SPEACON
ZINE ESSAYS |  |
I've written over a hundred essays about speaking, consulting, design and training,
and about and high tech arts. My articles used to be published on paper in Crafts Report, Ceramics
Monthly, newsletters of Artist Trust, Northwest Cyberartists
and Northwest Printmakers. Now I only publish online, but I would happily
write for paper-based publishers. For details and full text contact
me by e-mail at ritchie@seanet.com.
- Bill Ritchie
For full text, downloads, or professional writing or
teaching services contact ritchie@seanet.com
New! What This
Neighborhood Needs is A Great New Business:
Dreaming of a perfect studio
A street corner shop a near his home has started this
artist dreaming of a perfect setup for his passion—print making with new
technologies. He’s brainstorming, thinking of ways to make it an amazingly
successful venture and highly appealing to investors. 607
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What This Neighborhood Needs is A Great New Business. ©2003 Bill H
Ritchie, Jr.
One Stamp is Enough:
A new twist on Stamps ‘N Stories
He opens his game every day, searching for clues to the
next step in the evolving invention of a video game-based learning experience.
Today, after a night of playing a game called Art is Dead, he realizes one stamp
(from 1993)—chosen randomly, is enough. 442
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One Stamp is Enough. ©2003 Bill H Ritchie, Jr.
Emeralda Levels:
Understanding Emeralda as a video game
According to his reading in Game Creation and
Careers, a design document describes a video game so the inventor of
Emeralda starts by defining the levels within the Meta world of Emeralda Region.
He describes 14 levels and this sets the tone for the game. 537
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Emeralda Levels Defined. ©2003 Bill H Ritchie, Jr.
Beyond
A Job:
A teacher’s day in retrospect
On a typical day this teacher may teach, do research,
produce something and perform a service. Also he may get feedback, some of it by
e-mail, the news, or just by being watchful of things that happen. This essay
refers to several issues worth mentioning. 1410
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Beyond A Job. ©2003 Bill H Ritchie, Jr.
Imagining An Excellence Online Campus at Shoreline:
A Visitors’ Vision of Possibilities
His daily routine involves opening a fantasy game he
created for his own entertainment, something named Emeralda Stamps ‘N
Stories—mixing stamp collecting games and adventure story. As he’s starting
to teach at a community college, he imagines sharing it. 914
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Imagining An Excellence Online Campus. ©2003 Bill H Ritchie, Jr.
What Will Emeralda Players Want?
Satisfaction for explorers, socializers, achievers and killers
This teacher (and an artist) imagines what people would
want in an online game that is part fun and part education. He thinks as the
persons who typically play video games online: explorer, achiever, socializer
and killer. He also wants something himself.
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What Will Emeralda Players Want. ©2003 Bill H Ritchie, Jr.
Feature Games:
Auditing Emeralda
He’s like a student getting ready for his exams. Once
he was a professor, and now he’s back on campus in a new role as a learner.
Yet he’s part of a unique student body of campus returnees. He’s worked out
a new scheme he calls a game, featuring his life.1053
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Feature Games. ©2003 Bill H Ritchie, Jr.
I Reflect, Therefore I am Playing:
Moves of the game inventor
The inventor of Emeralda Stamps ‘N Stories retraces
his path through the Web pages of his creation, clicks on this stamp and that,
and reviews the trivia games he created. At one point he views his reading
thirty years ago to mine the meaning of a phrase. 940
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I Reflect Therefore I Am Playing. ©2003 Bill H Ritchie, Jr.
Deep Emeralda:
Clare Livingstamp and Loop da Loo
Another page of my journal is taken into a private art
collection, and that fact inspires me to think about how Emeralda Works in
surprising ways. The new owner has been working Saturdays on many of the same
questions I am asking, and is testing Emeralda.1073
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Deep Emeralda. ©2003 Bill H Ritchie, Jr.
Insights to Africa:
A Quiz for the Fine Art Printmaking ITinerate Professor
He’s one of hundreds who
gets an e-mail from a South African student who’s considering fine art
printmaking and asks ten questions to help her make the decision. It’s an
opportunity for him to test himself—like a role-play reversal of student and
teacher. 2210
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Insights to Africa. ©2002 Bill H Ritchie, Jr.
How Emeralda Is Like Chess:
Planning your moves on the Islands of Domains-of-Expertise
The inventor of Emeralda is like a castaway,
disenfranchised from the known art world and university communities. He’d
satisfy his problem-solving impulses by playing a strategic game, like chess,
but he never learned it! Emeralda play is the alternative. 1303
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How Emeralda Is Like Chess. ©2002 Bill H Ritchie, Jr.
Tracing An Artist’s Way:
The Story of Lisel Salzer’s Videotape
He handles a small shipment, only five copies, of a videotape created over
17 years earlier by an artist who was in her 80s at the time she produced it.
Now, she’s over 97; and her tape is still being sold and viewed. How did this
happen? What is learned? 1032
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Tracing An Artists Way - Lisel Salzer. ©2002 Bill H Ritchie, Jr.
UW Artists:
An idea whose time has come
The University of Washington Medical School gave him a
model for his “perfect studios” because it is a teaching hospital. Teaching,
research, practice and service are performed all at once, under the same roof. UW
Physicians came out this, so why not art? 1358
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UW Artists An Idea Whose Time Has Come. ©2003 Bill H Ritchie, Jr.
