RIISMA 'ZINE ESSAYS |  |
Summaries of essays about not-for-profit and fee-based
teaching, research and practice. I used to be published in paper-based media and occasional exhibition catalogs.
Today I publish on-line from my electronic research "think tank"
studio in Seattle.
If full text to read on-line is not indicated below, it is available by request.
E-mail me at: ritchie@seanet.com
(To preview or get
full-text downloads or custom service, send e-mail to ritchie@seanet.com)
NEW! Treading the Web in
Emeralda:
Studying Donald Kunze
When he surfed the three or four sites on the Internet
created by or about professor Donald Kunze, this Itinerate professor has a
gut-wrenching experience of having arrived at the reality he called Emeralda
region, where lofty ideals and new art converge.
892
Words. 4169
Characters. 2
Pages. iri31206
Treading the Web in Emeralda. ©2003 Bill H Ritchie, Jr.
Vision:
Another year of living copiously
A payoff in Emeralda is a year of living copiously. It means planning a
departure on December 15th of each year—a tour of duty for this
artist, teacher, researcher and service provider. As his 7th year in
Emeralda Region comes to a close, he says goodbye.1422
Words. 6310
Characters. 3
Pages. iri31128
Vision Another Year of Living Copiously. ©2003 Bill H Ritchie, Jr.
Play Art is Dead:
I begin my new career
When he was a student and he had to choose one career
path. He chose printmaking and let his other two passions—ceramics and
sculpture—wait until he completed his printmaking journey. Printmaking led him
to a new level, creating digital art games on a PC. 1407
Words. 6236
Characters. 3
Pages. iri31126
Play Art is Dead. ©2003 Bill H Ritchie, Jr.
Live A Perfect Day:
My idea of the Perfect Studios
He’s faced with the risk of turning his back on his
talent, he thinks, so this artist/essayist writes down an accounting of how he
should spend the first hour of a day. One small project may be enough to anchor
him as he faces a troubled time in his life. 822
Words. 3774
Characters. 2
Pages. iri31116
Live A Perfect Day. ©2003 Bill H Ritchie, Jr.
Thoughts at the Hotwire:
Ending one career, beginning a new one
For three years this artist has been in a retrospective
mood, thinking about the things he may have done wrong and things he may have
done right. In a coffee shop he sits amid selections from of his 40-year career
and writes these comments about his life.
1153
Words. 5128
Characters. 3
Pages. iri31106
Thoughts at the Hotwire. ©2003 Bill H Ritchie, Jr.
Gamer Designers Warning:
Take notes!
He isn’t designing a video game, but he is reading a
video game designers’ advice book while he’s making a hasty version of an
electronic portfolio for one of his traditional drawing class students. This
story is about taking notes on this new experience. 771
Words. 3627
Characters. 2
Pages. iri31027
Gamer Designers Warning. ©2003 Bill H Ritchie, Jr.
A
User Interface for Online Art Ed:
One application in beginning drawing at a distance
What is the reason that the fine art studio
practices teacher is trailing behind other efforts to extend the traditional
educational forum to the web? There’s one way to create a new approach, this
teacher says, and its by using an element of pop culture. 1339
Words. 6969
Characters. 3
Pages. iri31007
A User Interface for Online Art Ed. ©2003 Bill H Ritchie, Jr.
Stuck in A MUS on RIISMA:
Comparing Dungeons with Studios in Emeralda
While admitting he’s not a video game developer, the
author—who’s also an artist and academic—wants to find a way to win his
way into the game world by mapping his domain of expertise onto the milieu of
online games. He thinks dungeons compare to studios. 1446
Words. 6684
Characters. 3
Pages. iri30907
Stuck in A MUS on RIISMA. ©2003 Bill H Ritchie, Jr.
From
Designing Virtual Worlds:
By Richard A. Bartle
The author (a professor) has been living in an imaginary world since he
resigned—or was expelled—from an art school in ‘85. There’s the real
world he’s dreaming about, an art world with an art education foundation
rooted in an age of digital reproduction.1656
Words. 7813
Characters. 3
Pages. iri30828
From Designing Virtual Worlds. ©2003 Bill H Ritchie, Jr.
The Widow and Me:
A short story
An art museum worker who hates his job but loves art
discovers a talking black widow spider in a mysterious artwork he’s preparing
to catalog. The talking spider spins a yarn that’s a web-like network
connecting the pieces of the art to one central theme. 1782
Words. 7714
Characters. 3
Pages. iri30709
The Widow and Me. ©2003 Bill H Ritchie, Jr.
How to Succeed in Distance Art Education:
Going after the right audience
Studying an article in the Chronicle of Higher
Education, the creator of a digital game-based learning program for art
education gleans ideas for a needs assessment phase. He’ll need his assessment
as he gets ready to approach an art museum with his idea. 1608
Words. 7869
Characters. 3
Pages. iri30609
How to Succeed in Distance Art Education. ©2003 Bill H Ritchie, Jr.
What’s in this Game for Me?
Random notes from my stamp diary
The inventor of a digital game-based learning product
and service must search everywhere for clues to solve the riddles in a new
medium. Content seems to be important at first and then context. He makes random
notes while working on his electronic stamps. 460
Words. 2284
Characters. 1
Pages. iri30609
What is in it for You. ©2003 Bill H Ritchie, Jr.
Where Do We Go From Here?
Reflections on Emeralda
Watching himself as if from outside his body and mind,
the Emeralda inventor pauses to think about the last move he made—saving a
stamp image in two file types in two places. Does this compare to a
pre-meditated move in a chess game? Reflection is key. 1115
Words. 5238
Characters. 3
Pages. iri30530
Where Do We Go From Here. ©2003 Bill H Ritchie, Jr.
