RITCHIE'S
PERFECT PRESS ZINE |  |
Below are my summaries of essays I wrote about printmaking, printing, multimedia and on-line interactive communications.
I publish almost exclusively today for digital media, but in the past I did a
little trade
paperback and articles for small publications like Crafts Report, Ceramics Monthly,
newsletters of Artist Trust, Northwest Cyberartists,
Northwest Printmakers and museum catalogs. You can see the summaries,
arranged by year, below.
( For listing or downloaded
full text of any article, please send e-mail to ritchie@seanet.com)
New! If
Every Art School had Emeralda:
Musings of a has-been professor
Emeralda is an ambiguous fantasy game that slips in and
out of this art professor’s consciousness like an old dream remembered. He had
dreamed of a perfect art school but reality is settling in. What will keep art
alive, then, he wonders, without a dream? 657
Words. 3145
Characters. 2
Pages. ipp31204
If Every Art School had Emeralda. ©2003 Bill H Ritchie, Jr.
Why Oh Why Emeralda?
Looking for the bigger context
In sum, Emeralda is a way to inject new life into the
art one loves the most. To this artist it is printmaking, and he plays Emeralda
to insure its vitality. Some think this can be done by putting one’s secrets
of printmaking in the hands of young people. 746
Words. 3405
Characters. 2
Pages. ipp31124
Why Oh Why Emeralda. ©2003 Bill H Ritchie, Jr.
Saving Professor
Ritchie:
Analogy from a digital based strategy game
You can compare a video game with my life sometimes,
and I want to create a PC game that will restore a life that was taken away from
me almost 20 years ago. It’s a game in itself just to conceive of the method
and I live the game as I think how it works.1196
Words. 5629
Characters. 3
Pages. ipp31114
Saving Professor Ritchie. ©2003 Bill H Ritchie, Jr.
What A Fine Art Drawing Teacher Wants:
Advice to Beginning Drawing Students
He starts teaching a beginning drawing college
class—his first time in eighteen years—and realizes some things have not
changed. After the first week’s meetings with the students, he writes down
what he really wants them to do for him, and for themselves. 1264
Words. 6003
Characters. 3
Pages. ipp30915
What A Fine Art Drawing Teacher Wants. ©2003 Bill H Ritchie, Jr.
Taking Care of Your Art Patrons:
One Household at A Time
How does an artist’s list of patrons’
names—individuals who bought his or her works over several decades—figure
into the making of an online art game? Game developers state that your players
are gold. Are art patrons like the loyal players of a MMORPG? 1440
Words. 6214
Characters. 3
Pages. ipp30905
Taking Care of Your Art Patrons. ©2003 Bill H Ritchie, Jr.
Trading Places:
An Absent Professor As Student
As his third generation in school draws to a close, the
author feels like it’s time to start again. Taking a long view of his future
he sees forty years open for teaching, learning, research, practice and service.
Obviously, he needs to be back in school. 1122
Words. 5176
Characters. 2
Pages. ipp30816
Trading Places Absent Professor As Student. ©2003 Bill H Ritchie, Jr.
Imagining the Almost Unimaginable:
Art Education On-line
He will teach Economics and Art in the Age of Digital
Reproduction, but he can hardly imagine how to do it. He’s looking for clues
to solve a mystery, How can you teach art on-line? Part of the solution is to go
half the distance—a hybrid-learning course. 658
Words. 3082
Characters. 2
Pages. ipp30806
Imagining the Almost Unimaginable. ©2003 Bill H Ritchie, Jr.
Clicking My Career Away:
Confessions of a Pre-Boomer
He chopped up his domain-of-expertise into ten parts,
and this was the beginning of the end of his career. Unless, however, new
digital technologies required artists in mid-career to change his or her way of
thinking that they learned in the 20th Century. 1355
Words. 6381
Characters. 3
Pages. ipp30717
Clicking My Career Away. ©2003 Bill H Ritchie, Jr.
So You Want to Teach Art in College?
An E-Stamp and Story may make your career click
When someone asks me what I do, I'd like to give them a
one word answer and then have them say, "Oh, YOU'RE the famous Bill
Ritchie!" I'd like to be able to say, "Games" and they would know
who I was immediately. “You invented Emeralda! I LOVE that game!” 1017
Words. 4622
Characters. 2
Pages. ipp30707
So You Want to Teach Art in College. ©2003 Bill H Ritchie, Jr.
Professors Who Cheat:
The game master plan
Art education games are going on-line! As a professor
who cheated the university out of about a half-million, he’s the best one to
explain how the best professors are the ones who can always help students cheat
at the games people play in the art schools. 1391
Words. 6545
Characters. 3
Pages. ipp30617
Professors Who Cheat. ©2003 Bill H Ritchie, Jr.
How
Dr. Chew Saved Emeralda:
Memories of the ancestors
Faced
with the eminent failure of his game, the inventor of Emeralda returns to his
student mentor, who has by this time succeeded in hiding in the safety of
another realm. With only his memories to guide him, he summons the eminent Dr. Chew for his help. 949
Words. 4314
Characters. 2
Pages. ipp30528
How Dr Chew Saved Emeralda. ©2003 Bill H Ritchie, Jr.
Background Story for The Missing Professor:
Shades of Harry Potter
All video games have a background story as part
of their design. The author wants to help create a video game or hybrid distance
learning art course, so he created a background theme he calls The Students of
An Absent Professor for the stage for his game. 1589
Words. 7553
Characters. 3
Pages. ipp30518
Background Story for The Missing Professor. ©2003 Bill H Ritchie, Jr.
Marrying
High-Tech with the Visual Arts:
Artistamps
and the “Bluebook” On A DVD/PC
A professor, fallen from the grace of the
traditional schools of visual arts, contemplates the state of the art of
e-folios, reflecting also on his self-styled 40 year retrospective. The e-folio
has value, but that it is a long way from school acceptance. 1062
Words. 4981
Characters. 2
Pages. ipp30309
Electronic Portfolios Marry High Tech and Visual Arts. ©2003 Bill H
Ritchie, Jr.
SIM
A Work of Art:
:
An Original
Without a Signature
The author, an ITinerate Professor (entitled to
wander around, thinking globally and acting locally) staged a showing in an
experimental “mini-mall”. It was a test lab and workshop to learn more about
business success and the work of art in a new context. 930
Words. 4578
Characters. 2
Pages. ipp30227
SIM A Work of Art. ©2002 Bill H Ritchie, Jr.
A
Teacher's Letter to his Last Student:
Paradigms for teaching art in the age of digital reproduction
When his last student can’t come to his Saturday class, the ITinerate
Professor remembers a dream he once had and puts his dream into action. He
dreams of teaching printmaking arts on-line and he gives her a lesson in this
way, including 4 pictures of it. 870
Words. 4422
Characters. 2
Pages. ipp30118
A Teachers Letter to His Last Students Letter to His Last Student. ©2003
Bill H Ritchie, Jr.
Perfect
Press Perspective:
Adult game developers, please
The Professor is free from the Seattle Independent Mall, so he’s able
to catch up on his writing. E-mail slips him a clue, snatched from an article
published in New York Times, testing his hand at copy-writing an article about
the aging of computer games. 2368
Words. 11524
Characters. 4
Pages. ipp21104
Perfect Press Perspective-Adult game developers please. ©2002 Bill H
Ritchie, Jr.
Portrait
of A Future Professor:
The basis
The basis of the Professors of the next 5-10
years will be their utility value as Bernoulli postulated this quantity. That is
the degree of risk-reduction that the teacher brings to the students, the
research area, the practice and the community at large. 847
Words. 4206
Characters. 2
Pages. ipp21025
Portrait of A Future Professor. ©2002 Bill H Ritchie, Jr.
Kinko’s and Me:
Alliances for Education
While some businesses around us are losing their
ground, there’s one giant, important industry that is making dramatic growth
in just the past three years. Next to the top growth area—health—education,
in particular the for-profit sector, is making gains. 1302
Words. 3
Pages. ipp21015
Kinkos and Me-Alliances for Education. ©2002 Bill H Ritchie, Jr.
Copyright, Copy Write and Copy Wright:
Which is Right?
I didn’t
know what I was doing until I found out that many people would call it
plagiarizing. Which stopped me—for a while—until I saw the issue in light of
Jefferson’s metaphor of the lighted taper, a feud brewing on the ‘Net, and
an article I could buy. 974
Words. 3
Pages. ipp21005
Copyright Copy Write Copy Wright. ©2002 Bill H Ritchie, Jr.
What if
Out-of-Work Professors Got Together?