Emeralda:
A Teaching Tool
Taking
signals from a psychology professor, the art professor writes about his idea for
an entertaining and educational game. After more than ten years of playing it by
himself, he’s seeing similarities between his theory and practices of other
educators. 995
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Emeralda A Teaching Tool. ©2003 Bill H Ritchie, Jr.
Analyze This:
Parking at the SIM
The professor moves into his fifth of a six-part,
three-year retrospective of his 40-year career, analyzing the Seattle
Independent Mall and how it resembles the successes and failures of other
peoples’ enterprises and concludes that losers are non-users. 706
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SIM Walking . ©2002 Bill H Ritchie, Jr.
If
I Didn't have a million dollars:
I'd start a school for art ed on-line
Art ed on-line will develop like the Ford Mustang
was--in a skunk works fashion. Also it will have to be a co-op school, with its
participants owning the majority shares. A veteran warrior for two worlds-one
dying and one trying to be born--tries his PPC.
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If I Did Not Have A Million Dollars-I would start a school for art ed on-line.
©2002 Bill H Ritchie, Jr.
What I Learned from
My Dream:
From Conversation Café to Teaching Anxiety
Dreamwrighting—that’s what they could call this
process of setting up one’s self to dream and then sleeping through it, mining
one’s dreams for ideas, indications of the right thing to do, and positing
answers to help lead one to heightened effectiveness. 1085
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What I Learned from My Dream. ©2002 Bill H Ritchie, Jr.
Interviewing
Printmaking Students:
What They Want
He’s met people of all ages who want to be
printmakers and he wonders why. Young or old, what attracts them to
printmaking—the arts or the crafts, the design, the money, or mere curiosity?
On the other side of it, what attracted him, for over forty years? 994
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Interviewing Printmaking Students. ©2002 Bill H Ritchie, Jr. Full
Text
Where I go at
SPEACON:
My Morning at Dodge of Bellevue
He’s on a fantasy trip to the Island of the
Domain-of-Expertise in speaking, consulting, design and training with a phantom
firstmate named Jon. In reality he’s in a waiting room at a car service, but
working on a book titled An Artist’s Last Love Letter. 1215
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Where I go on SPEACON. ©2002 Bill H Ritchie, Jr.
If I Worked at Northland:
Tell You What I’d Do
It’s a good thing to plan ahead, to envision, to
imagine. That’s better than knowledge because then it’s already over—what
you imagine can still happen. So this author imagines what he’d do if suddenly
he found himself as an adjunct virtual professor. 2256
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If I Worked at Northland. ©2002 Bill H Ritchie, Jr.
The E-Goose that Laid the Golden Egg:
An Itinerate Professor’s Tale
A professor who excludes teaching in order to learn
more realizes soon that there’s only one path to follow in the age of digital
reproduction, and it’s that which will take him to the electronic goose that
lays golden eggs. E-books pave this pathway now. 957
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The E-Goose that Laid the Golden Egg. ©2002 Bill H Ritchie, Jr.
Depending On Your Devices
The Artistamp in the Age of Digital Reproduction
When a person has talent, is creative, inventive, discovers things and is a
highly imaginative person, then the arts appeal to them. She can be independent.
She can rely on her own devices to grow, survive and thrive. How about new
device interdependency? 508
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Depending On Your Devices. ©2002 Bill H Ritchie, Jr.
Return of the Stamp King
Back from the Beach with a Stamp Album
It’s time to go back to work on the season’s task—a
school teacher guide to e-folios. The author has the key to art education
on-line and he calls it the e-stamp. The question he has to answer is what is
the one thing that fast-lane learners can remember? 924
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Return of the Stamp King. ©2002 Bill H Ritchie, Jr.
When Art’s in the Toilet, You’ve Gone Too Far:
The War Must Go On
A bad experience in the night for the Itinerate
Professor is a blow alongside the head, reawakening him to the importance of
continuing arts education in ways suitable to these times—the 21st
Century. Somewhere there’s a place for his invention, Emeralda. 821
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When Art is in the Toilet You have gone too far. ©2002 Bill H Ritchie,
Jr.
What it Was Was Nostalgia:
Back to the Future
The artist/scholar drafts a short story about a meeting
that probably couldn’t have happened, but could make an interesting one act
play. Thinking back to 20th Century art festival that, at one time
long ago, meant a lot to him, he thinks the fun is over. 897
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What it Was Was Nostalgia. ©2002 Bill H Ritchie, Jr.
Tipping-in
Artistamps at SPEACON
Going Away from NODO to SODO
The tipping point to cause an epidemic of interest in EarthSafe
2022 may be in some unlikely place like South of Downtown instead of North of
Downtown. The author volunteered to show a drawing technique at an art supply
store—will it be the tipping point? (Continuing
exercise in copy-writing over another author's work) 6730
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Tipping In Artistamps at SPEACON. ©2002 Bill H Ritchie, Jr.