Marvelous
Artist Stamp:
Flight from 1964
Before he composes his new stamp titled “Flight
1964,” the artist comments on the process unfolding before him on his PC. He
taps the words of an MIT architecture prof as a template to explain what makes
his stamp a cyber art work and an electronic stamp. 906
Words. 4270
Characters. 2
Pages. iri30331
Marvelous Artist Stamp Flight. ©2003 Bill H Ritchie, Jr.
Are
We Having Fun Yet?
Days in the life of a SIMaller.
The missing professor from the story, Women
Who Fell to Earth, role-plays as vendor at the Seattle Independent Mall. He
describes the activities that happen while he's at his new location - the
Professor's Cabinet - at the temporary location he calls SIM. 1076
Words. 4855
Characters. 2
Pages. iri30110
Are We Having Fun Yet. ©2003 Bill H Ritchie, Jr.
Purpose Statement:
The Professor’s Cabinet
After renting 160 square feet on Seattle’s Pike
Street he wrote: Professor's Cabinet is Bill's Gate to his family's legacy of
art, crafts, design and memorabilia, a garage sale and digital estate
liquidation, on site and out of sight, off-line and online. 875
Words. 4096
Characters. 2
Pages. iri21126
Purpose Stat. ©2002 Bill H Ritchie, Jr.
SIM-U
- A modest Proposal:
A new operating system
Subject: The artist/scholar reads the Chronicle
of Higher Education thinking it will help him prepare for lifelong teaching and
learning. Seeing an article about the need to reform higher ed he starts
re-writing it to fit art education, a basis for art ed on-line. 1132
Words. 6172
Characters. 2
Pages. iri21116
SIM-U A Modest Proposal. ©2002 Bill H Ritchie, Jr.
Questions to an Arts Director:
Answers you should get
It’s the island of RIISMA, but he’s stranded at the
Seattle Independent Mall, overseeing The Professor’s Cabinet’s space.
Searching the missing professor’s files, he finds a forgotten essay written
years ago when he was applying for a job at a new school. 5946
Characters. 1197
Words. 2
Pages. iri21106
Questions to an Arts Director. ©2002 Bill H Ritchie, Jr.
Professor’s Soup of the Day:
Public Intellectual’s recipe for success in the marketplace
The virtual, virtuous public intellectual, in this case
an artist/scholar, has a recipe for his routine practice. With descriptive
names, he keeps a digital record on a PDA, recipe book of ideas, and then looks
for an incubator, a place to let these rise. 809
Words. 4000
Characters. 2
Page. iri21027
Professors Soup of the Day-Public Intellectual recipe.... ©2002 Bill H
Ritchie, Jr.
Imagination Database:
A Mountain of Gold and How to Mine It
Imagination is worth more than knowledge. He who said
this also said that man’s most powerful invention was compound interest.
Einstein was a man of diverse knowledge and, apparently, imagination. The age of
digital reproduction brings new mining methods. 4164
Characters. 864
Words. 2
Pages. iri21017
Imagination Database-A Mountain of Gold and How to Mine it. ©2002 Bill H
Ritchie, Jr.
CD or Not CD:
That is the Question
At the age of sixty, an artist/scholar’s mind may
turn to notions of retirement and old age security. Or he or she may have seen
the myth of retirement for what it is—a choice between deposits of
intellectual capital or capital of more conventional kinds. 832
Words. 2
Pages. iri20927
CD or Not CD That is the Question. ©2002 Bill H Ritchie, Jr.
Thrills of A Change
Agent in the Age of Digital Reproduction:
Reflections on Being An Art Student in the Sixties
Born in 1941, this artist/scholar looks back and
sees he was lucky to have been watching the radar screen closely when the blip
that was video crossed in front of him in his art classroom studios thirty years
later. Now he’s got a better economic outlook. 531
Words. 1
Pages. iri20917
Thrills of A Change Agent in the Age of Digital Reproduction. ©2002 Bill
H Ritchie, Jr.
Beyond Face Value:
Art in the Age of Digital Reproduction
A printer explained how the diplomas on true sheepskin
used to be made. They made a striking image—had high face value and indicated
the prestigious nature of the school. In the age of digital reproduction this
author says interface value makes more sense. 593
Words. 1
Pages. iri20907
Beyond Face Value. ©2002 Bill H Ritchie, Jr.
In Back of the Latte Shop:
Off Center and Mobile
Where will he write his next interesting book, and for
what kind of audience? This author looks back and realizes he’s done most of
his creative work in back offices, store rooms, and on the streets or
Seattle’s bus lines. Off-center or mobile—that’s key. 1162
Words. 2
Pages. iri20828
In Back of the Latte Shop. ©2002 Bill H Ritchie, Jr.
A Pitch to Kinko’s:
The Loveliness of A Cross-country Printer
The artist in a reinvented arts studio may not
want to continue his printmaking in the manner of the past century, but it is
lovely to be able to share images on paper with someone across the country.
Kinko’s has the best way to do it, this artist thinks. 652
Words. 2
Pages. iri20828
Pitching to Kinkos as Kinkos Pro. ©2002 Bill H Ritchie, Jr.
In A Moment the Death of the Professor
But First Here’s A Word from Our Sponsor
As he goes through his routine, burning his CD/R discs on one computer to
transfer them to another, he gets an eerie sense he’s part of a dramatic tale
in which his life is being told in the future via a handheld reader—the kind
college students use then. 903
Words. 2
Pages. iri020828
In A Moment the Death of the Professor-. ©2002 Bill H Ritchie, Jr.