Would They Re-form Higher Ed?
In the night he wakens and is struck by the vision of
thousands of out-of-work college teachers creating a global network to get
connected directly with students world wide. This may be the destiny of his game
plan, Emeralda, a game for the gifts of life. 1645
Words. 3
Pages. ipp20925
What if Out-of-Work Professors Got Together. ©2002 Bill H Ritchie, Jr.
Emeralda is More
Interesting than Reality:
From Postcards to Emeralda Interchange
Opening a postcard to himself from Caffe Vita
MacRitchie’s he sent a week ago, the author finds yet another dimension to his
fantasy world, Emeralda. There’s more potential for him in a virtual world, as
for example his newest angle, Emeralda Interchange. 1414
Words. 3
Pages. ipp20915
Emeralda is More Interesting than Reality. ©2002 Bill H Ritchie, Jr.
Smiling Faces at Caffe Vita:
It’s Not Your Typical Art Studio Any More
Searching for the easiest way to create the Artist’s
Last Love Letter, the e-book version, is best done in some natural, enjoyable
fashion. If one has to use e-book readers, then he should be rewarded in a big
way. The author is searching for that reward. 1314
Words. 3
Pages. ipp20905
Smiling Faces at Caffe Vita.
Marketing and Selling My First E-Book:
Reinventing Arts Studios and In-Retro Melt Down
His search for the business plan comes in a Flash under
a Seattle sky as he takes strides to Kinko’s and back He has made his first
screen saver, then sees he can give it away free to his art patrons, and it is
the pull through for artistamps and stories. 863
Words. 2
Pages. ipp20905
Marketing and Selling My First E-book. ©2002 Bill H Ritchie, Jr.
Life Like Connecting Dots
Moving from Dotted to Solid Lines, Introduction
He’s building an infrastructure to house human
structural intellectual capital of an emeriti, empowering those wisdom boomers,
the few elder intellectuals like himself who believe they have the sense to know
what they can change, how, and why they should. 511
Words. 1
Page. ipp20816
©2002 Bill H Ritchie, Jr.
Passport Ready:
Heading In A New Direction Every Day
After a night conversing with strangers from around the
neighborhood, the artist/scholar wakens to a new day of creating his own
passport to another kind of life than those that he sees others leading. He’s
exercising his freedom, Emeralda, his life game. 586
Words. 1
Page. ipp20806
Passport Ready. ©2002 Bill H Ritchie, Jr.
Old
IBIS and New Uptown Seattle-A Sharper Image
:
What’s the Connection from Then and Now?
There’ll be a panel discussion 45 miles from Uptown
Seattle, and artists will reflect on the ‘80s IBIS project. The author asks if
this retrospective moment will help sharpen his focus on a multimedia arts /
game center for local access and global action. 6714
Characters. 1455
Words. 3
Pages. ipp20727
Old IBIS and New Uptown Seattle-A Sharper Image. ©2002 Bill H Ritchie,
Jr.
Tipping-in
Artistamps at Perfect Press
:
Little
Things Mean A Lot to Creative Writing Education On-line
The root of the Perfect Studios Trilogy is EarthSafe 2022, but that
movement, being of global proportions, has a microscopically small but
significant element in the artistamp movement. Stamps are going electronic
digitally on the Net in the Emeralda Way. (A
partially copy-written, incomplete article) 6544
Words. 11
Pages. ipp20717
Tipping In Artistamps at Perfect Press. ©2002 Bill H Ritchie, Jr.
At Vel’s the 17th of July::
Creative Writing Neighborhood
In his outreach phase, the artist/scholar meets with
neighborhood writers to learn what they do. Voluntarily, without commercial
motivation, they come to practice, benefited by a self-appointed leader and they
write for themselves and read to one another. 1265
Words. 3
Pages. ipp20717
At Vels the 17th of July. ©2002 Bill H Ritchie, Jr.
Restoring Susan Frank
The best things happen last
After a virus infected his computer named Susan and put
all his data into suspended animation, the author reflects on the benefits that
this brought about. It’s strangely like his story about a man who experiences
what he called his Rip Van Winkle effect. 1196
Words. 2
Pages. ipp20707
Restoring Susan Frank. ©2002 Bill H Ritchie, Jr.
My Emeralda Green Slippers:
Escape from Toxi City
Comparing his exodus from a corrupt and contaminated
institutional environment to Dorothy’s homecoming from Oz, the author
describes how he saw his chances to break out of the intellectual molds cast by
educators of bygone eras and find a path to freedom. 599
Words. 2
Pages. ipp20627
My Emeralda Green Slippers. ©2002 Bill H Ritchie, Jr.
Most
Amazing Art Auction Ever:
What I knew then I know Again
He’s searching for a way to contribute his art
collection to his community without burdening his community with the costs of
maintenance and exhibitions. He’s hit on the idea of an unusual auction to
raise a million dollars the hardest way—an art auction. 572
Words. 1
Pages. ipp20607
Most Amazing Art Auction Ever. ©2002 Bill H Ritchie, Jr.
My Dream Started Here:
Perfect Press and the Road to Emeralda
He envisions education for the multimedia artists what
Sesame Street did for reading, writing and math, and what Bill Nye (the Science
guy) achieved for science. With a console game interface and Fisher Plaza
nearby, he thinks Uptown Seattle is the place. 1265
Words. 3
Pages. ipp20528
My Dream Started Here. ©2002 Bill H Ritchie, Jr.
Who Killed Bill Ritchie?
Or, I don’t know anything about jazz but I know what I like
The last thing I remember about Bill was when he went
to bed that night he said, “Tomorrow I’m going to wake up as a different
person.” He’d had a trying evening, trying to be everything to everybody,
and not doing a very good job at, or for, any of them. 770
Words. 2
Pages. ipp20518
Who killed Bill Ritchie Or. ©2002 Bill H Ritchie, Jr.
After
My Computer Fails, I print:
Printmaking is like music
His
computer was blasted by virus, like something out of a shoot ‘em up computer
game. To this artist/philosopher, it suggests that somewhere in this disaster
there is a gem that he must find. plan of documenting, on DVD, the secret
evolution of his work. .514
Words. 2
Pages. ipp20508
After My Computer Fails. ©2002 Bill H Ritchie, Jr.
Whoopee! I Got IT Right
Right Moves and Right Times
Reading about one trend in higher education—not directly tied to
printmaking (his domain of expertise)—this artist/scholar saw a trend in
outsourcing. It’s in The Chronicle of Higher Education about a college
replacing faculty counselors with contractors. 951
Words. 2
Pages. ipp20408
Whoopee I Got IT Right. ©2002 Bill H Ritchie, Jr.
Would I Join An Organization that had Me as A Leader?
My life as a tree
A grateful former UW professor reflects on the
organizations he’s belonged to and concludes that the best one is yet to come;
but would he join it if it would have him as a member? Probably not, unless the
leader is a strong tree with the power of limits. 1059
Words. 2
Pages. ipp20329
Would I Join An Organization that had Me as A Leader. ©2002 Bill H
Ritchie, Jr.
Artists Create Postage Stamp Sized Artworks:
They do IT for Fun and Community Building
Artists who make stamps for fun, and then share them
with other people around the country and around the world, have built a kind of
community using the mail systems as an instrument. This artist—playing the
role of public scholar—presents a free lecture. 1213
Words. 3
Pages. ipp20319
Stamps and Mail Art. ©2002 Bill H Ritchie, Jr.
Can Emeralda Create A Perfect Printmaking Society?
Seeking both a civil and decent printmaking society
The author recounts his early encounters with prints as
fine art through acquaintance with print societies. On a path among living print
societies and dying or dead ones, he sees complementary relationships with new
technology as ways to make prints live. 5790
Characters. 1136
Words. 3
Pages. ipp20227
Can Emeralda Create A Perfect Printmaking Society. ©2002 Bill H Ritchie,
Jr.
Ghost in the Old Machine:
An Artistamp Perforator As A Haunted House
Working at the treadle of an antique perforating
machine, punching out rows of tiny holes that will form the serrated edges of
his artistamps, this artist is visited by a Muse who suggests a TV Game Show and
new plotline for his screenplay titled Chimera.
833 Words. 2
Pages. ipp20217
Ghost in the Old Machine. ©2002 Bill H Ritchie, Jr.
Confessions of An Art Nazi:
Teaching art students what they can never do
A former art professor in a US American public
university turns himself in and describes how he and his colleagues trained
aspiring artists, crafts people and designers in things that they would not be
able to achieve. A happy ending is in sight, however. 3231
Characters. 703
Words. 2
Pages. ipp20207
Confessions of An Art Nazi. ©2002 Bill H Ritchie, Jr.