Uptown Multimedia Arts Center:
One of Four perspectives-the Artist
Before a meeting of like-minded people interested in a
multimedia arts center for Uptown Seattle, the multimedia artist prepares his
ideas in writing. He is beginning with the end in mind and a picture that does
not look like a typical computer classroom. 1053
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Uptown Multimedia Arts Center Four Perspectives. ©2002 Bill H Ritchie,
Jr.
How to Stroll:
An Artist Walks His Talk
Confronted with deciding to become either an artist or
a teacher, the so-called artist/scholar elucidates on his games theory in art
education by demonstrating proper walking-your-talking technique. He’s
planning to “stomp stamps” and make millions happy. 3657
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How to Stroll. ©2002 Bill H Ritchie, Jr.
What is Uptown Multimedia Arts Center?
History and theory-Part I
Invited to present his vision of a multimedia arts
center to be located in and for his community, the artist/professor reviews
events that brought his concept into being and explains why this resemble but
does not duplicate technology centers of the past. 1360
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What is Uptown Multimedia Arts Center. ©2002 Bill H Ritchie, Jr.
My Night At Vel’s:
Creative Writing in Your Neighborhood
For seven weeks in the summer of 2002, the
artist/scholar made trips to meet with writers who used a woman’s front room
for writing and then reading stories to one another. He was asking, “What do
you want out of the Web?” and “. . . in an arts festival?” 547
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My Night at Vels.
©2001 Bill H Ritchie, Jr.
Emeralda
Works II
:
Two Kinds of Insanity
The tenth anniversary of the invention of his
game Emeralda is coming, and he wants to celebrate it by giving away free what
he thought would be his nest egg. In a world gone insane, it seems, it’s a
matter of fighting fire with fire—or cooperative games. 1275
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Emeralda Works II. ©2001 Bill H Ritchie, Jr.
Before I Died, I Made A Print:
An Owners Guide for Homage to Hayter
Notes on the final image on his print, Homage to
Hayter as Bill Ritchie has some final thoughts on this work. He wonders what
Hayter would have said, finishing—unbeknownst to him—his last print. No one
knows but what they are doing now is their last deed.
Before I Died, I Made A Print:
An Owners Guide for Homage to Hayter
Notes on the final image on his print, Homage to
Hayter as Bill Ritchie has some final thoughts on this work. He wonders what
Hayter would have said, finishing—unbeknownst to him—his last print. No one
knows but what they are doing now is their last deed. 2902
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Before I Died I Made A Print. ©2001 Bill H Ritchie, Jr.
Homage to Hayter:
Thoughts for Folio 13
As he does a print for a printmaking exchange that
takes place on the Internet, the artist/scholar notes some thoughts that he will
use to accompany the print as an artist’s statement. He compares printmaking
to music and performance, instruments and art. 578
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Homage to Hayter 01. ©2002 Bill H Ritchie, Jr.
The Bower Bird Artist:
A blow alongside the head
His computer crashed—actually it was a virus that
took it down—and the artist/scholar has to do some re-evaluation as a result.
It was so like a vision he had thirty years before, and which led him to this
ironic outcome. Or, is it an income? 996
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The Bower Bird Artist. ©2001 Bill H Ritchie, Jr.
Revisiting
Reinventing Arts Studios
:
Turning
over a new leaf in an old manuscript
He started the manuscript for Reinventing Arts Studios several times in
the 1990s; but technology seemed to render each version obsolete before he could
produce this book. Now he says it appears technology will never settle down long
enough to be printed. 1182
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Revisiting Reinventing Arts Studios. ©2002 Bill H Ritchie, Jr.
Thinking Globally and Acting Locally:
All talk and no action?
A seasoned speaking artist—after years of serving as
an art professor and accustomed to talking, thinking and acting in
communities—reflects on September 11 and what he’s done since then that is
making differences. He’s seeking action on par with talking. 1055
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Thinking Globally and Acting Locally. ©2002 Bill H Ritchie, Jr.
Getting and Giving Art Credits in the Age of Digital
Reproduction:
Outcome and Income Considerations
Reading an article about teacher accreditation piqued
this artist/scholar’s interest because it made him think of issues now twenty
years old. Expert Systems were being used for industrial production parallel
with concerns about the outcomes of education. 1440
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Getting and Giving Art Credit in the Age of Digital Reproduction. ©2002
Bill H Ritchie, Jr.
I Passed My Test!
It’s Your E-Portfolio
He’s working on new kinds of portfolios for artists,
crafts people and designers, thus the author takes on the role of inventor. He
must test each part of his electronic portfolio to insure that it will
conform to today’s new technologies’ specifications. 1481
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I Passed My Test. ©2002 Bill H Ritchie, Jr.
Got A Life Changing Event, Anyone?
Thinking about Dusty Cann
The author, studying screenplay writing because
Emeralda, the game he invented, is based on a background story. This led him
from his fictional piece to the idea of using his story for a new kind of movie
that was based on hypermedia and the Internet Web. 767
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Life Changing Events Anyone. ©2002 Bill H Ritchie, Jr.
Changing Backgrounds of Art Ed On-line:
Setting Standards
for E-portfolios in Art Education On-line
Drawing on the expression, “aiming at a moving
target,” the author prescribes a way to approach the problem of measuring the
effect of on-line art studios on students and faculty in art education. He uses
the analogy of the engineering lab class to begin. 1642
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Changing Backgrounds of Art Ed On-line. ©2002 Bill H Ritchie, Jr.