My First Gain from the After School Program
A Frequently Asked Question about DVD
On an outreach project to teach artists’ e-folios,
the author meets with a person who provides him with the first question about
the e-folio medium he’s chosen—Digital Versatile Disc—as the goal of his
art education projects. Why DVD and not CD? she asks. 489
Words. 1
Pages. Iri20818
My First Gain from the After School Program. ©2001 Bill H Ritchie, Jr.
At the Beach, Are Things Different?
Notes from A Traveler
During an overnight trip the Itinerate Professor looks out on the Pacific
Ocean and tries to relate his daily routine activity to this unusual location.
He’s far from his neighborhood and his prospecting for the next step in
developing his game, Emeralda. 1044
Words. 2
Pages. iri20808
At the Beach Are Things Different. ©2002 Bill H Ritchie, Jr.
Your Neighborhood CTC-A Smart Investment:
Distance Learning Gets Close to Home
The Great World Teachers were envisioned long ago, but
not far away by global standards, and today their own neighborhoods will bring
their classrooms closer to home and yet far away. New generations are getting
on-line for their educational buck’s worth. 755
Words. 2
Pages. iri20729
Your Neighborhood CTC-A Smart Investment. ©2002 Bill H Ritchie, Jr.
Tipping-in
Artistamps at RIISMA
:
Using
Women in Seattle
He’s looking for the tipping point to cause an epidemic of interest in
EarthSafe 2022. In several women he recently encountered in his search he’s
found the formula for causing an epidemic in the form of artistamps, he dreams
the best will happen at last. (Incomplete copy-written essay) 6911
Words. 12
Pages. iri20719
Tipping In Artistamps at RIISMA. ©2002 Bill H Ritchie, Jr.
Artist Aboard the Board of Trustees on the Queen Anne
Chamber of Commerce?:
IT’s About Building Trust in Artists, Crafts People and Designers
Believing there’s a need to improve communication
between the worlds of business and the arts professions, the artist/scholar
considers the merits of being on a board of trustees of the local Chamber of
Commerce. He lists what he would do if on the board. 1116
Words. 2
Pages. iri20719
Artist Aboard the Board of Trustees. ©2002 Bill H Ritchie, Jr.
Where The Rubber Hits the Highway:
(Or) We hit the ground running on the Information Highway and build our lane as
we travel IT.
For anyone planning an on-line, interactive hybrid
class in DVD, it is a challenge, especially when no one has ever done it before.
In the whole wide world, there’s only one place and one time it could
happen—here in Uptown Seattle, in the Summer of 2002. 436
Words. 1
Pages. iri20709
Where the Rubber Hits the Information Highway. ©2002 Bill H Ritchie, Jr.
Teaching Frank Emeralda:
Ground rules for a beginner
Restoring files from a “cured” computer named Susan
Frank, the author pretends “Frank Susan” is a newcomer to Emeralda play.
It’s a surprise benefit from a near disaster that almost doomed his legacy to
permanent cyber amnesia, so like the story he wrote. (Incomplete essay
awaiting recovery of lost reference book) 246
Words. 1
Pages. iri20709
Teaching Frank Emeralda. ©2002 Bill H Ritchie, Jr.
Frank’s Story:
True Stories from A Silicon Machine
Always as interested in anthropomorphizing his
computers as using them as cold, dead devices in his re-invented arts studios,
the author pretends his new computer he named Frank Susan is speaking about the
way he’s treated alongside others that Bill uses. (Incomplete
essay) 337
Words. 1
Pages. iri20709
Franks Story. ©2002 Bill H Ritchie, Jr.
Artist’s Games:
Past Present Future
There’s a new game in town, according to this artist.
He’s a scholar who believes games are the portals for the lifelong learners
who strives for a safe Earth. He promotes the new games as being the town, and
explains how he views past, present and future. 971
Words. 2
Pages. iri20709
Artists Games. ©2002 Bill H Ritchie, Jr.
IT IS Rocket Science:
And Brain Surgery Cannot Be Made Fun and Easy
Looking back on forty-years in higher arts education,
the author concludes that the age of digital reproduction holds promises and
perils for adult learners. Trying the precarious professions in the arts and
education are not as simple as grown-ups hoped. 770
Words. 2
Pages. iri20629
IT IS Rocket Science. ©2002 Bill H Ritchie, Jr.
Lex and the Chair:
My Night at Vel’s
The artist/scholar visited the home of Vel, a neighbor
who promotes creative writing by having people in her home every two weeks. For
about ninety minutes they write and then read. They do it for themselves and one
another in a truly creative convention. 814
Words. 2
Pages. iri20619
Lex and the Chair. ©2002 Bill H Ritchie, Jr.
Bill Makes A Poster for Fran:
Challenging the Art Committee
On the pathway toward Emeralda City and his Perfect
Studio, Bill-an artist—makes a poster for his patron named Fran. She sponsored
him in the event-driven stroll so he could indulge in an old-time poster
project. Now he recounts the steps and looks ahead. 1363
Words. 3
Pages. iri20619
Bill Makes A Poster for Fran. ©2002 Bill H Ritchie, Jr.
New Vision for LMASOMACAD:
A cooperative
After eight years, the Living Museum And School for
Computer Arts Crafts and Design rises again for artist/teacher. He contemplates
the availability of more pro-active members closer to his own community. He
envisions the beginning in artist’s solidarity. 1343
Words. 3
Pages. iri20609
Living Museums. ©2002 Bill H Ritchie, Jr.
Living Museums:
Showing works of art in the age of digital reproduction
The work of art in the age of mechanical reproduction
was severed from the artist, as in Adam Smith’s philosophy of dividing
laborers from the products of their labors. In the age of digital reproduction,
maker, made and making are reunited as one action. 924
Words. 2
Pages. iri20609
Living Museums Showing. ©2002 Bill H Ritchie, Jr.
