words. 2
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You Are Good But Are You Good Enough. ©2002 Bill H Ritchie, Jr.
On the Road to Something Fine--Again:
A screenplay in progress
The author began 3 books 14 years ago, and finished 1.
The 3rd would have been titled Ghosts in the New Machine and, in his vision,
unlike any book he could imagine at the time because he’d use new technologies
and new arts. This would be his life’s work. 2011
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On the Road to Something Fine--Again. ©2002 Bill H Ritchie, Jr.
Getting Tenure On-line:
Good news for an virtual on-line art educator
College and university professors are giving on-line
education credibility. Believing the value of distance learning will filter down
as it were to secondary education, this artist/teacher goes a step further,
forecasting an art education on-line is near. 949
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Getting Tenure On-line. ©2002 Bill H Ritchie, Jr.
Printmakers Who Missed the Boat:
Grim outlook for those who were mistaken
Printmakers who missed out on learning the relationship
of traditional printmaking to newer exactly repeatable image making techniques
have missed the boat, in this author’s opinion. He’s grateful for the video
lifeline tossed to him when he was teaching. : 2601
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Printmakers Who Missed the Boat. ©2002 Bill H Ritchie, Jr.
Taylor Made Trouble:
Traveling the path to virtuous reality
Virtuous reality to this author means the combination
of virtual reality and reality as it is commonly known, and his reading leads
him to uncommon reading material, such as a book by a humanist named Taylor.
“Taylor” makes odd connections in his thought. 1177
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Taylor Made Trouble. ©2002 Bill H Ritchie, Jr.
Writing Between the Paragraphs – Part 9
Fantasy dialog between two professors
The authors’ essays—written for humanities
domains—conclude similarly, and this is that without facing the perilous
profession of on-line education, teachers and researchers will be unconsciously
devaluing their own abilities to labor in education fields. 915
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Between the Paragraphs - Part 8. ©2002 Bill H Ritchie, Jr.
Handing Over Your Passport
Stamps and puzzlements
Practicing his game, Emeralda, the inventor observes the
similarity between his passport metaphor and artists’ stamps. His stamp
becomes like a building block for an on-line, interactive game to be played by
artists and teachers worldwide on the Internet. 742
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Handing Over Your Passport. ©2002 Bill H Ritchie, Jr.
For preview and downloads of full text or
custom writing services contact E-mail Ritchie's Video
The DVD You See Is What You Get:
The end goal of Your Printmaking Class-Paper to Technology
Teachers begin with the end in mind—to be great
teachers. A school’s quality is determined by the successes of its former
students—and so too of teachers in the school. A class in printmaking and DVD
created by a Great Teacher begins with the end in mind. 896
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The DVD You See Is What You Get. ©2001 Bill H Ritchie, Jr.
If I Had My Career to Start Over:
True confession of a mature art educator
After reading essays by a whining old professor who
misses the good old days and a educational futurist on the next pages, the
60-year old author considers his former students and associated artists and what
he would do if he had to start his career over. 1107
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If I Had My Career to Start Over. ©2001 Bill H Ritchie, Jr.
Art Salons and Learning Communities:
Reflecting on feedback the day after
It happened one day that the author signed on to a
list-serve for Learning Communities and met in an Art Salon with other artists
who were looking for feedback. His impression is that the two events are
connected, added to his experience to a Big Picture. 2603
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Art Salons and Learning Communities. ©2001 Bill H Ritchie, Jr.
Dreams Seeking Gift Seekers:
Where do you transfer your gifts of life?
The artist/scholar relies on two resources—the
Chronicle of Higher Education and his dreams. These converged recently in an
article titled “Dream a little dream” describing “teaching anxiety
dreams.” Professors have the same dreams—or nightmares—as he does. 1484
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Dreams Seeking Gift Seekers. ©2001 Bill H Ritchie, Jr.
Rejection Blues Again:
Grants are artists worst time-wasters
Two rejections for grants arrived this month while this
author, an advocate for change in the ways of art education, continues to
develop his artistry on a different pathway. Jury by statistics has replaced
passion and curiosity and undermines new ideas. 1119
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Rejection Blues Again. ©2001 Bill H Ritchie, Jr.
Action on DVD Listserve:
Call to artists, crafts people and designers
Feeling and thinking like a castaway, stranded in a
time when most people think DVD is only for movie entertainment, the artist
compares his situation to the movie Castaway and his DVD is “Wilson”.