How the Idea of Art Ed On-line Almost Died:
Bill H. Ritchie Jr. Recalls the UW Phase
Two pleasant surprises and one bad one—early
retirement on short notice—are recalled by the artist/scholar. He has either
gained fifteen years or lost them as a result of what happened to him when he
was middle-aged. He has no regrets today, so he writes. 741
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How the Idea of Art Ed On-line Almost Died. ©2002 Bill H Ritchie, Jr.
Revolutionizing Art Education:
EDT technology creates a new channel for Art Ed On-line
He counts up his electronic stamps like a modern-day
stamp collector, comparing them to the stamps he got in his passport when he
studied abroad. There’s more in an e-stamp than meets the eye and so the stamp
will revolutionize getting information on art. 1260
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Revolutionizing Art Education. ©2002 Bill H Ritchie, Jr.
Art Dealers and Digital Defenders:
Getting stuck in a passion for printmaking
Considering assisting art dealers calls to this
writer’s mind the tacit agreements they’ve reached with living printmaking
artists during his career. If art is to live on, dealers need to help fight wars
against ignorance in this digital reproduction age. 2105
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Art Dealers and Digital Defenders. ©2002 Bill H Ritchie, Jr.
Prints at A Distance:
Farewell paper-intensive prints
After several years’ of trying to rejoin the
printmaking world by exhibiting and participating in organized art world
activities, the author realizes it’s time to leave. He uses the metaphor of a
late-night party, himself being among the first to go home. 686
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Prints at A Distance. ©2001 Bill H Ritchie, Jr.
Between the Paragraphs – Part 8:
Fantasy dialog between two professors
Credits in college translate into money, as most
economic surveys prove, with college graduates usually earning more return on
their investment over the long term. The notable exceptions give this writer
pause to consider if it will remain true or change. 1303
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Between the Paragraphs - Part 8. ©2002 Bill H Ritchie, Jr.
Navigating the BIG PICTURE:
Begin With the end in Mind
For the outline of a class called Your Printmaking
Class: Paper to Technology, the artist/teacher/author describes a filing
system that will help the course find its way to a place among fine are
printmaking learned in part through on-line arts education. 991
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Navigating the BIG PICTURE. ©2001 Bill H Ritchie, Jr.
For full text, downloads, or professional writing or
teaching services contact ritchie@seanet.com
Journal-writing Is Old Technology:
A new, better way is DVD
Opening his DVD every day the way some people open
their diary or journal every day, a pioneer in art and technology recalls his
teaching days at a progressive liberal arts college where journals were a
requirement, and thinks they should update the rule. 1143
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Journal-writing Is Old Technology. ©2001 Bill H Ritchie, Jr.
Would You Take A Printmaking Seminar?
Or, things you didn’t learn in art school revealed
He’s dedicated to the idea of distance learning, so
it’s odd that this author would be tempted by a nostalgic visit to an art
studio. Several days after visiting there, he considers the space may serve as a
meeting place for on-line art education venture. 1497
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Would You Take A Printmaking Seminar. ©2001 Bill H Ritchie, Jr.
Incredible
High School Art Class
How art ed-online works for a Wunderkind
Role-playing a childhood memory, the author compares his boyhood to his
60-year old self. A short screenplay illustrates “snaps” his idea for an
on-line art-ed session. He pictures a time when art-ed has caught up with the
times, using DVD as a sketchpad. 1598
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Incredible High School Art Class. ©2001 Bill H Ritchie, Jr.
Better Than BINGO:
Filling in boxes with buttons
The inventor’s own words as he discovers something
about playing his game, Emeralda, that even he did not expect—it’s better
than playing Bingo! He’s referring to adding mini-movies to his latest DVD.
He’s writing this at the same time he’s making a disc. 1170
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Better Than BINGO. ©2001 Bill H Ritchie, Jr.
Secrets of A Virtual Year:
Missing links
Creating a DVD, you’re really creating pathways. The
artist/scholar realizes this after using the software for nine months and sees
what the programmers knew all along: He’s really creating nothing but links to
links with nothing at the beginning and end. 1488
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Secrets of A Virtual Year. ©2001 Bill H Ritchie, Jr.
What Do We Do Now?
Teaching after what happened
In the aftermath of 9-11, the artist/scholar feels
certain that uncertainty is the one thing that we share with millions of others.
He believes education is one of the keys to ending violence, but wonders—with
his agenda in mind before 9-11—is it tenable? 594
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What Do We Do Now. ©2001 Bill H Ritchie, Jr.
Staying Current in the Electronic Flow:
Educators beware—even your fears may be obsolete
Despite that he is not in a university today, this
artist/scholar is asked to teach in roundabout ways and to share in research
projects via the Web. With better organization, he may soon be part of a
practicing, global university of ITinerate Professors. 786
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Staying Current in the Electronic Flow. ©2001 Bill H Ritchie, Jr.