12 Free DVD Talks:
Twelve-step primer for PC/DVD making
Introduction to hybrid online classes in making Digital
Versatile Discs by cooperative coalition of creative artists, crafts people and
designers living in Uptown Seattle. It’s a tuition-free, noncredit class intended to promote community
among neighbors. 406
Words. 1
Pages. iri20530
12 Free DVD Talks. ©2002 Bill H Ritchie, Jr.
Four Ways to View Emeralda:
Gates to A Paradigm for Looking
The inventor of Emeralda muses over the possibility of
entering the fantasy regions from which he derived his methods of play in The
Dictionary of Imaginary Places, and how he would describe and style Emeralda
Region and its ten islands in the great lake. 1777
Words. 3
Pages. iri20510
Four Ways to View Emeralda. ©2002 Bill H Ritchie, Jr.
John Nash Upstaged:
Dare to say No to Analysis
The attention to John Nash’ mental illness and
consequent development of the film A Beautiful Mind gives rise to this
author’s memory of his experience. The difference is that today there’s an
alternative to damaging the beautiful mind, thanks to the Web. 1132
Words. 2
Pages. iri20321
John Nash Upstaged. ©2002 Bill H Ritchie, Jr.
Passing the Electronic Passport Test:
The Bar of Art
Role playing a beginner who’s trying to gain entry to
RIISMA’s phrontisterion—the island’s think-shop—the author plays two
roles: the Tester and the Tested. His passport fails the strict, standardized
tests, but he fixes it after getting help on the ‘Net. 961
Words. 2
Pages. iri20301
Passing the Electronic Passport Test. ©2002 Bill H Ritchie, Jr.
Stamp Collecting in Emeralda:
Passages into artists’ phrontisteria
Emeralda is a game of stamp collecting. Reality and
Emeralda are worlds apart, and the passport of the inventor allows him a passage
into the worlds of other creative people. They become his main pathway of
experience and relationship over space and time. 615
Words. 2
Pages. iri20209
Stamp Collecting in Emeralda. ©2002 Bill H Ritchie, Jr.
Gate Key to Success in Printmaking:
Globalism and Living Prints
The gate key to success, this artist/scholar believes,
is the print exchange. The exchange of prints is more important than prints
themselves, for it’s the report on the exchanges that we actually communicate
using alternatives that the Internet gives us. 553
Words. 1
Pages. iri20130
Gate Key to Success in Printmaking. ©2002 Bill H Ritchie, Jr.
Writing Between the Paragraphs – Interval 2:
The man with two brains
Writing a series of paragraphs between those of a
favorite professor/author, this man sees himself doing a bunch of somewhat
unrelated tasks. This handyman, computer geek, author and artist. explains that
he has two brains each with a left and right side. 4219
Characters. 904
Words. 2
Pages. iri20110
Between the paragraphs - Interval 2. ©2001 Bill H Ritchie, Jr.
(To preview or get
full-text downloads or custom service, send e-mail to ritchie@seanet.com)
AUREL, The Filing System for Art Ed On-line:
An art professor’s modest proposal
He claims to have a better idea for art educators in
the 21st Century, calling it Art Ed On-line. At the heart of
the proposal is an intelligent agent called AUREL, a means by which anyone can
be located as a “resource” for art, craft and design services. 1164
Words. 2
Pages. iri11231
AUREL, The Filing System for Art Ed On-line. ©2001 Bill H Ritchie, Jr.
Reflections of An Angry Professor:
A life’s work going into a dustbin
After two generations in the arts—the first in
learning and the second used to un-learn and re-learn new ways for the
re-invented arts studios, an older, wiser artist/professor contemplates his
past, present and future while taking artifacts to a dustbin. 1723
Words. 3
Pages. iri11126
Reflections of An Angry Professor. ©2001 Bill H Ritchie, Jr.
Notes on A Future Printmaking Class:
Observations by an outsider
An article about the successful adaptation of role
playing game theory to teaching history inspired this art professor to describe
a make-believe class. Students can learn art processes on-line, he posits, by
role playing and then meeting in real studios. 1164
Words. 2
Pages. iri11116
Notes from A Future Printmaking Class. ©2001 Bill H Ritchie, Jr.
Teacher’s Anxiety Dream Coming True:
First day of class since I don’t know when
Teaching anxiety dreams are described in an article in
the Chronicle of Higher Education, and it says every teacher has them. They are
nightmares, actually, and follow the same general pattern. Students, too, and
former students. The artist/scholar, also. 1581
Words. 3
Pages. iri11106
Teachers Anxiety Dream Coming True. ©2001 Bill H Ritchie, Jr.
Far Away from Emeralda, So Near
Mobile studios in the age of digital communication
On an overnight getaway, the Seattle-based Itinerant
Professor reflects on the mobility of his virtually perfect studio at a mountain
lodge 150 miles from home. His invention, a game called Emeralda, makes it
possible for him; he believes anyone can play. 1197
Words. 2
Pages. iri11027
Far Away From Emeralda So Near. ©2001 Bill H Ritchie, Jr.
(Article
titled Rays of Hope for On-line Art Ed was corrupted by a virus and
appears to be lost. It was dated October 17, 2002. The author is on the lookout
for a thread that would lead to its recovery perhaps on the Web, in e-mail
exchanges, or correspondence, hand written journals, etc.)
Routine Activity of the Emeralda Master:
Opening your passport DVD
He is the inventor of Emeralda: Games for the Gifts of
Life, so he has given himself the title of “Master” and proceeds to write
about his typical routine activity. He conducts a self-test to see if his
passport works, describing what you’d see on screen. 1214
Words. 2
Pages. iri11007
Routine Activity of the Emeralda Master. ©2001 Bill H Ritchie, Jr.