There’s a way to escape the isolation now: DVD Listserve. 418
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Action on DVD Listserve. ©2001 Bill H Ritchie, Jr.
How I made the DVD Intaglio Plate Making 1971:
How like AUREL
He wheels archival videos on printmaking into the
condominium basement storeroom, thinking how like it is to AUREL, the Artists
Uniform Resources Electronic Locator. It would “match” the one of the
sisters who fell to earth in Emeralda’s background story. 588
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How I Made DVD Intaglio Plate Making. ©2001 Bill H Ritchie, Jr.
Woodcut Class:
Then and Now
Via e-mail, David Stones Ishita described how he
teaches woodcut to young students in two-day lessons. It taught this
artist/scholar, even at the great distance, how to approach teaching on-line art
courses in general; so again art ed on-line is possible. 1287
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Pages. ivi10731Woodcut
Class Then and Now. ©2001 Bill H Ritchie, Jr.
Professors Coming Out:
From Closets to Free Art Ed On-line
As part of his concepts of an art supply store, the
Itinerant Professor explains how he will produce a Digital Versatile Disc and
disseminate it as part of free fine art education on-line programs. He must
remove obstacles, such as an overcrowded closet. 1246
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Pages. ivi10701Professors
Coming Out From Their Closets. ©2001 Bill H Ritchie, Jr.
Memories Art Made of This:
Superior Beings, Superior Means
I returned from Toxi City. I sat down to review my
plans and map out my day’s work, and recalled the expressions of anguish on
the faces and in the words of the old people I encountered. How fragile human
memory is, compared to the memory in my computers! 1136
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Memories Art Made of This. ©2001 Bill H Ritchie, Jr.
Saucepan Effect:
Icing on the Cake
The Little Red HEN decided to do IT alone, raise her
own wheat. But she found at the end she was eating her cake and bread alone,
disenfranchised. And IT was no fun. IT doesn’t have to be that way! A saucepan
is for icing on the cake. Try IT and eat, too. 1962
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Saucepan Effect Icing on the Cake. ©2001 Bill H Ritchie, Jr.
Saucepan Effect:
Icing on the Cake
The Little Red HEN decided to do IT alone, raise her
own wheat. But she found at the end she was eating her cake and bread alone,
disenfranchised. And IT was no fun. IT doesn’t have to be that way! A saucepan
is for icing on the cake. Try IT and eat, too. 1962
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Saucepan Effect Icing on the Cake. ©2001 Bill H Ritchie, Jr.
Analyze This:
A Ritchie Hour
If an hour of videotape could be given to documenting
all that occurs in the artist’s first hour of his routine activity, what would
it indicate? If they can learn anything from analyzing rocks from the moon, why
can’t they analyze this? What ‘s it worth? 1053
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Analyze This A Ritchie Hour. ©2001
Bill H Ritchie, Jr.
Future Search, Dam Burst and Games People
Play:
Truly preparing your kids for the future
Intellectual capital (IC) is an elusive concept for
most people, and has different definitions. Over time, however, it is plain that
it is worth a lot! Most of it gets bottled up or thrown away. Whether the best
rises to the top depends on IT’s interface. 1832
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2 Future Search Dam Burst and Games. ©2001 Bill H Ritchie, Jr.
Simple Man, Simple Dream:
Making of An Emeralda Defender
Recently encountering people who go out of their way
to find new experiences of the kinds he offers, the artist/writer/seminar
provider reflects on ways to take a next step. The path leads to arts education
on line, he believes, and he draws on a new map. 1838
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Simple Man Simple Dream. ©2001 Bill H Ritchie, Jr.
Wealthy
Mattress Tester:
Money in the Night, Work in the Night
He studied an inventor who put himself into a state of mind conducive to
creating solutions to problems, inventing and discovery. This author imagined a
fantastic region called Emeralda, and goes there in his sleep, believing his
world of work never ends. 1312
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Wealthy Mattress Tester. ©2001 Bill H Ritchie, Jr.
Art Student:
Falling Out of Bed One Morning
At 3 AM the author wakens and thinks back in time to
the roots of today’s routine—making a DVD of his lifetime’s achievements.
An artist and teacher, he started at 24 with a goal to become a great teacher.
He writes to review connections from then to now. 2213
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Art Student Falling Out of Bed. ©2001 Bill H Ritchie, Jr.