Bringing My TV Out of the Closet:
Amazing Museum of Art at Home
Through the glass of a boob tube, the author
experiences 2 worlds—the art world on a suicide mission, and Nature trying to
stay alive. One trivialized our human creativity, the other called for more
human creativity to solve the Earth’s ecological crises. 2310
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Bringing My TV Out of the Closet. ©2001 Bill H Ritchie, Jr.
What Are You Looking At?
My finished DVD
A forecast to help plan the uncertain course ahead for
making his DVD, this essay is by the man who’s creating a publication suitable
to his task and to the times in which he is laboring. Human Structural
Interoperable Capital is the name he’s given “IT”. 581
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What Are You Looking At My DVD. ©2001 Bill H Ritchie, Jr.
Learning eBook Arts:
A five-hundred year task
Making a DVD is supposed to be as easy as 1-2-3 says
the users manual that came with the author’s latest piece of computer
instrument and software. It isn’t easy, and the results aren’t great. Nor
were the first tries that Mark Twain made on a typewriter. 1734
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Learning eBook Arts. ©2001 Bill H Ritchie, Jr.
Children’s Digital Workshop—Puget Style:
Preparation for the Twenty-something generation
He is applying for Arts Director of a new learning
center focusing on the environment. Wondering what he can offer that is unique
and do-able, this artist/writer suggests a new kind of workshop. His vision is
based on new resources he sees on the horizon. 1332
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Children's Digital Workshop Puget Style. ©2001 Bill H Ritchie, Jr.
Cybernetics, Brains, IT and Art:
Transmogrification of an Artist
Expansion of information technology (IT) in engineering
and telecommunication hit the art world and changed art, craft and design.
Inevitably, IT changed artists too as this story shows as one artist tells
audiences about his experience and relationships. 1351
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Cybernetics Brains IT and Art. ©2001 Bill H Ritchie, Jr.
Comfort Zone for Reinvented Professors:
Your
Seconds Count on A DVD
A hundred-years’ habit is hard to break, but it
can be done if you start from the ground up. Maybe it would better to say, from
the underground up. “Start at the root,” this author suggests, and tells a
story to make his point, based on century-old facts. 745
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Comfort Zone for Reinvented Professors. ©2001 Bill H Ritchie, Jr.
The Next Big Thing in Public Speaking:
Making the Buttons to Push
On a hill on the Isle of the Domain of Expertise in
Public Speaking, the author forecasts the Next Big Thing—DVD design. It will
be to teaching what videotape was twenty years ago and what the Internet is
today. He demonstrates making the buttons to push. 1249
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Next Big Thing in Public Speaking. ©2001 Bill H Ritchie, Jr.
Preparing Students to Die Broke:
Toward A Better Art Education
The head of his class, a professor addresses the
retirement myth that holds back arts’ students from the future they
deserve—usefulness for the second half of their lives. He reads a best-selling
“how to” book for examples and adapts it to arts education.. 1141
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Preparing Students to Die Broke. ©2001 Bill H Ritchie, Jr.
Tricks
of the Art Trade:
Dusty Meets Trixie
Authoring a DVD involves more than meets the eye,
but what meets the eye on this author’s DVD is important because the task
requires that this artist’s own 40-year retrospective must be visually
rich—or, punning, Ritchie. He makes a character named Dusty.
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Tricks of the Art Trade. ©2001 Bill H Ritchie, Jr.
Imagining My Retrospective:
Waiting for the day
He’s been ahead of the times for so long he’s like
a castaway on a deserted island. Days of sun warm him, the air fresh, and he’s
free to imagine his art show and how it will be when he has his 40th
retrospective. A career gone awry, away or an awakening?
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Imagining My Retrospective. ©2001 Bill H Ritchie, Jr.
There is a Moment in Printmaking:
Basis of a New Experience and Relationship in the Age of Digital Information and
Telecommunications Technologies
In the process of reviewing, digitizing, noting and
uploading of his forty-years’ building of collections of art, the author
experiences moments of surprise. Art works are not products as much as they are
moments in the life of the arts’ maker and viewer.1779
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There is a Moment in Printmaking. ©2001 Bill H Ritchie, Jr.
I Call Myself A Noun:
The Undiscovered Screenplay for Bon Voyage II
To qualify for the entry-level of instructor, the
author writes a fictional illustration for his world class curriculum that
would, if adopted by a true, 21st Century university, allow him to
teach, research and practice within the constraints of freedom. 1130
Words. 5348
Characters. 2
Pages. isp10121
I Call Myself A Noun. ©2001 Bill H Ritchie, Jr.
Microsoft Art Committee Misses Again:
A Case of Golden Handcuffs
The author put his foot in it when he told a vice
president at Microsoft (after he gave the artist a private tour of the
collection in 1988), “You rank Freshman status—congratulations!” Thirteen
years later, something still is holding the brainchild back. 1471
Words. 6888
Characters. 3
Pages. isp10111
I Microsoft Art Committee Misses Again. ©2001 Bill H Ritchie, Jr.
Ink Cans That Never Run Out:
A Printmaker’s Heaven’s Gates
He taught in college that the only way to make original
fine art prints was to create, invent, discover and imagine in the medium of
origination. Now he’s moving toward a seemingly endless supply of new ideas by
laboring between tradition and technology in his reinvented arts studios. 1438
Words. 3
Pages. isp10101
Ink Cans that That Never Run Out. ©2001 Bill H Ritchie, Jr.