About My Print Homage to Hayter
The Artist Explains with A Little Help from A Friend
The on-line printmaking experience includes the
exchange of prints among thirty participants scattered all over the world, and
this artist/writer chooses to include an explanation to accompany his. He
created this explanatory essay to go with the woodcut. 786
Words. 2
Pages. ipp20127
About My Print Homage to Hayter. ©2002 Bill H Ritchie, Jr.
Grading and Passing Art Ed On-line:
Speculations of an ITinerant On-Line Art Professor
How will people be graded and evaluated in art
education on-line, this professor asks. He used new methods when he was on the
traditional campus, but when he left to find better methods, he also invented a
new paradigm for teaching, research and practice. 1739
Words. 3
Pages. ipp20117
Grading and Passing Art Ed On-line. ©2002 Bill H Ritchie, Jr.
Writing
Between the Paragraphs – Interval (or Part 5)
Pause for reflection by an Itinerant Professor
In the game he invented this artist and professor plays
with a 360-day calendar, having five days between each session called interval.
So, too, with the ten essays he’s creating (or, copy-writing), based on the
text written by Mark C. Taylor, a humanist. 1323
Words. 3
Pages. ipp20107
Between the Paragraphs - Interval. ©2001 Bill H Ritchie, Jr.
(For their summaries or full text, please send e-mail
ritchie@seanet.com)
Looking Forward to School Again
Introducing Your Printmaking Class
Anticipating a new kind of art education on-line,
the author attempts to put himself in the shoes of a schoolteacher who’s
taking a continuing education class. He wonders how it feels. Is there still
joy—a thrilled sense of anticipation as there once was? 1002
Words. 2
Pages. ipp11229
©2001 Bill H Ritchie, Jr.
How
Does Art-Ed On-line Work Really?
Demo or Die and Don’t Ask Why
From the first Harry Potter movie to the latest review
of a poet’s book, the author gets satisfaction while producing a DVD, making
one on the fly. His daily routine brings him close to his dream of a great
teacher in the arts using ecological multimedia. 2019
Words. 4
Pages. ipp11204
How Does Art Ed On-line Work Really. ©2001 Bill H Ritchie, Jr.
Opening Your Passport to Printmaking:
Art education on-line starts here
How you invent an on-line art education system is
determined by what kind of art to start with. There’s only one, printmaking,
that lends itself to interactive design for on-line teaching, research and
practice. The inventor uses a passport scheme for it. 521
Words. 1
Page. ipp11124
Opening Your Passport to Printmaking. ©2001 Bill H Ritchie, Jr.
Prisoners Dilemma Revisited:
Reflections from one who could not attend Crossing Boundaries
A mixture of envy and relief is expressed by one person
who couldn’t attend a conference on his favorite topic—prints—with
international understanding as part the goal. He compares it to being like a
prisoner or house-bound person living among the mobile. 1355
Words. 3
Pages. ipp11015
Prisoners Dilemma Revisited. ©2001 Bill H Ritchie, Jr.
A Book on DVD DVD:
Making circles
When a friend suggested that he write an article about
his ideas and a DVD school, the author is enthused. Overnight, he imagined the
article becoming a book—an on-line textbook—for his idea of a school where
prints and DVDs are both taught, side by side. 1226
Words. 2
Pages. ipp11005
A Book on DVD DVD. ©2001 Bill H Ritchie, Jr.
Spreading Out My Collectible DVDs:
Fantasy for an Emeralda Player
This DVD collection is growing, and it’s time to step
back and look at it as a collection instead of unique projects. The author looks
back over nine month’s work and asks him self where he’s going. His answer
may lie in collectible cards and printmaking. 1265
Words. 3
Pages. ipp10925
Spreading Out Collectible DVDs. ©2001 Bill H Ritchie, Jr.
Against A Screen of War:
What my labor means to me
An art professor, laboring in a Seattle spare bedroom
closet, makes Digital Versatile Disks (DVD). His DVD may be the “blue book”
of the 21st Century on-line, virtual classroom. He recalls another
year and another war and how useless art education seemed. 1784
Words. 3
Pages. ipp10915
Against A Screen of War. ©2001 Bill H Ritchie, Jr.
New Mythology:
The Ghost of C. S. Lewis in the New Machine
The author of the DVD Prithwish and Me compares the new
publishing medium with the old. The Chronicles of Narnia provide a useful
contrast and builds a new position for the professor who would be a storyteller.
1067
Words. 2
Pages. ipp10717
New Mythology Ghost of C S Lewis. ©2001 Bill H Ritchie, Jr.
It Isn’t How Well You Play Emeralda:
It’s IF IT Plays-and Pays-You Well
As the Digital Versatile Disc he’s making takes on
more and more attributes of being a work of art, the author is struck by the
fact he knows almost nothing about it, and also he has less responsibility for
it than he thought before. IT seems to play him. 1547
Words. 3
Pages. ipp10707
Its Not How You Play Emeralda. ©2001 Bill H Ritchie, Jr.
How
I make a DVD
:
Answer
to a FAQ
One printmaker makes Digital Versatile Discs,
believing he can be a Digital Versatile Artist—an old joke about fingers being
digits, too. He makes DVDs the same way he makes prints—by himself. Someone
asked How? and he gave his answer as a cooking lesson. 743
Words. 2
Pages. ipp10627
How I Make A DVD. ©2002 Bill H Ritchie, Jr.
Dummied-down Art Education:
One day at the fairgrounds
An art professor with a future vision looks at a day
when he visited a convention of educators dedicated to home schools. Seeking a
glimpse of new technologies in K-12 distance learning for art, he saw two
examples. He contrasts them with new video games. 2263
Words. 4
Pages. ipp10617
Dummied Down Art Education. ©2001 Bill H Ritchie, Jr.
MyCashLink.com:
Living Prints DVD and MyCashLink.com
It’s like a jungle in his project. He’s making a
Living Prints DVD ‘Zine for the first time—a virtual dark continent! But
there are gems,he discovers—ideas galore! Like this one: One way to link
artists with money in the night. The secret is in the links. 318
Words. 1
Pages. ipp10518
Living Prints DVD and Cashlink. ©2001 Bill H Ritchie, Jr.
I Builded Me A DVD:
Death in the 20th C and Awakening Living Prints in the 21st
An archaic expression, so antique-sounding, was on his
mind as this author thinks about marginalized artists’ stories and how they
felt forced to follow new and different pathways like castaways, thrown out of
their world and into new, alien environments. 285-0658. Statistics: 5373 Characters. 1199 Words. 2 Pages. ipp10508
I Builded Me A DVD. ©2001 Bill H Ritchie, Jr.
Old Archivist Tells His Story:
How Dusty Got His Job Title
The true artist needs allies in the life sciences,
according to this writer. It is only in this way that the true artist can learn eco-nomics
or holistic arts and sciences. It lead to feelings of usefulness, the
fullness-of-use, of personal utility value. Statistics: 4050
Characters. 860
Words. 2
Pages. ipp10428
An Old Archivist Tells His Story. ©2001 Bill H Ritchie, Jr.
Searching for Paul Brainerd:
Finding A Path to Trust in the Silicon Forest
An artist who is interested in a job related to
EarthSafe 2022 searches for a source that is like the headwaters of a watershed
from whose wellsprings he might drink. The writer could become an arts director
in a new kind of school if the path is trusted. 1515
Words. 3
Pages. ipp10418
Search for Paul Brainerd. ©2001 Bill H Ritchie, Jr.
On Sweet Target Hearts:
Notes about three prints for three women
An exercise in locating three artist proofs that belong
to his wife and daughters sends the artist/writer into a deep reflection on a
time—twenty five years before—and what he was concerned about then. As part
of his 40-year retrospective, it makes sense. 1360
Words. 3
Pages. ipp10408
On Sweet Target Hearts. ©2001 Bill H Ritchie, Jr. For full text, send
email.
Printmaking
in Platinum:
Doing for Others As They Would Have You Do
In his daily routine as an expert in making Web pages
for his art patrons, the author creates Web page for his daughters. At the same
time he’s doing this, he wonders if he can show other printmakers how—and
why. Practicing the “Platinum Rule” is one way. 1713
Words. 2
Pages. ipp10329
Printmaking in Platinum. ©2001 Bill H Ritchie, Jr.