Another Day, Another Video:
Revisiting MyDVD
Random writing by the artist as he maneuvers among
his software for DVD, text and hypertext. A mysterious missing island interrupts
his thoughts, and ideas about marketing a Japanese wood block printmaking tool
interfere, too: Interfere, always interfere. 664
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Another Day Another Video. ©2001 Bill H Ritchie, Jr.
What is A New Print?
Reflecting on the Coming Day
People ask, “Are you making any new prints?” and
the artist has to wonder, “Have you seen all my old ones already?” This
essay was written by the artist in part for the Ritchie Family Art Collection
foreword, the first paper version of his online project. 2463
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What is A New Print. ©2001 Bill H Ritchie, Jr.
The Work of Art in the Age of Digital Communications:
Digital Versatile Disk and Art Museum Practice
The author wants to share creation of a one-minute management template, his
idea, with the Bellevue Art Museum, so he writes a proposal suggesting a
three-way program that will help structure education, research and practice for
future use by many people. 589
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Work of Art in the Digital Age. ©2001 Bill H Ritchie, Jr.
What, No Video?
My Retrospective in A Museum Not
On the occasion of a message from one of the artist’s
acquaintances in the art curating profession, the author explains his opinion of
retrospectives that artists are given by museums and art galleries, suggesting
they are not what he chooses for himself. 994
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What No Video. ©2001 Bill H Ritchie, Jr.
Teaching an Old Coyote New Tricks:
A cast of your old tired enterprise
Casting of your old tired ethics is the acronym COYOTE,
an organization for prostitutes and it’s compared in this story to what an old
professor feels when he confronts the digital age. This is a fantasy story about
an emeritus professor going on the Web. 919
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Teaching an Old Coyote New Tricks. ©2001 Bill H Ritchie, Jr.
Dream Job for Virtual Tours
Going Afloat on the Virtual Tours University
An ITinerate Professor submits to hypnosis to plan virtual
tours for his clients. Mystery surrounds the procedure in his courses, but it is
perfect work for this professor because it also allows him to follow his own
dream—saving the Earth—while he works. 1002
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Pages. ivi10122
Dream Job for Virtual Tours. ©2002 Bill H Ritchie, Jr.
For preview or downloads of full text or writing services E-mail Ritchie's Video)
Unpacking My Library—100Mb at A Time:
Reflections
Walter Benjamin wrote Unpacking My Library 75
years ago. I read it 25 years ago. Another one was “The Work of Art in the Age
of Mechanical Reproduction.” Benjamin, critical essayist, was one of the major
contributors to the invention of my game, Emeralda. 1103
words. 5313
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Pages. Filename: ivi01120
Unpacking My Library © 2000 Bill H Ritchie Jr.
Video Publishing Opportunity:
Speculating on Past Performances
Video producer Ritchie, surveying a wall full of
videotapes from the 1970s and 1980s, speculates on ways to prevent losing it to
certainties of plastic and magnetic degradation and seeks advice of patrons of
multi-talented artists presented by the videos. 6984 Characters. 1563 Words. 3 Pages. ivi01002
Video Publishing Opportunity. ©2000 Bill H. Ritchie, Jr.
When dreams come true:
What to do?
The artist who dreams of having his or her own art studio and gallery will
see the dream come true. Like The Chicken Painter, experiencing the gallery and
studio as a reality reveals little about the process of achieving it. This
article tells a bit more. 798 Words. 3602 Characters. 2 Pages. ivi00902
When Dreams Come True What to Do. ©2000 Bill H. Ritchie, Jr.
Intruders:
The Inquisition
His imagined visitor intrudes on the inventor’s inner
dialog about how a person plays the game he invented—but has not
published—called Emeralda. He realizes that the game is for players not
conceived, a ghostly audience that exists in an imagined future. 2422
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Intruders and the Inquisition. ©2000 Bill H Ritchie, Jr.
Gates
Prize, Scene I, Part 1:
Screenplay by Bill H. Ritchie, Jr.
He writes an opening setting: “Cursor moves to
background window. Scan book page. Awkward hands remove book from under the
scanner lid, sitting precariously amid clutter. “Elmer Gates . . .”
glimpsed on the book’s cover as it flops open.” So far, so good. 1362 Words. 6735 Characters. 5 Pages. ivi00427
Gates Prize Screenplay by Bill. ©2002 Bill H Ritchie, Jr.
Found
at Emeralda City Dental:
Dusty - the Wealthy MFA
He is on the lookout for opportunities to
reinvest in labor, as a way of demonstrating as teacher/mentor and provider,
laboring a sustainability mission. When an enterprise emerges, it's not
just any job, but an experience—so he helps a dental assistant. 1280
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Found at Emeralda City Dental. ©2001 Bill H Ritchie, Jr.