For
full text, complete list and writing services send e-mail to
ritchie@seanet.com
It used to be hard:
Overheard at Kinko’s
A fantasy story—while it’s plausible—it has not
yet happened, set in the year 2003. That is the year the author, an artist and
printmakers, completes his 40-year one man retrospective. He uses this story to
paint a picture of a vision of where he’s going. 810
Words. 2
Pages. isp01227
It used to be hard. ©2000 Bill H Ritchie, Jr. Full
text
A Thousand Pictures Are Worth One Word on the Web:
High flyer grounded
With ninety-seven days left in his real art gallery on
the ground, this artist assesses the time it has taken him to upload 153 works
of art to his virtual art gallery in “the skies”. The uploading of art is
the most important work of his lifetime’s work.
679
Words. 3005
Characters. 1
Page. isp01208
A Thousand Pictures Are Worth One Word. ©2000 Bill H Ritchie, Jr.
Art, Law and Sausages:
Looking the other way
What you learn about how art museums are run, how the
courts work, and what sausage is made of can ruin an otherwise enjoyable art
trip, social justice or breakfast. A stay at the Munch Museum did not ruin a
love of art—nor does it ruin a love of museums. 821
Words. 3703
Characters. 2
Pages. isp01110
Art, Law and Sausages. ©2000 Bill H Ritchie, Jr.
Lesson Plan for the Web:
My first art patron starts her day
How do you teach the ‘Net? Net literacy, some people
call it, is to be “literate in the ways of Web sites.” Others call it
“computer literacy,” an over-arching name that includes the Web, and also
the various productivity software that content owners use.1071 Words. 4720 Characters. 2 Pages. ISP00803
Lesson Plan for the Web. ©2000 Bill H. Ritchie, Jr’
Class of 60 Learns the Internet:
The first signs of new and better ways for old Boomers
Writing from the perspective of a 1960 High School
graduate, the author—who is invited to teach others from his class how to use
the Internet—begins with “the end in mind.” He considers one
do-it-yourself book as the key to help navigate the info-highway.1424 Words. 6488 Characters. 3 Pages. ISP00729
Class of 60 Learns the Internet. ©2000 Bill H. Ritchie, Jr
Eyes Closed, Picture A University:
Now Close the University
A prescient art professor’s vision of old university
art schools sets the stage for the way a new one may look and feel. He sets up
scenes that focus on art materials and information suppliers where art and
business will commingle successfully on the Web.
2007 Words. 9827 Characters. 4 Pages. ISP00726
Eyes Closed Picture A University. ©2000 Bill H. Ritchie, Jr.
What I am good at:
Older Laborer Declaration of Independence
A political speech by the Green Party’s nominee for
President, Ralph Nader, sets this artist/teacher on a thinking spree. After
being alerted to it by a friend, he replied, “What now?” back; and then he
wrote the following essay and sent it to his friend. 2556
Words. 11953
Characters. 4
Pages. ISP00711
What I Am Good At. ©2000 Bill H. Ritchie, Jr.
The New McClain’s Catalog:
Look and Feel for the Year 2001
The Chief Creative Officer of McClain’s Printmaking
Supplies and Services proposes the ways that the future paper version of the
annual catalog will look and feel. He lists three additions to the existing
version, the Y2K one created by the current owner. 1060
Words. 5426
Characters. 2
Pages. ISP00705
The New McClain's Catalog. ©2000 Bill H Ritchie, Jr.
Recognizing
ITinerate Professors:
Highest-paid Teachers’ Secrets Revealed
One way to recognize an ITinerate Professor is by seeing how he
demonstrates creative genius. This copy-written article samples discussion in
the echelons of applied information and telecommunications arts in industrial
grade artists’ domain of expertise. 2214
Words. 11500
Characters. 4
Pages. ISP00620
Recognizing ITinerate Professors. ©2000 Bill H Ritchie, Jr.
Night Money:
Strangers in the Library
A training session at SPEACON has the ITinerate
Professor teaching a phantom, imaginary class how to make the connection between
art supplies and Night Money, the theme of his myartpatron.com business plan. He
uses a narrative account of his own working. 1275 Words. 5844 Characters. 3 Pages. ISP00602
Night Money Strangers In the Library. ©2000 Bill H. Ritchie, Jr.
Joke:
Certificates
In General Systems Theory, the joke is played when the
perfection of the system itself, and not its utility, becomes its purpose.
Without the power of limits, expressed as finishing (as the result of starting),
a purpose tremor leads us to impoverishment.
1880 Words. 8910 Characters. 4 Pages. ISP00527.
©2000 Bill H. Ritchie, Jr
Theory of Gravity:
The Drawing Power of MyArtPatron.com
An Emeralda Game moment number works like an
International Standard Book Number. Writer’s books must have ISBN numbers in
order to be found by book search engines on the Web. Artists, crafts persons or
designers do not need to write a book--just a moment. 1402
Words. 6433
Characters. 3
Pages. ISP00513
Theory of Gravity. ©2000 Bill H Ritchie, Jr.
Let’s
Pretend:
The Success of ArtsPatron.com
Planning
to win a position in a startup publishing company, this is a fantasy article.