Print Circus, Clown and Gypsy Queens:
My Washington Years in Retrospect
When he was a professor of art, he dreamt of a print
circus, moving, moveable studios that traveled across his state and the nation,
dispersing arts of printmaking. Today there’s a better way: Surpassing
ferries, trucks and planes on an Info-tech Highway. 511
Words. 2
Pages. ipp10319
Print Circus Clown and Gypsy Queens. ©2001 Bill H Ritchie, Jr.
A Good Day to Die:
Breaking the Print Barrier
The author is a bridge builder, always crossing between
the old world of printmaking to the new world where he uses the expression
Living Prints to refer to a new kind of printmaking. His project, a DVD, is not
as new as it seems; it is a dream come true. 2466
Words. 4
Pages. ipp10309
A Good Day to Die. ©2001 Bill H Ritchie, Jr.
Destination Emeralda:
Straight Road to Simpli City
The integrity of medium-of-origination, or MOO, is the
stock basis for human structural intellectual capital. The author says it is a
lifelong journey for which one prepares by investing in himself or herself and
not entirely in other peoples’ enterprise. 2383
Words. 5
Pages. ipp10227
Destination Emeralda. ©2001 Bill H Ritchie, Jr.
Printmaking is Dead He Said:
Long Live Printmaking
Artist compares the feelings of prints’ anticipation
as those children who attend inspiring schools: Eager to go in the morning and
reluctant to leave at the end of the school day. Resolving not to deny himself
the thrill of prints he takes a new pathway. 907
Words. 2
Pages. ipp10217
Printmaking is Dead He Said. ©2001 Bill H Ritchie, Jr.
How and Why to Publish Your Retrospective on DVD:
The One-Minute Administrator
Approaching a turning point in the scripting of a
40-year retrospective, the Itinerate Professor, who professes to be a future
teacher, compares a popular motion picture to making and publishing new DVD-based
virtual art for on-line art teacher education. 11262
Characters. 2384
Words. 5
Pages. ipp10207
How and Why to Publish Your Retrospective on DVD. ©2001 Bill H Ritchie,
Jr.
Homage Moment:
Six minutes for Ross
The artist pays homage to an old friend, Ross Jones, as
he finishes the task of uploading a drawing to his virtual art gallery. An inner
voice suggests he will have a limited time for it and she calls it “a
moment” as, “art works for our moments in life.” 510
words. 1
Pages. Filename: ipp10127
Homage Moment for Ross.
Teaching Printmaking in Six Seconds:
The One Minute Printmaking Professor
If TV commercial designers can get a point across in
one minute for sponsors, why can’t artists who teach printmaking do the same?
This writer believes it’s possible, and has set out to achieve this. He will
be the fastest teacher in the world if he does! (Proposal
state) 325
Words. 1
Paragraph. ipp10118
Teaching Printmaking in Six Seconds. ©2001 Bill H Ritchie, Jr.
(For more information, including requests for full
text
or custom writing services, please send e-mail to ritchie@seanet.com)
Preface
to Die Brucke
Bill Ritchie is
working on his newest book, Die Brucke, a derivative of Die Broke,
a 1997 book on financial planning by Pollan and Levine. Bill’s Preface
suggests that Tom Jefferson, a pioneer in dying broke should be retired, along
with his tired ethics. 1040
Words. 2
Pages. ipp01211
©2000 Bill H Ritchie, Jr.
Art Professor for Higher:
Printmaking On A DVD – Part II
Potential text for a letter to introduce college
faculty to a service or product the author is planning for release in May, 2001
under the Living Prints label. It is a combination calendar and entertainment
resource springing out of so-called edutainment. 1903
words. 4
Pages. Filename: ipp01208
Art Professor for Higher. © 2000 Bill H Ritchie Jr.
The Basis of Die Brucke:
A Formula for Legacy Transfer
The basis of his proposed book, Die Brucke: Artists Insurance Guide is that it is the
formula for legacy transfer for an imperfect world. All previous asset
management and legacy transfer methods are based on perfect information. This
doesn’t fit artists. (Proposal) 341
Words. 1
Pages. ipp01206
The basis of Die Brucke. ©2000 Bill H Ritchie, Jr.
How I will Save the Earth:
Bill Ritchie’s Plan
Taking on a great mission with a kind of passion known
only to artistic lovers of beauty and living things, he lays out his blueprint,
his plan to banish the wicked prince, restore the imbalance of carbon dioxide
and save Earths’ life sustaining capacity. 1037 Words. 2 Pages. ipp01106
How I will Save the Earth. ©2000 Bill H. Ritchie, Jr.
Graduation Ceremony:
An Emeralda Warrior Rite
There’s something new at Emeralda Works: Graduation
Certificates! The Ceremony when this are won is in keeping with the RPG and
rules of Emeralda, the Game for the Gifts of Life. This time, it’s the
completion of the second phase of Elmer Gates Biography. 1541
Words. 3
Pages. ipp00616
Graduation Ceremony Emeralda Warrior. ©2000 Bill H Ritchie, Jr.
Dear Art Patron:
Artist’s Loveletter
The artist who created “The Artist’s Last Love
Letter” experiences déjà vu as he prepares a slide package for the State
jury. Seeing himself entering the same old thing, he stops and writes down an
idea about a new art, an idea that grew out of tradition. 1533
Words. 3
Pages. ipp00530
Dear Art Patron. ©2000 Bill H Ritchie, Jr.
Gates’ Mistake:
The Impower of Unlimits
A flat earth would be a fine place to be for people
like Elmer Gates. As he got closer to solving the mystery of why and how people
create, invent, discover and imagine the flatter and neater his world became
until he made the edge of man’s world reality. 806 Words. 2 Pages. ipp00428
Gates Mistake. ©2000 Bill H. Ritchie, Jr
Flash of the Morning:
An E-newsletter from Maclain’s
Emeralda Games are games for the gifts of life,
and today’s gift is the convergence of two events: The potential of owning a
printmaking supply business; and the value of adding an e-newsletter as part of
the interactive games online based on printmaking. 1339 words. 3 Pages. Filename: ipp00425 Flash in the Morning. ©2000 Bill H. Ritchie, Jr
Sunrise
over Bellevue:
Meeting the Man behind The Learning Council
Emeralda Works by testing the validity of the central principle, which is
Boomers Count. As the sun rises over Bellevue, thanks in part to technology and
in part to innovations, the Learning Councilman agreed to meet the Emeralda
inventor in this account. 892
Words. 4
Pages. ipp00409
Sunrise over Bellevue. ©2002 Bill H Ritchie, Jr.
Search for Reinventing Studios:
A message
He got an order from a bookstore for a book he did not
make time to finish. Is there time to do it now? Something happened when he
opened the last draft of his manuscript and he begins to test the bases for his
fifth manuscript, Reinventing Arts’ Studios. 827
Words. 2
Pages. ipp00329
Search for Reinventing Studios. ©2001 Bill H Ritchie, Jr.
Who is Peter D, Anyway?
Testing AUREL
He wants to know, quickly, who wrote him a mysterious
e-mail message. He gave his name as Peter D. but how can the Arts Uniform
Resources E-commerce Locator tell him more about this guy? The author of this
article must think, so he makes this into a test! 2259 Words. 5 Pages. ipp00310
Who is Peter D Anyway. ©2000 Bill H. Ritchie, Jr.
Me? Go back to college?
No Way! Letter to the iEditor
The interactive online letter-to-the-editor offers up
this fantasy note from an artist who thinks he should not have to go back to
college in order to receive continuing education. His 20th Century
street-smart college’s degree, he feels, is all he needs. 812 Words. 2
Pages. ipp00307
Me Go Back to College No way.
©2000 Bill H. Ritchie, Jr.
How I Teach Art Ed Online:
Proof in the Works
An ITinerate Professor reveals his secrets for teaching
art education on-line. He explains concurrent teaching/learning, research and
practice. Then he reveals how this essay is, in itself, an example of teaching
on-line, and links it with other teachers. 797
Words. 2
Pages. ipp00305
How I Teach Art Ed Online. ©2001 Bill H Ritchie, Jr.
Hurt at the Bottom Line:
Flyer’s Remorse
A high flyer, sensing a crash, regrets that he leaned
his ladder against the wrong wall, chose the less rigorous course and took the
wrong advice when young, in pilot training. Foreseeing this, turning to the
navigator, he seeks the way to turn to safety. 640
Words. 1
Pages. ipp00227
Hurt at the Bottom Line. ©2000 Bill H. Ritchie, J
(For information or downloaded
full text or custom writing services, please send e-mail to ritchie@seanet.com)
Introduction to Testing Emeralda:
No strip teasers allowed!