Old Rat Video and Impudent Smiles:
Shot in the back at the University
An Old Rat Videoist talks to a group of newcomers about a plan to teach
statewide. He thinks he can take his online game public if it works at home. He
says education is the key to success of the new era. A killer cynic mocks him,
saying it can’t be done. 547 Words. 2402 Characters. 1 Pages. ivi00412
Old Rat Video and Impudent Smiles. ©2000 Bill H. Ritchie, Jr.
The Driveway of Miss Nellie Cornish:
Getting Used to I-T
If she’d had driveway.com, Miss Aunt Nellie (Cornish)
would have been uploading her files on the first day she opened her music
school. All the artists and students would have followed her example. Creative
types need to look back and get used to IT, now. 825 Words. 4247 Characters. 2 Pages. ivi00405
The Drive of Miss Aunt Nellie Cornish. ©2000 Bill H. Ritchie, Jr.
It
Takes Common Sense to Understand Each Other
Emeralda Works, Emeralda Plays
There
is no art education online, says the Inventor of Emeralda. This in mind, he
strives to explain why, and he brings his readers to the threshold of
understanding why dilemmas and common sense are the two gates to making art
education online a reality. 1491
Words. 7355
Characters. 3
Pages. ivi00119.
Copyright 2000 Bill H. Ritchie, Jr.
Connecting the 21st Century Museum with the 21st
Century:
Tuning up to tune in
An artist who reinvented himself to become a gamester,
says that in his vision of the future of art museums and schools on-line a
Canadian/US joint venture wields an audio video-streaming interface for art
museum’s Global League of 21st Century Museums. 973
Words. 2
Pages. VI991128.
Copyright 1999 Bill H. Ritchie, Jr.
First Assignment:
Screenplay One
Availing of the benefit of a FREE online course he
calls “Introduction to Screenplays,” the author virtually enrolls in a
course that is not yet online. So doing, he tackles a first assignment: Write
the plotline for Emeralda: The Women Who Fell to Earth. 219
Words. 1
Page. VI991127.
Copyright 1999 Bill H. Ritchie, Jr.
Hide and seek:
A generation from now
He needs to contact like-minded people to hang out
with, so he writes a press release to describe what happened one
generation—twenty years ago—while still inventing Emeralda, “the games for
the gifts of lives.” Plans are to send it to friendly neighbors. 533
Words. 2486
Characters. 1
Page. VI991002.
Copyright 1999 Bill H. Ritchie, Jr.
The New Assistant:
Interview
A dentist of the ‘Twenties (the year 2022), for the
first time, meets a candidate as a Dental Assistant. The interview demonstrates
needs of his dental artistry. It is an example in a contest that began in the
last century--while he was in dental college. 299
Words. 1
Page. VI990929.
Copyright 1999 Bill H. Ritchie, Jr.
Practice simulation on line:
Proposal to a dental college
An announcement in a Dental Society bulletin in 1999 (in which there was
reference to practice simulation) piqued the imagination of the author
who, as a writer of science fiction, pictured futuristic dental practices and so
sets down his interpretations. 1078
Words. 2
Pages. VI990928.
Copyright 1999 Bill H. Ritchie, Jr.
Workbook 2:
Reinventing Arts Studios--Again
The opening of yet another workbook for this author's Perfect Studios Trilogy. He imagines himself as prisoner with a dilemma: What will happen if he tells the story about the ways all games he played led to Emeralda? Destruction? Reconstruction? Freedom? 1079 Words. 1 Page. vi990605 ©1999 Bill H. Ritchie, Jr.
You may already be a winner:
Musings of a PDFAF Champion
Whilst a contestant for the Gates Prize Qualifiers creates his entry--a calendar--she contemplates the glory of winning the Pacific Digital Fine Arts Festival. It is a way to answer the question, Is it your own or for other peoples' enterprise you strive? 1230 Words. 2 Pages. VI990604 ©1999 Bill H. Ritchie, Jr.
Video Game:
Sirens and Museums
Museums hold a high attraction for me. They are like the Sirens in Greek the Greek myth. On the Video Island in Emeralda region, the physical presence of a wall of videos, the books in the print library, and unfinished scripts sing to me People will come! 523 Words. 1 Page. VI990603 ©1999 Bill H. Ritchie, Jr.