Art Teachers On-line Not On Time:
On-line art teachers of tomorrow are in class now—but not for long
Future art teachers, while they’re students, are
learning to use new technologies that their teachers are slower at adopting.
Continuing growing in that usage, the next stage they’ll reach is to create
their own resource--plus the all-important interface. 2033
Words. 4
Pages. iri10927
Art Teachers Online Not On Time. ©2001 Bill H Ritchie, Jr.
Getting, and Giving, Away:
Kicked out of my studio
Itinerant professors are nomads, with no permanent
classroom. This art professor has no studio, either, unless you can call a
studio apartment a “studio”. It is likely, however, he requires instead a
computer, database and dial tone in a global.edu world. 1646
Words. 3
Pages. iri10917
Getting and Giving Away. ©2001 Bill H Ritchie, Jr.
Why No One Thought of Emeralda Before:
One-hundred years of bad art ed
Asking this question himself and searching for the
answer, the inventor of Emeralda lands upon a possibility: That after
one-hundred years of misguided art education, how could anyone think of a
revolutionary game and align the arts and economic theories? 983
Words. 2
Pages. iri10828
Why No One Thought of Emeralda Before. ©2001 Bill H Ritchie, Jr.
What You Are Looking At:
My DVD—Blue book of the 21st Century?
He’s thinking to find another way to explain his DVD.
He believes he is the only person in the country who is making Digital Versatile
Discs with the idea to develop a new approach to universal education using the
Internet and newer communication systems. 1630
Words. 4
Pages. iri10719
What You Are Looking At My DVD. ©2001 Bill H Ritchie, Jr.
How would you do IT?
Professor fakes answer
Taking a test in the game of life, an older person
remembers the tactic of skipping those that are hard and going back later. Doing
Information Technology—IT—was an unanswerable question that now isn’t.
Teaching art ed on-line, for example, is answerable. 1306
Words. 3
Pages. iri10629
How Would You Do IT Professor Fakes. ©2001 Bill H Ritchie, Jr.
Fallacy of the Hand Print:
Reminder from the Cave
A rally for standards that define handmade prints and
calls for written standards to help the printmaking community, reminds this
author of the arguments he heard in the past. Attending to this he reviews what
his research discovered when the storm ended. 1014
Words. 2
Pages. iri10619
1 2 3 Fallacy of the Hand Print. ©2001 Bill H Ritchie, Jr.
Putting Susan to Sleep:
She’ll Never Know
A theme of EarthSave2022 copies advertising, which
effected the last century in the USA in the way of a national religion. Ad
campaigns always had a theme. Awakening is my core theme, and as its chief
architect I wind each thing around it—even a car trip. 1101
Words. 2
Pages. iri10609
Putting Susan to Sleep She Will Never Know. ©2001 Bill H Ritchie, Jr.
Opening Soon Near You:
Reform School for Educational Miscreants
I reach for my textbook, starting again from the cover.
I’m in reform school, and I wonder how many tries I will get before my time is
up. Reform school is hard, but harder I think than it should be. Oh, if only I
had some classmates! But, would we cheat? 448
Words. 1
Page. iri10530
Opening Soon Near You Reform School. ©2001 Bill H Ritchie, Jr.
Testing 1- 2- 3:
How I Make My DVD
While working on the world’s first DVD about
printmaking, the author takes a break and goes to test a new software
company’s online service. It is a little like the company he made for himself
to test his DVD. He compares it to an enterprise, and risking. 992
Words. 2
Pages. iri10510
Testing How I Make My DVD. ©2001 Bill H Ritchie, Jr.
Forty
Remarkable Years
:
Re-interrupting the
Past
“Interfere, always interfere” is the author’s restatement of a
famous quote by Goethe: “Connect, always connect”. Twenty years into a now
forty-year long career he saw electronics’ interrupt human interaction with
Earth and we find ourselves in a dilemma. 1207
Words. 2
Pages. iri10420
Forty Remarkable Years Reinterupting the Past. ©2001 Bill H Ritchie, Jr.
Mindless Games in Mindful Times:
Contemptuous in Seattle
Times try an artist’s soul as he tries to comply with
a grant application. It’s too big to ignore, and too little to take too
seriously. Compared to what he could be doing, he thinks it is a mindless game.
He could be playing a mindful game, like his own. 982
Words. 2
Pages. iri10410
Mindless Games in Mindful Times. ©2001 Bill H Ritchie, Jr.
Tres Passing Ferries:
A Screen Play
Setup for a screen play this artist/scholar uses
to visualize his ideas that would be a suitable back ground for his game,
Emeralda. As Dusty he’s putting his mustache, getting ready for his
four-second shot at fame. He’s talking to himself in the mirror. 845
Words. 3
Pages. iri10331
Tres Passing Ferries. ©2002 Bill H Ritchie, Jr.
Ask A Computer:
Immutable
Dolphins
Where does wisdom come from? John Lilly said Ask A Dolphin. But if
there are no dolphins, then whom do you ask? The author invents a computer game
to find answers he can share through technology, and a magazine he named Emeralda,
a Digital Versatile Disk. 1098
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Pages. iri10331
Ask A Computer Immutable Dolphins. ©2001 Bill H Ritchie, Jr.
RIISMA Screenplay Workshop
:
Dusty
Appearance in Tres
Passing Ferries
Exploring ways to weld traditional screenplay writing (as in movie and TV
traditions) to emerging technologies promises artists, writers and teachers new
opportunities. In a fantasy workshop a theme has been chosen and the action
started before breakfast. 1238
Words. 4
Pages. iri10321
RIISMA Screenplay Workshop. ©2001 Bill H Ritchie, Jr.