One way to exorcise terrors of loss is to use the witty invention of light amplification by stimulated emission of radiation and not to engage in strip teases, baring the link between head and heart with the less witty invention of paper, plate and press. 1478 Words. 2 Pages. PP990709 ©1999 Bill H. Ritchie, Jr.
Looking back:
Seeing prints
On the third Days of Perfect Information, the inventor of Emeralda compares the books Book and Closing of the American Mind in an attempt to plan his action toward making Emeralda work for other people besides himself. He sees his life as fiction reified. 1963 Words. 3 Pages. PP990708 ©1999 Bill H. Ritchie, Jr.
Naming the Risk:
Evaluation of HSIC in Media Arts
Giving measurements to the intangible value of art, technology and education is a difficult task, especially when one is in the middle of the processes, as it were. One may have only the beginning and end of a lifetime to go by, and these are hard to see. 2284 Words. 3 Pages. PP990707 ©1999 Bill H. Ritchie, Jr. (Full text)
Safeco Revisited:
View from Perfect Press
A story began twenty five years ago which this author still writes. He lives the story like he is at a distance from himself; an autobiography, perhaps, written at a safe distance in order to achieve and maintain objective, scientific evidence he is sane. 1131 Words. 2 Pages. PP990706 ©1999 Bill H. Ritchie, Jr.
Great Expectations:
Clarifying expectations in co-operative development
The publications of Dr. Stephen R. Covey inform the founders of the Dental Internet Services Cooperative because they give the instructions for principle-centered leadership. Dentalisco is based on patient-centered dental practices and cooperative models. 674 Words. 1 Page. PP990510 ©1999 Bill H. Ritchie, Jr.
What Does an MFA do?
Toodle-do
Practice Makes Permanent is the message for people who want to apply hands and minds to a new category of professionals called the Multi-Faceted Auxiliary. The author is applying the principle and experimenting on himself in this essay--linked to the Web. 545 Words. 1 Page. PP990507 ©1999 Bill H. Ritchie, Jr. (Full Text)
Interactive
Education on DVD-The MFA Metaphor:
Consideration in A DISCO-OP Vision
Visualizing
ways to use a Digital Video Disc in connection with teaching dentistry on-line,
the Emeralda Apprentice User writes about a free loan of a DVD system that will
bring the practitioners into line and assist in feasible plans to develop
together.
855 Words. 2 Pages. PP990311
Interactive Education on DVD-The MFA Metaphor. ©1999 Bill H Ritchie, Jr.
Specifying the Gates Prize:
A Focus on Books
The inventor of the Gates Prize is again at his task of
specifying the fantastic prize in his game, Emeralda, thinking that a deep and
rewarding specific is available in the form of books as containers of
information: Perfect, Imperfect, Real and Virtual. 456
Words. 1
Page. PP990310
Specifying the Gates Prize-A Focus on Books. ©1999 Bill H Ritchie, Jr.
My day:
Musings of an Apprentice User at Perfect Press
A
diary or journal entry of an Apprentice User who feels stranded in the wrong
place at the wrong time, as printmaking--the passion of his artistic life--seems
to be of no interest and, worse yet, of no consequence in a plan of his
itinerary for the stay. 508
Words. 1
Page. PP990309
My Day-Musings of An Apprentice User at Perfect Press. ©1999 Bill H
Ritchie, Jr.
Future
shock, human nature and family calendars:
Beneficiaries of the illusion of calculation
Is
it better to transfer risks of becoming poor to someone else, and then show up
for work at a mass production line that makes calendars that everyone needs and
wants? The sales figures prove that people like those calendars; his wife even
collects them. 405
Words. 2025
Characters. 1
Page. PP990113
Future Shock Human Nature and Family Calendars ©1999 Bill
H. Ritchie, Jr.
A Stick is to A Duck As A Game is to Life:
An artist/scholar's perspective
The
artist/scholar’s goal is to restore the integrity of the artists who love the
media arts above all other forms of expression and to create a cooperative game
in which maker and made are one, change is constant, and interference is the
rule of the day. 1301
Words. 5833
Characters. 2
Pages. PP990111.
©2002 Bill H Ritchie, Jr.
Thought
for the day:
Jefferson and the constitution
Thomas Jefferson, according the author who wrote
a biography on him, was an artist born into an unfortunate land at an
unfortunate time. Nevertheless, he was able to exercise his art, craft, and
design in surprising and profound ways. His example is good. 378
Words. 1849
Characters. 1
Pages. PP990110.
©2003 Bill H Ritchie, Jr.
Musings
on a Pot:
Notes from Perfect Press
This dreamer always loved ceramics—the art of
pottery—but he chose printmaking as his lifelong career. Yet he would return
from time to time, if only in his imagination. Here he’s musing on what it
would be like to see a modern pot in the year 30,000 B.P. 810
Words. 3773
Characters. 2
Pages. PP990109.
©2003 Bill H Ritchie, Jr.
Visit
to A Fantasy Studio:
An Emeralda Tourist Journal
The inventor of Emeralda writes as though he is a
stranger, a mere tourist, visiting the printmaking studio at Perfect Press. He
sees there is interest in the mix of technology and paper model-building, but
not so much interest in traditional printmaking. 585
Words. 2784
Characters. 1
Pages. PP990108.
©2003 Bill H Ritchie, Jr.
(For listing or downloaded
full text, please send e-mail to ritchie@seanet.com)
Birth
of a Video:
On freezing intellectual capital funds
He listens to a mutual funds adviser on a radio
talk show and switches from art professor with former student “investors” to
the role of fund manager. Trainees in publicly funded state schools aren’t
aware that intellectual assets are subject to freezing.
1104
Words. 5389
Characters. 2
Pages. PP981114 Birth of A Video-On freezing intellect.... ©1998 Bill H
Ritchie, Jr.
Compulsive
Printmaking:
Analyzing your self to death
He writes down fantasies on his palmtop when he
has an imaginary encounter with some ghost from his past—a person, event or
place. Always he’s accumulating scenes for his game, Emeralda. Following is a
short example designed to be a vivid picture someday.
747
Words. 3426
Characters. 2
Pages. PP981104 Compulsive Printmaking-Analyzing your self to death. ©2002 Bill
H Ritchie, Jr.
The
Waiting Room:
Magazine rack mirage
He waits for a lecture honoring his old friend,
Lisel Salzer, and the author writes, on his palmtop, thoughts about the
surroundings and people there. Monotypes adorn the walls, and there’s a sense
of awe and respect for Lisel. The author feels skeptical.
512
Words. 2457
Characters. 1
Pages. PP981025 The Waiting Room-Magazine rack mirage. ©2002 Bill H Ritchie,
Jr.
Q&A by Perfect Press Agents:
Emeralda Inventor Interviews
On three separate sessions the Emeralda Inventor is questioned by Perfect Press agents to learn how printmaking figures into the invention of his on-line interactive co-operative game. He notes that printmakers might be the front runners in this marathon. 7149 Words. 12 Pages. PP981015 ©1998 Bill H. Ritchie, Jr.
Gleaner:
Down to steerage for the secrets of the ghost writer
This critical essay says Emeralda results from one of the rare instances in which the inventor failed to perceive the effect of unchanging human nature at the intersection of politics, art, and economics. He invented for the goals of economic engineering. 1326 Words. 2 Pages. PP981005
©1998 Bill H. Ritchie, Jr.
Counting to 254:
Making the puzzle parts fit
Part XXV of Emeralda for Dummies. This is one of those little games inside Emeralda. Take an article and create a subject line that's 254 characters long, including spaces. It's a game of skill and a perfect example of what goes on in a Cell of Emeralda. 347 Words. 1 Page. PP980925 ©1998 Bill H. Ritchie, Jr.
Moves in Emeralda:
First move of the day
The first move of the inventor's day--the Score sheet of Emeralda--is fun, unlike filling in conventional ledgers for double-entry bookkeeping. It's for inventors and entrepreneurs who must build new paths between two fantastic worlds, the Gifts of Life. 799 Words. 1 Page. PP980915 ©1998 Bill H. Ritchie, Jr.
Details in Emeralda:
Reflections on a Mad artist
As a kid Emeralda's inventor read Mad Comics plus he had his favorite artists in sci-fi publications long before he learned about the fine arts. No wonder he saw a fantastic perfect studio in the details of his use of some of his PC software applications. 710 Words. 1 Page. PP980905 ©1998 Bill H. Ritchie, Jr.
A Dilemma Tale:
Starting the 1998 edition of Ghosts in the New Machine
The author of an unpublished manuscript titled "Ghosts in the New Machine" thinks repeat orders for the book might be a sign that it is time to go to print--even if in one manually-built copy. New opportunities are tempting him to publish only digitally. 893 Words. 1 Page. PP980826 ©1998 Bill H. Ritchie, Jr.