When Books Hide:
Lunch with Brian Wallace
People forget sometimes the wonderful individuals with whom we break bread because we are very well fed in the US (many of us have so much food we even throw a fourth of it away). Breakfast means literally breaking-fast. This essay is about eating people. 1669 Words. 2 Pages. VI990602 ©1999 Bill H. Ritchie, Jr.
Harvester dream:
Ghosts in the New Machine
A wall of videotapes poses no problem to the Emeralda Inventor, for it is a towering harvest of ideology, imagery and provides hope. Most people stay on the beaten path and walk backwards into the future, trusting everything to the wakes. Not an Inventor. 736 Words. 1 Page. VI990601 ©1999 Bill H. Ritchie, Jr.
I
Would Rather Be In My Art Studio:
Confessions of a wannabe-a-printmaker again
A request for a videotape from a school thousands
of miles away sends the art teacher—no longer in a traditional
classroom—adrift into the past, present, and the future possibilities of
multimedia. He’s a multimedia artist and a practitioner of tradition. 2649
Words. 12294
Characters. 4
Pages. Vi981128
I Would Rather Be In My Art Studio-Confessions.... ©1998 Bill H Ritchie,
Jr.
Video
Automata:
Electronic dolls and arts educators
Automating teaching, this art teacher believed,
is easier than teaching in real institutions today. Information at your
fingertips is a good old idea. But he recalls the warning in a
silver-colored paperback, titled in black, "Information takes
Command!". 1094
Words. 5298
Characters. 2
Pages. Vi981118
Video Automata-Electronic dolls and arts educators. ©1998 Bill H
Ritchie, Jr.
Getting Started:
Notes from the Magister
Apprentice Users are offered a ToDoIT list that will guide them in their beginning steps of Emeralda play by the Inventor of his version of the Game for the Gifts of Life. Plus, they peek at the benefit of learning an on-line interactive cooperative game. 1828 Words. 3 Pages. Vi981108 ©1998 Bill H. Ritchie, Jr.
Q&A from Fantasy Agents:
Emeralda Inventor Interviews
On
the Isle of Video, the Domain-of-expertise in analog and digital video
production, the fantasy agents interrogate the inventor of Emeralda, questioning
the relationships between video and the inventor’s suite, what he calls Games
for the Gifts of Life. 8519
Words. 39094
Characters. 16
Pages. Vi981019
Q and A from Fantasy Agents-Emeralda inventor interviews. ©1998 Bill H
Ritchie, Jr.
Ancient
video:
Awash in a sea of rasters
Watching the Emeralda Videos “The Emeralda
Inventor Interviews”, you’re aware that there's something bad about the
video image. Bad color balance. Bad signal. Was that because it’s the first
time an art named for its technology—video—or the antiques used? 715
Words. 3445
Characters. 2
Pages. Vi981009
Ancient Video-Awash in a sea of rasters. ©1998 Bill H Ritchie, Jr.
Inventor interview:
Systems theory, vague terms and economics
A fantasy interview between a ghost interviewer and the inventor of Emeralda in which he touches on the connections among systems theory, equality and equity. Video was a core technology in the early days of developing role-playing games for art students. 1154 Words. 2 Pages. Vi980929 ©1998 Bill H. Ritchie, Jr.
Inventor interview:
A busy day at Video Isle
A fantasy interview between a visitor to Video Isle and Bill Ritchie, inventor or Emeralda. This interview is interrupted by a hasty dubbing session of a tape made in Sweden in 1983. The tape had become the subject of interest of a communications student. 1525 Words. 2 Pages. Vi980919 ©1998 Bill H. Ritchie, Jr.
Emeralda for Babies:
I want my EMTV
New cultural centers are awaiting invention and discovery. In searching, people need to be reminded that true North is fixed. We have only our compasses to rely on. As regards others who watch us--we must not let the idea we have a compass mislead others. 1257 Words. 2 Pages.
VI980909 ©1998 Bill H. Ritchie, Jr.
Romance,
Imported Cars and Art Supplies:
No starving artists here, thank you very much
The writer was inspired to create this anecdote
after a shopping errand to the city’s largest art supply store south of
downtown Seattle. He’s a reformed art teacher and believes the art schools
haven’t changed much since he was in school forty years ago. 3689
Characters. 775
Words. 2
Pages. Vi980830
Romance Imported Cars and Art Supplies-No starving artists. ©1998 Bill H
Ritchie, Jr.
What's
your problem?
How can Emeralda help you solve it?