My First DVD:
Reflection on A Silver Disk
Excited as a kid with his first working gizmo, or like the time he helped
make the first laser video disk over fifteen years ago, the author thrills at
the prospect of sharing his achievement. He has a fantasy visit with a DVD
producer and museum curator. 1242
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Pages. iri10311
My First DVD Reflection on A Silver Disk. ©2001 Bill H Ritchie, Jr.
Beans Started Grandma’s School of Multimedia Arts:
Not Everything I learned on Grandma’s Knee
It must have been the beans in the Chili Bilo he ate that gave him great
dreams. From discovery of early work to the naming of Grandma’s School of
Multimedia Arts—what fine visions! The author explains events that lead to a
new approach to art education. 2135
Words. 4
Pages. iri10301
Beans Started Grandmas Multimedia
Art School. ©2001 Bill H Ritchie, Jr.
Dreams Work at RIISMA:
Recurring Revisiting the School of My Dreams
Writing about a dream within minutes of having it is a good way to start a
day at RIISMA. A dream that is about institutional art education is especially
well suited, and that it should be about the start of a woodcut class is
probably the very best kind. 2482
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Pages. iri10219
Dreams Work at RIISMA. ©2001 Bill H Ritchie, Jr.
Assuming
Foot-shooting:
Auctioning Art On-line
An on-line art auction will be the only manner in which the dying artist can
insure that his or her legacy turns into bankable cash. Transferring legacy is
the goal of Emeralda play, but one can shoot oneself in the foot if one
repudiates the value of it. 1482
Words. 3
Pages. iri10209
Assuming Foot Shooting and Art Auction Online. ©2001 Bill H Ritchie, Jr.
Living Prints Goes to Japan:
The Mystery of the Missing Casket
The mysterious disappearance of a little casket almost a hundred years ago
is recalled by an unlikely encounter in a sushi bar in Nara, Japan. The Emeralda
Player dreamed this story up one morning, thinking he was part of a digital
versatile disc project. 4015
words. 7
Pages. Filename: iri10130
Living Prints goes to Japan. © 2001 Bill H Ritchie Jr.
Dimestore Dreams and Inventing Emeralda:
A Boy Choosing Model Airplanes, A Man Choosing Metaphors
Smells evoke memories of the most surprising kinds, sometimes bringing with
associations that are even more surprising. Boyhood model airplane-building came
to mind as this Emeralda Inventor made coffee, and he speculates on those
experiences and today’s. 1642
words. 3
Pages. Filename: iri10129
Dimestore Dreaming and Inventing Emeralda. © 2001 Bill H Ritchie Jr.
Emeralda Dreaming:
Painting the Big Picture of the Big U
While planning a pleasant summertime art workshop experience at a local art
supply store, the dreamer unveils a bigger idea that is the true mission of his
wildest dream: The restoration of the SS United States, a cruise ship stilled
partway through life. 1590
words. 3
Pages. Filename: iri10120
Emeralda Dreaming Painting the Big Picture. © 2001 Bill H Ritchie Jr.
Silverpoint Comes to Your Screen:
Vision in My Viewer
There is an artist presenting a demonstration of silverpoint drawing in my
area, and I want to capture what she says so the whole world will know about
this way of drawing. She’s more practiced than I, so why not imagine what
could happen, soon? Why wait? 1178
words. 2
Pages. Filename: iri10110
Silverpoint Comes to Your Screen. © 2001 Bill H Ritchie Jr.
(To get RIISMA 2001 essay full text uploads or other custom
services, send e-mail to ritchie@seanet.com)
Disattentuation:
Loosing the Press
Paradoxically it is the printmakers who can loosen the
chokehold of the printing press that too often slows information about creative
arts, design and crafts opportunities for older,
retirement age folks. The author introduces the Printmaker’s Bluebook. 959
Words. 2
Pages. IRI01231.
©2000 Bill H Ritchie, Jr.
I couldn’t believe what that guy said!
Report from an intern sent to RIISMA
A fantasy story to help illustrate a new product and
service the author is designing that helps teachers create an on-line and actual
printmaking class. He imagines what an art student printing intern at a museum
would think after learning all about this. 1411
words. 3
Pages. Filename: iri01227
I could not believe What That Guy Said. © 2000 Bill H Ritchie Jr.
Refusal to Mourn the Death, by Cancer, of An Art
Patron in Portland:
Interview with the Author of Ghosts in the New Machine
A mock interview with myself with a fantasy “FS”—voice from a ghost in
my new machine. I thought of this “interview” as I was unpacking my newest
computer, and how the late Gordon Gilkey, revered patron of printmaking,
exemplifies the sacred cows we love. 568
Words. 1
Page. iri01104
Refusal to Mourn the Death of an Art Patron. ©2000 Bill H Ritchie, Jr.
AFAQ about Myartpatron.com:
Turning point
It was a trip around the world and a chance encounter with a dead
teacher’s family in Montana that turned this artist’s lifelong mission
toward opening his own gallery, studio and school. He answers the question,
“What made you drop out of the art world?” 1551 Words. 3
Pages. iri00919
Myartpatron dot com Turning Point. ©2000 Bill H. Ritchie, Jr.
EarthSafe 2022:
Revisiting and revising
On June 29, 1998, Bill Ritchie wrote about using miniature, postage-size
artwork as part of his 1992 vision of a saved-Earth (EarthSafe 2022) project. He
played a game: Getting into and out of Kinko’s for less than $5 and 5 minutes
with a sheet of stamps. 1324 Words. 3
Pages. iri00810
EarthSafe 2022 Revisiting and Revising. ©2000 Bill H. Ritchie, Jr
Children’s Games:
Small Human Structural Intellectual Capital
Why do grownups hesitate to join HSIC clubs, and children don’t hesitate?