Automate what needs it:
Emeralda Score sheets as radio broadcasts
A radio broadcast encouraging words to the Emeralda inventor laboring over his routine activities of game design. Radio is his automated helper. Once ended, the values of automation of Emeralda Score sheets were clearly that they should become like radio. 1631 Words. 2 Pages. PP980816 ©1998 Bill H. Ritchie, Jr.
Describing
Emeralda:
Of Hands, helves and hearts
Wondering if people had been playing his game,
Emeralda, the inventor speculates on what kinds of changes may have occurred.
He’s interested in economics and how a different basis of valuation—on
intellect instead of material goods—would change the world.
724
Words. 3535
Characters. 2
Pages. PP980806 Describing Emeralda. ©1998 Bill H Ritchie, Jr.
The
Printmaker's Life Value Calculator:
Demonstration at Perfect Press
Aboard
his fantasy printmaking bus the author recounts a vision of how a patient under
treatment for voices in his head gave him the idea for Group Education
Co-operative and fusion of healthcare and education using old and new
technologies as the bridge.
1032
Words. 5203
Characters. 2
Pages. PP980727 The Printmakers Life Value Calculator-Demonstration.... ©1998
Bill H Ritchie, Jr.
Demonstration:
Rewards and challenges
Drifting from a flash of insight, a golden nugget
of an idea, the author describes his idea for day-cruises to another coastal
city where guests enjoy a day of art, technology and fine cuisine. It’s an
idea to combine fantasy, fiction, and real art works.
2463
Words. 11268
Characters. 5
Pages. PP980717 Demonstration Rewards and Challenges. ©1998 Bill H
Ritchie, Jr.
Demonstration:
You need a press
What is the business model of the Perfect
Studios, the Perfect Press, and a new kind of printing press that goes beyond
the metallic one? The author traces the development of his theories about a new
paradigm for seeing his native art and craft grow anew.
1808
Words. 8628
Characters. 3
Pages. PP980707 Demonstration You Need A Press. ©1998 Bill H Ritchie,
Jr.
Demonstration:
Is online worth the risk?
He asks if the risk of going online worth it, a
gamble, and not something for people who have to be assured every step of the
way? The history of risk is a road that is paved with good ideas that went bad.
Some say it's a road to hell or to hell and back.
580
Words. 2654
Characters. 1
Page. PP980627 Demonstration Is Online Worth the Risk. ©1998 Bill H Ritchie,
Jr.
Demonstration:
What is a Knowbot?
Knowbots are intelligent programs that can be
"educated". They live in virtual realities and are capable of
accumulating knowledge about the world on their own. This is a long article
copied from a 1994 workshop held in Germany by a scientist-philosopher.
6216
Words. 34027
Characters. 13
Pages. PP980617 Demonstration What is A Knowbot. ©1998 Bill H Ritchie, Jr.
Demonstration:
Emeralda 21 explained
The author taught college at an innovative ‘70s
school and the experience helped shape one variation on the game Emeralda that
he invented. In this game he incorporated some self-help ideas he learned from
motivational speakers and designed a cell system.
755
Words. 3661
Characters. 2
Pages. PP980607 Demonstration Emeralda 21 Explained. ©1998 Bill H Ritchie, Jr.
Demonstration:
Imaginary talk show guests from Net Gain
The author uses a clever method to introduce a
novel idea of serving artists with an information system that will reduce their
time on the Internet, sort e-mail and provide their following with information
on coming events, shows and biographical resumes.1309
Words. 5940
Characters. 3
Pages. PP980528 Demonstration Imaginary Talk Show. ©1998 Bill H Ritchie, Jr.
Demonstration:
Explaining demonstrations
In Emeralda play, there are twenty-one cells and
each cell allows for a demonstration. This essay begins to explain what the
inventor intended by the word demonstration and how he based his idea on the
Prisoner’s Dilemma, one he derived from games theory.
627
Words. 2944
Characters. 1
Page. PP980518 Demonstration Explaining Demonstrations. ©1998 Bill H Ritchie,
Jr.
Demonstration:
Making Living Prints
The joy of inventing Living Prints is that this
artist lives the adventure from beginning to end, a privilege of having a
childhood, growing to maturity, overcoming considerable frustrations and linking
with the foundations laid by artists and scientists.
954
Words. 4591
Characters. 2
Pages. PP980508 Demonstration Making Living Prints. ©1998 Bill H Ritchie, Jr.
Demonstration:
What Is Your Secret?
A strange sense of guilt haunts the author almost
every time he peruses his collection of communiqués he collects on the Internet
from printmakers worldwide. What is the cause of this guilt feeling? The reading
of "Net Gain," no doubt, causes him to lurk.
1383
Words. 6656
Characters. 3
Pages.
PP980319 Demonstration What Is Your Secret. ©1998 Bill H
Who is ascendant?
Let the Bored decide
Dealt a hand from a deal of the cards in the collectible card version of Emeralda (in a deal where the ascendant sister is difficult to determine) the inventor of Emeralda turns to the Meeting of the Bored to decide how to resolve his day's dilemma tales. 1292 Words. 2 Pages. PP980309 ©1998 Bill H. Ritchie, Jr.
Painting, Monotypes and Living Prints:
They are as different as proof and calculation
The author finds a parallel between Peter Bernstein's account of the history of math and risk-taking and the history of painting and printmaking. He compares it to the illusion of calculation, the mantra he says defines his idea of Living Prints®. 774 Words. 1 Page. PP980112. ©1998 Bill H. Ritchie, Jr.
Printers
and other vassals:
Steering your own course with media artistry
The Emeralda Master, a printer, reflects on old
images, phrases and memories and arrives at a new accounting for performance. He
explains how to and why to break from being someone else's vessel and vassal.
Triple entry bookkeeping is one path to freedom.
1625
Words. 7791
Characters. 3
Page. PP980110 Printers and Other Vassals. ©1998 Bill H Ritchie, Jr.
Dreaming of Perfect Press:
Getting there from here
The Apprentice User writes about his second day at Perfect Press Residence Stay, focusing on dreams, insight and key writings that suggest how a printmaking studio can be rebuilt from the ashes of the studios he sacrificed upon leaving arts' institutions. 1043 Words. 2 Pages. PP980109 ©1998 Bill H. Ritchie, Jr.
Frozen Flower:
A new picture of TRPI
The author's idea of an Artists' Equity Fund needs a leader who can picture it and frame it; and thus the search begins. This essay is a snapshot of one man's six-year experience in a specialized investment club he named after a little dog named Turpie. 1632 Words. 7769 Characters. 2 Pages. PP980108. ©1998 Bill H. Ritchie
Jr.
I
Wrote A Book Review:
On Lois Allan's Contemporary Printmaking in the Northwest
If it serves no other purpose my book review
introduces the next stage of printmaking. I am included in the book--a wonder
inasmuch I seldom create prints today. This book leaves out some facts that may
now, with cybernetics and multi-agents, be restored.
2815
Words. 12966
Characters. 4
Pages. PP971230 I Wrote A Book Review-On Lois Allan.... ©1997 Bill H
Ritchie, Jr.
Artist
checks and disposable diapers:
What's the connection?
Soon
to be a grandfather, the artist contemplates his creative idea (artist's checks)
and the debate as to whether fabric or disposable diapers are matters to weigh
investment decisions. Odd combination? Not in this artist/writer’s scope of a
Big Picture.
2783
Words. 13133
Characters. 5
Pages. PP970811 Artist Checks and Disposable Diapers-Whats the.... ©2002 Bill H
Ritchie, Jr.
Preface
to Ghosts:
An author’s hope
A
cyber Wright and bookbinder is a person who works both in cybernetics
(hypermedia, the Web, etc.) and hand bookbinding—plus variable hybrids in
between—according to this author’s vision. He has planned to write a book,
and thinks this may be its preface.
463
Words. 2257
Characters. 1
Page. PP970520 Preface to Ghosts-An authors hope. ©2002 Bill H Ritchie, Jr.
The
Wealth of Artists:
Banking, Insurance and Investing in the age of digital reproduction
A
list of topic headings of essays triggered by financial and investment events
that seemed to this author to point toward a new set of economic principles. The
author sees these for the benefits of their potential to be disseminated as
hypertext e-books. 418 Words. 2435 Characters. 4 Pages. PP970426 The
Wealth of Artists-Banking insurance and Investing.... (c)1997 Bill H Ritchie,
Jr.