In stream-of-conscious style the inventor is
testing his creation, Emeralda—the Games for the Gifts of Life. If his game
can’t address his problems in all their diverse variety, of what use is it? He
senses that a “production portfolio” may be a solution. 501
Words. 2309
Characters. 1
Page. Vi980820
©1998 Bill H. Ritchie, Jr.
Mapping
Video:
The Roving Eye and the Video Cartographe
r
Emeralda is new to the world, yet it is old, so
claims its inventor here. New, because it has not been played yet by anyone
outside his garage, basement and spare bedroom studios; and old because the game
is based on events that occurred 30,000 years ago. 514
Words. 2370
Characters. 2
Pages. Vi980810
©1998 Bill H. Ritchie, Jr.
Directions
for Beginning Emeralda:
When the Books Are the Compass
Closing the ledgers of a business, or the monthly
records of a professional, gives the owner or practitioner a sense of direction.
Most people get their directions not from ledgers but from the ones who own the
ledgers and the information in them. 1747 Words. 8072 Characters. 3 Pages. Vi980731
©1998 Bill H. Ritchie, Jr.
Bookbinding
and Video:
A Vision of the First Resort for Book
Arts
The author sees the book as a primary source for
all the arts, borne in part by the book arts’ relation to printing and the
descendent media arts. Video bridges the paper tradition books with the working
of book makers in this age of digital reproduction. 1253
Words. 2
Pages. Vi980721.
©1998 Bill H Ritchie, Jr.
Finding
your Cell:
As Told In Cell A6
The opening words in this Emeralda journal are,
“Prevailing Meni: Video” which is known among Emeralda Players as a key bit
of knowledge. It suggests what one can expect to find while visiting, or as a
resident-in-stay. This essay is taken from his notes. 816
Words. 3575
Characters. 2
Pages. Vi980711
©1998 Bill H. Ritchie, Jr.
Looking
Back on Ledger Day:
How Emeralda's Score sheet works
First in a series on the closing of the books on
one month of Emeralda Play. In this article the inventor makes notes of the
routine as it is on July 1, 1998. 397
Words. 1873
Characters. 1
Page. Vi980701
©1998 Bill H. Ritchie, Jr.
A
Video Mail List:
Gateway to Artist's Residency in Lithography
The author conversed with an artist who is
invited to return to her Alma Mater for a short teaching session. Following
this, he writes about blending new ways of teaching with traditional
brick-and-mortar schools. 1469
Words. 6988
Characters. 3
Pages. VI980621
©1998 Bill H. Ritchie, Jr.
Emeralda
Score sheets:
Tracking Your Investment in Video
Scores may refer to music sound tracks, a tally
of points in a ball game, an obscure expression loaded with private meanings, or
a new way to account for human capital. Video tape can play a role in the game,
as this writer explains. 1611
Words. 7489
Characters. 3
Pages. VI980611. ©1998 Bill H. Ritchie,
Jr.
Video
the Inventor:
Deja Vu-finder On Video Isle
The first time that images of any kind were
recorded of the inventor of Emeralda while he was laboring over the tasks. This
article is from notes hastily made during and after the recording session. 381
Words. 1645
Characters. 1
Page. VI980522
©1998 Bill H. Ritchie, Jr.
Video Lecture Forecast Already True:
Is Video Art A Global Language for Peace?
The Emeralda Tour includes drop in visits to ongoing demonstrations by practitioners of the arts and craft of each Domain of Expertise in the Emeralda Region. These virtual demonstrations and lectures actually take time and theme from the future searches. 451 Words. 1 Page. VI980512 ©1998 Bill H. Ritchie, Jr.
Going against the current:
Uploading in Emeralda
A day in the play of Emeralda, the CD-based on-line interactive game invented by this author, begins with altering two digits--that of today's date. He connects this with a stream of ideas that trace back to a headwater, a 1974 visionary video. 1881 Words. 2 Pages. VI980313. ©1998 Bill H. Ritchie, Jr.
High
Maintenance Costs of Art Education:
:
Self Management and Art Education
Reform
Video was the key
that opened the gates to opportunities to visual and performing artists in the
1960s and 1970s. Not that the gates are locked again, but the high costs of
maintaining an art world that is trying to die are piling up in front of the
gate. 2133
Words. 9567
Characters. 4
Pages. VI980203
©1998 Bill H.
Ritchie, Jr.
Knowledge
Workers of the World Unite!
A call for video
Peter Drucker is a
thinker on the subject of work, economics and society as a whole system and
technology which, like economics, bypassed the knowledge worker generation.