It’s a make-believe story as if being written by one of the judges of a
business plan contest and follows his 1999 article titled Biz plan competition
ripe with ideas. 940
Words. 4461
Characters. 2
Pages. ISP00509
Lets Pretend The Success of ArtsPatron. ©2000 Bill H Ritchie, Jr.
Why Now?
Buying and Selling McClain’s
When focus was invented—as part of the development of
the lens that the archeologists found—what was coupled with it was a system of
constraints that human kind was only vaguely aware of before. This
artist/philosopher makes some connections to art ideas. 1280
Words. 6186
Characters. 3
Pages. ISP00505
Why Now Buying and Selling McClains. ©2000 Bill H Ritchie, Jr.
Dating Game:
Mistaken Identities
Thomas Jefferson, one writer says, is America’s
greatest case of a mistaken identity. He is also America’s first reinvented
individual, finding himself at a gathering he thought was a high technology
seminar but finds it’s a place girls come to meet guys. 371
Words. 1806
Characters. 1
Page. ISP00415
Dating Game Mistaken Identity. ©2000 Bill H Ritchie, Jr.
What is Art Worth?
Glimpse of the Man Behind The Computer Black Book
Basing his Next Big Step toward the reality of the
restored SS United States on a chance event, the Emeralda Inventor holds an
arcane business card that came to him by way of an art auction house that is so
Twentieth Century, he cannot believe it is true. 535
Words. 2448
Characters. 2
Pages. ISP00412
What is Art Worth. ©2000 Bill H Ritchie, Jr.
A New Engine for the SSUS:
Smokeless in Seattle
Writing for the EarthSafe 2022 Journal of the
Americas, the author envisions the design for the new, smokeless engine for The
Big U, the SS United States. He credits the re-discovery of the Gates
Principles, and describes clarified plans for the articles. 480
Words. 2228
Characters. 1
Pages. ISP00407
A New Engine for the SSUS. ©2000 Bill H Ritchie, Jr.
Three Solutions to Three Problems:
Washington Arts and the Internet
A three-tiered solution is ready for problems people
have with Art Ed on the Web. The problems are distilled from comments collected
in Washington’s statewide information sweep. Solutions are summed up in three
words: Simplicity, Entertainment, and Depth. 603
Words. 2937
Characters. 2
Pages. ISP00320
Three Solutions to Three Problems. ©2000 Bill H. Ritchie, Jr
Fishing lessons:
Flying around Washington State
A Living Prints Circus is in the mind of the Emeralda
inventor as he imagines traveling over the ten domains of Washington, a tourist
in his own country. His mission is to teach people how to surf-fish the Web and
catch the breeze in their own arts sales. 859
Words. 3831
Characters. 2
Pages. ISP00317
Fishing Lessons Flying Around Washington. ©2000 Bill H. Ritchie, Jr.
If I live to be a Hundred:
Art by Government
Under a title that he created with the intention of
making contemporary artists more curious, the author teases them into thinking
about their future. He forecasts the full impact of the communications age will
be felt virtually from grassroot to the top.
932
Words. 5877
Characters. 3
Pages. ISP00309
If I live to be A Hundred. ©2000 Bill H. Ritchie, Jr
Mentor-teacher for hire:
My method revealed
An ITinerate Professor describes how a conference-crash
scene in which he was the key player got him the title to a profession in which
he aspires to excel—the mentor-teacher. He compares it to a scene in the
movie, Titanic, and sets a rule in his method. 1149 Words. 5276 Characters. 2 Pages. isp00224
Mentor Teacher for Hire. ©2000 Bill H. Ritchie, Jr.
State of the HSICICA:
Stocks to study
After an investment club called TRPI (Teaching
Research and Production Investments) this writer created a better version called
Human Structural Intellectual Capital Investment Clubs of the Americas (HSICICA).
Today he states his progress and his dilemma. 1425
Words. 7311
Characters. 3
Pages. isp00212
State of the HSICICA. ©2000 Bill H. Ritchie, Jr.
Art of Selling Art2:
Background
A professor and creator of the world’s first online
course about selling art explains the background of the course. Starting with a
science fiction approach, he describes new techniques and a history of
universities; he then begins again where he started. 1199 Words. 5805 Characters. 2 Pages. isp00211
Art of Selling Art On-line. ©2000 Bill H. Ritchie, Jr
ABC’s of Art Ed Online:
Demonstrating the Power of ActiveIndexing.com
A global view of art education may be as simple as the
ABC’s in today’s networked arts, crafts and design worlds. The Inventor of
the game, Emeralda, explains, using proceedings from Washington state’s art
commission proceedings for a strategic statement. 887
Words. 4240
Characters. 28
Pages. ISP00121.
©2000 Bill H Ritchie, Jr.
Demonstrating Emeralda Play:
Stalking the Proprietary Search Engine of Emeralda Works
Following his passion for networking with creative,
inventive, discovering and imaginative individuals in Washington state, the
Emeralda Inventor demonstrates how a proprietary search engine may help them
achieve a goal. He creates an index
as an
example. 12366
Words. 66669
Characters. 34
Pages. ISP00115.
©2000 Bill H Ritchie, Jr.