Even investment clubs, of the usual kind, strike many adults as suspect; they
hesitate to become members. Compared to children, adults seem to have more
obstacles to joining groups. 916 Words. 2 Pages. iri00806
Childrens Games Small HSIC. ©2000 Bill H. Ritchie, Jr
Startup
Assistant Needed:
Equity Position
Discussions by people who have a vision of a business come to this
question: “How do we bridge the gap between having money to invest in an
assistant, on one hand, and the assistant—on the other hand, is not trained?
Can we afford it?” What is the choice?
1097
Words. 2
Pages. iri00727
Startup Assistant Needed Equity Position. ©2000 Bill H Ritchie, Jr.
Business, Games and Emotional Intelligence:
Traumatic
Invention Intervention
The combination of his boyhood experiences and career changes causes the
author to create a game, much like the way children deal with traumas. According
to Daniel Goleman, the inventor of Emeralda—an online interactive game—is a
notable example. 1445
Words. 3
Pages. iri00629
Business Games and Emotional Intelligence. ©2000 Bill H Ritchie, Jr.
Artist
in the Library:
A New Look at Artists’ Legacies
Considering a possibility of teaching a new approach to fine arts
education in a local library computer classroom, the ITinerate Professor
reflects on the history of ideas of art and technology from a personal point of
view. The essay includes a proposal.
750 Words. 2
Pages. iri00605
Artist in the Library A New Look at Artist Legacies. ©2000 Bill H.
Ritchie, Jr
The Gates Prize:
Statement of Completion
After scanning the biography of Elmer Gates, namesake of the Gates Prize,
the emphasis on an Emeralda player’s mind is finish, as in the word finish
carpenter compared to framer. A Certificate of Completion and
a finishing school then came to mind, below. 1410 Words. 4
Pages. iri00525
The Gates Prize Statement of Completion. ©2000 Bill H. Ritchie, Jr
.
Taking Mr. Saylor’s Class:
A Good Idea That Shouldn’t Wait
Over dinner, after reading the announcement of Mr.
Saylor’s plan to offer free education on the Internet, he said to his wife he
wanted her to take a writing class. But instead of waiting for the next college,
she might begin by taking it from SaylorU! 452
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Page. iri00415
Taking Mr Saylors Class A Good Idea. ©2000 Bill H Ritchie, Jr.
Reliquary
in Pacific Digital Fine Arts Festival:
Ghosts in the New Museum
It
was not an apparition nor was it his imagination, but a real living display in
the real time of year 2000: The prospectus from the art museum that billed
itself as the Museum of the 21st Century. A hundred years from now,
it will get laughs. Not today. 1572
Words. 5
Pages. iri00406
Reliquary in Pacific Digital Fine Arts Festival. ©2000 Bill H Ritchie,
Jr.
The
Mystery of Love and Legacy Transfer:
:
Following
in Napoleon Hill’s Footsteps
The artist/scholar is struck by the resemblance between his own
philosophical idea and those of the popular mid-century author of Think and Grow
Rich. He sets out to copy and rewrite, word for word, the idea in that book so
it fits his role play approach. 2616
Words. 4
Pages. iri00319
Mystery of Love and Legacy Transfer. ©2000 Bill H Ritchie, Jr.
The Carpenter and the Web Guru:
Conversation through a hole in the wall
An inner dialog is recorded to illustrate how a statewide online service can
be designed by observing the making of a hole in a wall. The author, whose
woodworking is relief from cybernetics, imagined the dialog and helps explain to
himself his next step. 1204
Words. 2
Pages. iri00318
The Carpenter and the Web Guru. ©2000 Bill H Ritchie, Jr.
How WAUREL Relates to Experience Washington:
Vivid Pathways to Washington’s Arts
The architect of a game-like computer interface for creative people offers a
plan for state Web sites. After attending two conferences sponsored by his home
state’s arts commission, his design reflects feeling that arts-passionate
people need vivid paths. 1186 Words. 3 Pages. iri00312
How WAUREL Relates to Experience Washington. ©2000 Bill H. Ritchie, Jr.
Top Thousand Topics:
Washington State Arts Commission’s Y2K Challenge
Choosing from their 162 Topic list of that he gleaned
from the proceedings of the Washington State Arts Commission’s 2000 Strategic
Plan survey, the author describes how a Top 1000 Chart can make its mission
statement a dynamic process using the Internet. 1169 Words. 3
Pages. iri00306
Top Thousand Topics of the State Commission. ©2000 Bill H. Ritchie, Jr.
What
I Would Do If I Had a Million Dollars:
Dilemma Dream Resolution
Based from real events, these paragraphs prove the truth of that old
saying, "Where there's a Will there's a way." Told by educator William
“Will” H. Ritchie, who began online teaching in what he calls the Emeralda
Region on the Pacific Coast of the U.S.. 2058
Words. 4
Pages. iri00228
What I would do with a Million Dollars. ©2000 Bill H. Ritchie, Jr.
The Dolphins:
Another view
One
who professes to be an online art ed specialist copy-writes over an article by
another professor because it reminds him where he was almost twenty years
before—Sea World—on the first leg of a world wide tour. He remembers the
primary value of his Father’s lesson in responsibility. 1257
Words. 2
Pages. iri00218
The Dolphins Another View. ©2000 Bill H Ritchie, Jr.