Ironically, knowledge workers over 50 skipped education in economics and
technology. 679
Words. 3317
Characters. 1
Page. VI980202
©1998 Bill H.
Ritchie, Jr.
Can you sell prints with Video?
Expert says No and Yes
Videos the author created in printmaking studios were helpful to teach people how prints are made, but not how prints are marketed. A connection with selling is an indirect one. Tapes may be substitutes for teachers but not substitutes for sales persons. 558 Words. 1 Page. VI980201 ©1998 Bill H. Ritchie, Jr.
Auditioning
for Emeralda
A real-life moment of living dangerously
The
player receives e-mail from Indonesia. The sender is asking for a videotape from
the player's database. They propose a reduced price because, as they say, they
do not have much money. These are the kinds of decisions that the player must
make in the course of playing Emeralda. 793
Words. 3906
Characters. 2
Pages. vi971111
Auditioning for Emeralda-A real life moment of living dangerously. ©1997
Bill H Ritchie, Jr.
Patentable
Life:
Method of playing Emeralda
Can
one patent his or her life? If you believe there is a method of winning the
games of life, can you patent the method? This essay prefaces the storyline for
a video program about the patent process for a game called "Emeralda,"
invented by this author. 1103
Words. 5383
Characters. 3
Pages. vi971019
Patentable Life-Method of playing Emeralda. ©1997 Bill H Ritchie, Jr.
Virtual Artifact:
Seven habits of highly effective museums
Taking an unorthodox position, the author looks at museums in the information and telecommunications age and uses a new metaphor, basing his ideas on human development and new age wealth-building ideas. 2650 Words. 5 Pages. VI970513 ©1997 Bill H. Ritchie, Jr.
How do YOU play Emeralda?
Video surprisal
There are many ways to play Emeralda because it is a complex game played by complex people. Even the act of writing about playing it, or describing it to someone else, is part of playing it. It is truly a game of positive feedback, a kind of inner dialogue not unlike the process of creating a work of art, a poem or a movie. In the art and craft of video, which is one of the media arts skills for playing Emeralda, surprise is akin the experience of printing from a plate where uncertainty is the rule. 829 Words. 2 Pages. VI970403 ©1997 Bill H. Ritchie, Jr.
Video Day Cruise:
Catching up with yesterday
Typed on a miniature keyboard of a pocket-sized word processor, this article was written as the author traveled by foot and by ferry boat to Bainbridge Island on his way to Silverdale’s Silver Ridge Elementary school. Fifteen years ago this globe-trotter had to carry his own video system to achieve his goals. Today he uses hypermedia and the Internet as his traveler’s tool kit to act locally and think globally. 2323 Words. 4 Pages. VI970314 ©1997 Bill H. Ritchie, Jr.
Bumper
Crops or Bumper Cars?
Stranded on the information superhighway
Washington State’s economy is divided into two:
Agriculture and culture-culture, but they share common educational needs. All
levels-K-12-call for a continuous learning medium, perhaps a video program to
address information and communication technologies. 1447
Words. 6867
Characters. 3
Pages. vi970202
Bumper Crops or Bumper Cars-Stranded on the information superhighway. ©1997
Bill H Ritchie, Jr.
The Mork Principle:
Accounting practices for HSIC
The player in the game Emeralda visits ten Isles of Domains of Expertise and, at the end of the 24-hour visit, gets the stamp canceled on the souvenir postcard, plus accreditation. Interrogation accompanies the process, but who does the questioning? 786 Words. 2 Pages. VI970123 ©1997 Bill H. Ritchie, Jr.
Living Prints Videos:
The most information for your money
Occasionally,
someone wants to know why the videos on printmaking cost more than entertainment
and mass-produced videos. The producer’s success was due to getting the most
information for his money--and giving it back via technologies growing from
prints. 3184
Words. 15834
Characters. 5
Pages. VI961201
Living Prints Videos-The most information for your money. ©1996 Bill H
Ritchie, Jr.
Libraries in Reverse:
My perfect day in video
The perfect day continues for the Gruddite Apprentice-User, and this part is spent in Ritchie’s Video World. Rewinding a video or an instant replay is compared to a library-in-reverse. 1231 Words. 2 Pages. VI961008
©1996 Bill H. Ritchie, Jr.
I am A Video Camera:
Secrets in an art supply store
Summary: Make believe you are a surveillance camera assigned
to watch over the art supplier's goods. Imagine the dreams going
on in peoples' minds as they browse like-a store full of visionaries.