Explaining
Emeralda:
A dilemma tale
How can an artist earn
a living today? With the creativity claimed by one who has practiced art for
over 30 years it should be easy. The rewards of long practice, study and
research are great. But how? Emeralda, the game is easier to play than to
explain. 750
Words. 3683
Characters. 2
Pages. PP970419 Explaining Emeralda-A dilemma tale. ©1997 Bill H Ritchie, Jr.
A Point of Origin:
Publishing in the Information and Telecommunications Age
Imagine a country where the commandment, “Publish and Flourish” is everyone’s rule. Washington state is somewhat like this, as the largest economic sectors rely heavily on the publishing industry, both in traditional print and new digital technologies. Schools in Washington can develop best if a publishing platform be the basis for training in technology. 1806 Words. 3 Pages. PP970310 ©1997 Bill H. Ritchie, Jr.
Ghost Madonna:
Birth of her cyber arts clubs
Written before breakfast on a silicon-based new machine, the author positions his fantastic image of the worman who fell to earth as the mother of all cyber arts clubs in schools, communities and a statewide network. The roots of this ghost in the new machine is to be found in the publishing history. 1492 Words. 3 Pages. PP970228 ©1997 Bill H. Ritchie, Jr.
Postcards from Heaven:
Notes from a Gates Prizewinner
Historian/painter Paul Johnson uses a phrase, “in the end it is the art that matters more” and inspires insight into the making of Emeralda postcards that go nowhere but are ends in themselves. 1218 Words. 2 Pages. PP970208 ©1997 Bill H. Ritchie, Jr.
Excerpting Allan's book:
Toward a review
The following is a preview of one artist in the forthcoming Contemporary Printmaking in the Northwest by Lois Allan. This is the first draft of Allan's text edited by Ritchie at her request and may not conform to the final version published in 1997. 840 Words. 2 Pages. PP961111. ©1996 Bill H. Ritchie, Jr. Full Text
ArtStudent:
Computer-based training for print makers
The author discovers a business-person’s inquiry in the newspaper about computer based training, and the answers sound a lot like what would apply to art education. 1457 Words. 3 Pages. PP961104 ©1996 Bill H. Ritchie, Jr.
A perfect day at Perfect Press:
Meeting of the bored
It might be an invitation from an international publisher to send examples of prints to be published in a book of printmakers. This is reason to call a meeting of the ten members of Perfect Studios. 1838 Words. 4 Pages. PP961004 ©1996 Bill H. Ritchie, Jr.
How many people does it take to publish a print?
New answers in the age of digital communications
"Printmaking is dead" I printed--tongue-in-cheek--with
a rubber stamp twenty years ago. A generation later, I am still
making prints. But something is missing: People! How many does
it take? 1667 Words. 3 Pages. PP960927 ©1996 Bill H. Ritchie,
Jr.
Explaining Emeralda:
Strange game in the Emerald corridor
The name adopted by Seattle for its worldwide marketing
strategy, "The Emerald City," influenced the naming
of the game, Emeralda. Beyond the name, how do you explain a game
that creates itself? 1068 Words. 2 Pages. PP960920 ©1996 Bill
H. Ritchie, Jr.
Why Living Prints On-line?
Seeing the soul of the universe’ largest computer
Computer operating system design is a job for a team of engineers and scientists under one person’s direction. A "Living Print" may seem to be the work of one who works as many, but printmaking is a team effort, too. 1655 Words. 3 Pages. PP960617. ©1996 Bill H. Ritchie, Jr.
A Day-trip to Perfect Press:
Between tradition and technology
Fifth visit on the tour of Domains of Expertise, Perfect Press is where traditional printmaking meets new technologies. Inseparably, the media are believed to be part of a great spiral through time and space. Excerpt from Reinventing Arts Studios Workbook. 1805 Words. 3 Pages. PP960317. ©1996 Bill H. Ritchie, Jr.
The Printmaker and the Heritage Project:
A new use for an old process
Photogravure is a combination of photography and intaglio
printmaking that is easier now than it was ten or twenty years
ago. It opens the way to another project for the printmaking artist
interested in genealogy. 1409 Words. 2 Pages. PP960128 ©1996
Bill H. Ritchie, Jr.
The Game of Art and Technology and How to Play it:
A Little Book for McClure Middle School
Asked to volunteer at McClure Middle School, the author writes
a short textbook on how to win at the game of art and technology.
The rules are goals, love of playing, knowledge and timing. In
the end it is teamwork he advocates. 1361 words. 2 Pages. PP960117
©1996 Bill H. Ritchie, Jr.
Roots of PosterMaker:
Economic Progress
“When
I opened my eyes to art, I was looking at a print,” says the author, and
describes his early infatuation for posters and the designers who created them.
Poster software is the next step. This essay was written before the software had
been developed.
925
Words. 4582
Characters. 2
Pages. PP951010 Roots of PosterMaker-Economic progress. ©2002 Bill H Ritchie,
Jr.
Killing
Prints:
Making Living Prints
A narrative by a role-playing student in a
professor who recently visited an artist’s studio and got “the straight
stuff” from an artist about Living Prints. He said the artist believed the
fastest way to kill of the print’s vitality was to photograph it.
751
Words. 3580
Characters. 2
Pages. PP950528
Killing Prints-Making Living Prints. ©1995 Bill H Ritchie, Jr.
The Point of EarthSafe 2022:
Visual vs. aural tradition
The short, straight line that most people seek, hoping it
will be the easiest path to get what they want, is analogous to
the straight arrow. Four arrow-points, or triangles, make the
tetrahedron a superior proposition. (This file pending search) Approx. 2004 Words. 4 Pages.
PP950414 ©1995 Bill H. Ritchie, Jr. Select READ to see Ritchie's
EarthSafe 2022 manuscript.
The search for Living Prints:
Morning
I study the new media--the kind that are interactive and open
to variation--that may enliven my prints. At the end of all my
searching, I find myself where I began: living prints. 1250 Words.
2 Pages. PP941124 ©1994 Bill H. Ritchie, Jr.
Perfect Press' Databases:
Listing tangible property
This is an explanation of Perfect Press' databases and how they are used as tangible property. The description, based on the README.DOC of RINC Master Database also tells how databases internal to RINC were exported to the ten divisions of RINC, such as Perfect Press. 1213 Words. 2 Pages. PP940701. ©1994 Bill H. Ritchie, Jr.
After Driving Miss Aunt Nellie:
Editor's afterwords
In 1935, Nellie Cornish wrote, "The Fullers' proposal
was the establishment of a radio school . . .." Radio was,
Cornish said, a field quite foreign to art and education, and
I wondered if the idea of a computer school might start the same
way today. 1267 Words. 2 Pages. PP940408 ©1994 Bill H. Ritchie,
Jr.
Funny feeling on video:
Life goes on rewinding
Reviewing videotape databases in his library and videotape
archive, the author wonders about the passing of his times. 1421
Words. 2 Pages. PP940511 ©1994 Bill H. Ritchie, Jr.
Poster Art Software:
Questions you ask, answers you get
Posters are the universal language that speaks with two tongues:
the passive expressive voice and the language of action-at-a-distance.
There is a new form of communication available to tell the story
of posters, in two tongues: the computer and CD/ROM for interactive
use. At the end, questions about poster art software are answered.
1440 Words. 3 Pages. PP940426 ©1994 Bill H. Ritchie, Jr.
Gate arrays and Living Prints:
Moving toward the client/server
In the gate array concept "Living Prints" moves
from Perfect Press' business plan to another of ten segmented
plans. This text describes the Perfect Studios' involvement. "Ghosts
in the New Machine" is the active form of the building of
gate arrays. 1103 Words. 2 Pages. PP940101
©1994 Bill H. Ritchie, Jr.
Printmaking in its new form:
A look back for future trends
Pioneers in printmaking are being given more recognition than
they received in their first generation. It took twenty years
to get started. Some, in their eighties, and being recognized
for the contributions that printmaking gave to the culture. Already
there are new pioneers; it makes you wonder, "Will it be
another forty years before these pioneers are recognized?"
898 Words. 2 Pages. PP931228 ©1993 Bill H. Ritchie, Jr.
Ideal CD-ROM:
Crystal-gazers' publishing
New technologies in every era are unlike social groups in
those eras. The invention of the telephone by Alexander Graham Bell was apart from the society of his day. Social groups develop
and change slowly, mature to highly interdependent memberships.