Artists
and Dentists with Hearts:
DentalISCo Congress Proceedings
Keynote
speaker, the visionary Professor Ritchie (also known as “H. S. MacRitchie,
Multi Faceted Auxiliary”) recites the state of developments of the Dental
Internet Services Cooperative as he sees it in its third year. It is a 24X7
service in the making. 1209
Words. 4
Pages. iri00214
Artists and Dentists with Heart. ©2000 Bill H. Ritchie, Jr.
(To preview RIISMA 2000 essay summaries,
get downloads of full text or get
custom service, send e-mail to ritchie@seanet.com)
Spineless
Writing:
Breaking a back to break new ground
Perplexed by the
mystery of writing the background for Emeralda, Her Story: The Women Who Fell
to Earth, the author cuts off the spine of a 20th Century How
To Write manual and starts over. He suggests that old How To manuals
need to be recycled this way. 1077
Words. 2
Pages. iRI91222.
Copyright 1999 Bill H. Ritchie, Jr. (Full
Text)
Ah, So Simple:
Frontispiece for the Emeralda Inventor Interviews
A hundred-fifty page transcription of videotape auto-interviews is made a little clearer by preparing a visual exercise for a would-be reader. Describing the room setting for the tapes, the author (the Inventor of Emeralda) sets the stage from his memory. 1209 Words. 2 Pages. RI990723 ©1999 Bill H. Ritchie, Jr.
Introduction to Emeralda Interviews:
Robert Grudin, virtually speaking
Searching for a way to introduce himself to a phantom reader, the author takes on the disguise of his favorite living writer, Robert Grudin,, as introducer. The Oregon professor seems to have anticipated the Emeralda Inventor's actions and known his past. 3992 Words. 5 Pages. RI990721 ©1999 Bill H. Ritchie, Jr.
Dead Artists League:
Paradigm for a new subtitle
The inventor of Emeralda is nudged into altering his course on his locus of beauty, the invention of the Game for the Gifts of Life paradigm shifts to the Game for the Dead Artists League. Life-changing events happen that way, he writes, in Emeralda Play. 999 Words. 2 Pages. RI990524 ©1999 Bill H. Ritchie, Jr.
The Soul of The New Game:
Four Cornerstones for a Greenfield Works
A new DVD-based on-line interactive game experience is opening up, thanks to digital communication. Standing next to Myst and Magic the way a recording stands next to a live concert performance, Emeralda takes us toward the spirit of adults' leagues play. 747 Words. 1 Page. RI990523 ©1999 Bill H. Ritchie, Jr.
Covert Operations:
Return to RIISMA
My
cooperator loaned me an audiotape from his library. It was recorded twelve years
ago, on an August morning at a place called Stevens Point, Wisconsin. The title
of the tape was Feels Good to Feel Good! And the name of the speaker is Jim
Kern. I forgot about the tape, and it lay on my shelf, not listened to, for
about two months. I was reminded of it when I was asked to return it. 163
Words. 724
Characters. 1
Page. RI990519
©1999 Bill
H. Ritchie, Jr.
520
Let
me see if I understand you:
Diagnosis and Treatment Planning in the Information and Communication Age-(part
2)
A DISCO-OP AUDAMIS says: "My vision of
Emeralda City Dentistry is a short story, a make-believe world where a dental
operatory has three purposes: Teaching, Research and Practice, or the TRP
principle, based on values. There is a fourth, secret, purpose." 1293
Words. 6041
Characters. 3
Pages. RI990323
Let Me See If I Understand You-Part 2. ©1999 Bill H Ritchie, Jr.
Let
me see if I understand you:
Diagnosis and Treatment Planning in the Information and Communication Age
The DISCO-OP AUDAMIS* explains his vision of
Emeralda City Dentistry in the form of a short story, a make-believe world where
the dental operatory serves a threefold purpose: Teaching/learning, Research and
Practice, or the TRP principle, based on values. 1428
Words. 6837
Characters. 4
Pages. RI990322
Let Me See If I Understand You-Diagnosis and treatment.... ©1999
Bill H Ritchie, Jr.
The
Number One Obsession:
Where would we be without it?
The US part of the American culture is a
competitive one and most of its citizens are unconsciously over-competitive. The
author suggests there are other places where Americans could be--and will
be--when new communications technologies join the old ones. 2122
Words. 9726
Characters. 4
Pages. RI990321
The Number One Obsession-Where would we be.... ©1999 Bill H
Ritchie, Jr.
How
Goes IT at Your First Day at RIISMA?
Ramblings from freed mind
There’s an image
of a map on the wall of Emeralda Region, somewhere in a fantasy land, between
virtue and reality. "Say unto wisdom, Thou art my sister; and call
understanding thy kinswoman.” I am the island, the author writes in free verse
in his prison. 1122
Words. 5047
Characters. 2
Pages. RI990320
How Goes IT at Your First Day at RIISMA-Rambling.... ©1999 Bill
H Ritchie, Jr.
Woodworker’s
Tale:
Dr. Osler and Andrew Carnegie
A
short story—or anecdote—linking Andrew Carnegie and Dr. William Osler, who
said all unproductive professors should be gassed. The author thinks the
millionaire put a bug in someone’s ear that led to the creation of the biggest
pension fund in the world. 865
Words. 4154
Characters. 2
Pages. RI990125
Woodworkers Tale-Dr Osler and Andrew Carnegie. ©1999 Bill H Ritchie, Jr.
Building
the professor's Web site:
Fantasy
visitation
A vignette from a page out of the professor’s
diary, or the journal of his or her assistant. Vague and fragmented, but rather
than discard it as useless, why not keep it; possibly it contains some clues or
some indication of value, part of a game, maybe. 458
Words. 2103