1085 Words. 2 Pages. VI960927 ©1996 Bill H. Ritchie, Jr.
Video Phonies:
Between now and then
The vision of a new kind of book is clear, but how can the
vision be communicated? From among the welter of buzz-words and
hype, the fine art telecards (code-named FATS) the author finds
a truly new art form for lifelong education. 1069 Words. 2 Pages.
VI960307. ©1996 Bill H. Ritchie, Jr.
Vanishing Act:
Ghost-busting the new machines
From inside the author's imaginary board-of-director's room
in his Perfect Studios, a roll call shows he needs an essay, written
material to link technology, schools and videos. 1767 Words. 8570 Characters. 4
Pages. VI951222. ©1995 Bill H. Ritchie, Jr.
They Came in Laughing and Stomping Their Feet:
A Story for New Emeralda Playing Students
Short story illustrating how Emeralda playing students
solved a mystery of the missing professor. It all started in reality in the year
2002 when the true professor, in his honest truth seeking way, set out to find a
missing file for his in-retro project. 997
Words. 4567
Characters. 2
Pages. vi941009
They Came in Laughing and Stomping their feet. ©1994 Bill H Ritchie, Jr.
Guide to Viewing Living Prints®:
The video resource tapes
Content is the author's cap-stone in a career in arts, crafts
and design. He believes printmaking, more than any other art,
has the best content potential for electronic publishing. His
package for interactive art education is the name Living Prints®.
2427 Words. 9 Pages. VI930724. ©1993 Bill H. Ritchie, Jr.
CAPSE and ARN/EPP:
Merits of TRPI
The first club of TRP Investment focuses on an RFP from a
company for videos to test a new idea in their retail stores.
Computer-Aided Post Secondary Education (CAPSE) finds clearer
definition in this account, inspired by contact with national
experts. 559 Words. 2 Pages. VI930718. ©1993 Bill H. Ritchie,
Jr.
Living Prints:
A guide to re-purposing
This essay is a guide for viewing and deciding whether to
attempt re-purposing videotapes in the Ritchie's Video Library
and Archives. When old videotapes are re-released, they may
have a new purpose in life such as images and oral history. 675
Words. 2 Pages. VI930717. ©1993 Bill H. Ritchie, Jr.
Videotape Upgrade:
The right stuff it takes
Ritchie's Video Library and Archive is probably the
largest private collection of videos on arts, crafts and design
in the Northwest. Some are 20 years old and may not be played.
There are ways to upgrade the tapes to be of more than nostalgic
value. 1797 Words. 3 Pages. VI930715. ©1993 Bill H. Ritchie,
Jr.
Perfect VCR:
M-I-N-E
"Can't program a VCR" became cliché in the 90s,
often referring to old dogs who can not learn new tricks. This is invalid: There is little on TV worth the effort to learn VCR
skills! Here is a perfect VCR easy to program, one that listens
and passes it on. 1202 Words. 2 Pages. VI930626. ©1993 Bill
H. Ritchie, Jr.
Perfect Studios Visits Dan Smith, Inc.
Saturday demonstration account
Visit Daniel Smith, Inc. almost any Saturday you will see
a live demonstration. Twice a day--at 11 and 1--artists, crafts
people and designers show their skills. The author visits and
notes thoughts to sell publishing technology to arts experts.
428 Words. 2213 Characters. 2 Pages. VI920724. ©1992 Bill H. Ritchie, Jr.
Living Prints:
A proposal for the TV series
Overview describing the proposed TV series, Living Prints®.
The expert printmaker can, in thirty minutes or less, show you
more about print making - the fine art kind - than in a week in
today's art schools. 1040 Words. 4751 Characters. 3 Pages. VI920629. ©1992
Bill H. Ritchie, Jr.
I Found IT!
Virtual museum intelligent agent
The author claims to have discovered a living intelligent
agent awakening ghosts from the past and wonders if they will
they are part of the future of the new virtual reality. 1208 Words. 5778
Characters. 3 Pages. VI920423. ©1992 Bill H. Ritchie, Jr.
Four printmaking processes
Live at TESC printmaking workshop
Description of a printmaking studio videotape where the author
demonstrated printing to beginning students. Stencil, relief linoleum,
wood, metal relief, safety, monotype and mono-printing are shown.
Side issues of economics and management are mentioned. 354 Words. 2091
Characters. 1 Page. VI910904.