Beyond
the Art of Selling Art:
Equivocation and George’s Art
“What good is Emeralda if you doesn’t get you and keep you
integrity?” the Inventor asks himself. Proceeding with this year’s project
(the writing of the stories for Emeralda Works), he revisits an old essay called
The Story of George’s Art for an answer. 1190
Words. 5700
Characters. 2
Pages. ISP00104.
©2000 Bill H Ritchie, Jr.
For upload or for personal services,
ritchie@seanet.com
Treasure the SS United States:
Western Versus Eastern Strategy
In reading the latest newsletter from the SS United States Foundation,
the author compares his vision with the style of the Eastern efforts with a
Western way. He concludes that William Gibbs, who designed the Big U, would
appreciate the Western way more. 999
Words. 3
Pages. iSP991227.
Copyright 1999 Bill H. Ritchie, Jr. (Full text)
Do you have to ask?
Do I?
Before going to a forum of his peers to tell about his game, Emeralda, the Inventor prepares himself with hot spots of his proposal: The saving of the Earth, the naming of the players, and the structural communication system. It's a fantasy, but possible. 3171 Words. 4 Pages. SP990724 ©1999 Bill H. Ritchie, Jr.
Strangers and mentors:
Entering Emeralda's Dentalisco
A tale of two people meeting in a fantasy city called Dentalisco--where dentists reign. One is a mentor, the other a mentee. The latter becomes an apprentice user, taking her first steps into a world of cybernetics where Leagues of Emeralda Masters reign. 1405 Words. 2 Pages. SP990530 ©1999 Bill H. Ritchie, Jr.
Property values:
What's in it for them?
Emeralda is the description of property values that derive from the third column in triple-entry bookkeeping. The systemic failure of educational institutions branches from the roots of failing to manage description. The author's tape archive illustrates. 1594 Words. 2 Pages. SP990529 ©1999 Bill H. Ritchie, Jr.
Copying reality:
Greenfields work--or they don't
An appendix of a business book provides a creative artist with ideas to create a strategic partnership with an arts museum without getting eaten up in the procedures. He calls it Greenfields, from the terms in the business-men's language that mystify him. 1654 Words. 2 Pages. SP990528 ©1999 Bill H. Ritchie, Jr.
Between two worlds:
A rock and a hard place?
The inventor of Emeralda walks a path between two worlds--sometimes narrow, sometimes wide, sometimes on a precipice. Art's world and the world of healthcare, he says, were divorced from one another hundreds of years ago. New technologies can rejoin them. 259 Words. 1 Page. SP990526 ©1999 Bill H. Ritchie, Jr.
My
MOGO User's Group:
First time for everything
The facilitator for MOGO User's Group in Seattle
writes about the group's first meeting. He writes that first times for things
take place in a pro-active person's mind and is followed by the real things.
Concepts precede reality, like an arts performance. 1281
Words. 6065
Characters. 2
Page. SP990525
My MOGO Users Group. ©1999 Bill H Ritchie, Jr.
Playing
corporation:
Co-operation is just a letter away
You can learn how to better manage economic
circumstances by comparing some condominium corporations to a cooperative
approach to living and practicing your art and craft of dentistry. I call it
"Playing corporation," like the idea for "Teaching Company".
350
Words. 1843
Characters. 1
Page. SP990330
Playing Corporation. ©1999 Bill H Ritchie, Jr.
Accrediting
the DAMIS:
Rules of a New Game
You might as well describe the shapes of clouds
as to describe the job description of the Dental Assistant Manager of
Information Services writes this artist/philosopher about the practices of
writing job descriptions in the age of digital communications. 648
Words. 3172
Characters. 2
Page. SP990329
Accrediting the DAMIS. ©1999 Bill H Ritchie, Jr.
Take
Risk, for Example:
Seriously, folks
“Take risks!” We've heard it a hundred times,
how it's necessary to take a leap into the unknown if you want to get ahead, or
even to just keep up. But isn't this a contradiction to the cases against
competition? ponders this reader of Alfie Kohn’s works. 785
Words. 3644
Characters. 2
Page. SP990328
Take Risk for Example. ©1999 Bill H Ritchie, Jr.
Business
pla
ns past:
Artifacts of the competition
This dreamer closed his eyes saying, "I wish
I could teach art on line." This dream came true; he has "taught
art" on-line, and it is time to move on to another dream: "I wish I
could now earn money for my skills and be a useful member of the human
race." 713
Words. 3112
Characters. 2
Pages. SP990327
Business Plans Past. ©1999 Bill H Ritchie, Jr.
Day
of Reckoning:
The AUDAMIS Surveys the Jungle
He experiments in the dental field with the idea
that dentists could use some help in the area of digital communications. He
joins his dentist friend at a conference and focuses on the topic of Practice
Management, reminding him of teaching in art school. 413
Words. 2112
Characters. 1
Page. SP990326
Day of Reckoning. ©2003 Bill H Ritchie, Jr.
You can too teach art on-line:
An old newcomer writes the rules
Professing to teach art on-line, the author
writes between on-line sessions. He works symmetrically around a creative,
inventive, discovering and imaginative world—an imaginary world based on human
structural intellectual capital having its own economics.