778 Words. 2 Pages. PP930717. ©1993 Bill H. Ritchie, Jr.
Art-of-the-State Magazine:
How to promote your culture via CD-bases
State-of-the-art magazine can only mean that these magazines
are electronic. These state magazines will be in great demand
within their geographic region. Built on concurrent marketing,
they have a dual mission: Environment and culture. (Proposal)
165 Words. 1 Page. PP930709. ©1993 Bill H. Ritchie, Jr.
Media:
Her Story
EarthSafe 2022 is about balancing rights of living
things and mineral earth. To achieve this, Ritchie tells about
the woman who fell to earth. His multimedia novelette, uses the
hyperliterary genre - images, text, audio, motion and interactivity.
493 Words. 1 Page. PP930513 ©1993 Bill H. Ritchie, Jr.
EarthSafe 2022:
Don't expect me to BUY IT if I don't know IT
People search for better value for their efforts and money.
Information Technology offers a better value, but many people
are not certain what IT means. Especially true of the people in
control of the resources to invest in IT. Gridlock is a result.
483 Words. 1 Page. PP930426 ©1993 Bill H. Ritchie, Jr.
Alpha One Press and Ritchie's:
A joint project in the making?
Ritchie's and Alpha One Press discussed a joint project, but
first compared their reasons. Goals - if not the same map to reach
it - must be agreeable, and goals are from mission statements.
Ritchie's goal is an international stamp art contest. 2478 Words.
5 Pages. PP930118 ©1993 Bill H. Ritchie, Jr.
Reinventing arts studios:
Peeking in a dozen gates
Perfect Studios are reinvented arts studios. The intent
now is twofold: To summarize the forthcoming second book and,
two, lay the foundations for the third in the series. The first
was, The Art of Selling Art. 2176 Words. 6 Pages. PP921023
©1992 Bill H. Ritchie, Jr.
Sensible Printed Leadership:
Fine art prints transformed
The evolution of resolution path parallelled technology--printing
flowed from low-resolution images to high graphical information.
Next the path joined time. Finally, human cultural evolution transformed
fine art prints in digital reproductions. 1520 Words. 4 Pages.
PP921017 ©1992 Bill H. Ritchie, Jr.
Plugged-in artistry:
Putting your studio on disk has its advantages
People dream of their home or their castles in the sky; farmers
envision their land or ranges, crops and orchards and the future
- their families' welfare. Artists, crafts people and designers
have a new way of contemplating their creations, their worth,
and the value of their work: By a method to put it on a computer.
The author wants to show how they can computerize their creative
empire. 1137 Words. 2 Pages. PP920823 ©1992 Bill H. Ritchie,
Jr.
Designing Living Prints:
Winning the printmaking game
Multimedia is designed by back chaining, with rules so problems
can be solved. Rules are established by extrinsic and intrinsic
factors based on the expertise. The user byword is ultimately,
Somewhere else to go, something else to do, interruptively. 438
Words. 2 Pages. PP920624 ©1992 Bill H. Ritchie, Jr.
Covey's conundrum:
Where and when we are
Written for the foreward to Reinventing Arts Studios
Covey, who wrote, "Life is sustained by tension between where
we are now and where we want to be"--is one of the guides
to reinventing art studios. 597 Words. 2 Pages. PP920611 ©1992
Bill H. Ritchie, Jr.
Did I see you on "First Thursdays?"
Hints to art on the data highway of the future
To promote the book, Art of Selling Art, this letter
was sent to book review editors in the Puget Sound area. It is
based on life in the gallery scene where most artists look for
their livelihood. The truth is, few artists make a living, and
this essay asks journalists to comment on the situation. 948 Words.
2 Pages. PP920605 ©1992 Bill H. Ritchie, Jr.
Contents of Magalogs:
Balancing medium and message
A description of what is contained in a Magalog - a proprietary
name given to his multimedia catalog/magazines by Bill Ritchie,
creator of Perfect Studios. 432 Words. 1 Page. PP920530 ©1992
Bill H. Ritchie, Jr.
Living Prints encyclopedia of printmaking:
Coming to the museum without walls
Focused on original fine art prints, domain experts would
tell the art aficionado secrets of Rembrandt's etchings, Warhol's
screen prints and much more. Living Prints: Encyclopedia of printmaking,
will be an interactive multimedia product on CD. This is truly
be a concept for a museum without walls. 1986 Words. 5 Pages.
PP920520 ©1992 Bill H. Ritchie, Jr.
Writing a rule:
Discriminating equality
This essay is a sample of one rule for an arts edutainment
product, called Living Prints, about print making and the fine
art print. The market is art collectors, art dealers, museum officials,
teachers and consumers. Rules are by the domain expert. 957 Words.
2 Pages. PP920511 ©1992 Bill H. Ritchie, Jr.
Modem Magazine defined:
What it is, what it isn't, what it will be
I wanted to know how it felt to get a magazine by modem. It
came from a Connecticut BBS. Next, what is it like to read it?
The following are comments and questions I asked. Maybe this is
a forerunner to my Magalogs. 1740 Words. 4 Pages. PP920426 ©1992
Bill H. Ritchie, Jr.
Businesses beware of new technologies:
What you don't know about multimedia can hurt you
Computer and related technology is speeding things up. Downsizing,
global markets, regulations and competition from abroad call for
hands-on workshops in multimedia. Uniquely tied to the interactive
multimedia, the perfect solution is a computer. 3353 Words. 8
Pages. PP920424 ©1992 Bill H. Ritchie, Jr.
Perfect Studios ensemble:
Writing a product description
CD-based information systems can facilitate the distribution
of arts applications software. This software product proposed
by Bill Ritchie costs about $2 per disk and includes functional
software plus schools, studios and art supply catalogs. 3847 Words.
9 Pages. PP920402 ©1992 Bill H. Ritchie, Jr.
Waiting for the Emerald light:
Seattle in the wings
An essay is inspired when Min Yee, as President of Microsoft
Press, compared these times with the early days of cinema. He
pointed to history and W. D. Griffith--how a creative new art
form is made. Proposal and synopsis. 352 Words. 1 Page. PP920316
©1992 Bill H. Ritchie, Jr.
Visitors to my private museum:
Fantastic hand-held tour
Excerpt from, Ghosts in the New Machine, the third
in the author's trilogy, Perfect Studios. The author visualizes
what a museum of the future will look like as visitors carry their
hand-held translators around with them as they look at art. 704
Words. 2 Pages. PP920128 ©1992 Bill H. Ritchie, Jr.
Nuts, bolts and context:
Printmaking and computing unite
Printmakers will adopt new mediums for success. What are the
nuts and bolts of successful printmaking today? Where did printmaking
come from? Where is it going? A variety of forces work on printmakers
in the computer age. 976 Words. 3 Pages. PP920122 ©1992 Bill
H. Ritchie, Jr.
Little Books Defined:
Everything you need in your pocket
Ritchie's Little Books are print publishing ventures in arts,
crafts and design fields aimed at education, practice and research
markets. They accompany multimedia publications on floppy diskettes;
companions are the Magalog and the Videozine. 916 Words. 3 Pages.
PP911207 ©1991 Bill H. Ritchie, Jr.
State Magazines and Magalogs:
Localizing made easy
New ideas began to bear fruit beyond individual talents in
arts, crafts and design. Industry leaders find there are no schools
preparing skills and content for future publishing. Print paradigms
die; information commerce now will be digital. 664 Words. 2 Pages.
PP911204 ©1991 Bill H. Ritchie, Jr.
Magalogs of Ritchie's, Inc.:
Defining tomorrow's 'zine
In Ritchie's Business Plan the meaning of such creative words
as Magalog is defined by markets, audience, format and value.
These are extrinsic to Perfect Studios; all divisions of the Ritchie's
is represented by Magalogs. 260 Words. 1 Page. PP911201 ©1991
Bill H. Ritchie, Jr.
Words not worth:
Ghosts in the New Machine
From Ghosts in the New Machine. It describes a scene in which
the main character made three tries to get the old computer started.
Then words began to appear on the screen, typed by unseen hands,
being uncovered by dead hands of past history. 2008 Words. 3 Pages.
PP911130 ©1991 Bill H. Ritchie, Jr.
Observation of Woman Who:
Transcending, uncovering pretext
Notes for the The Perfect Studios trilogy: Ghosts in the New
Machine, Woman who fell to earth, this section describes her companion,
a time-transcender receiver, a visit to a museum's antique computer
with a special capacity for uncovering pre-text. 1397 Words. 2
Pages. PP911119 ©1991 Bill H. Ritchie, Jr.
Virtuous calculation:
Handling memories of a lifetime
Though it may be too short to be called an essay, these three
paragraphs outline the source of the author's phrase, The illusion
of calculation, key to understanding the subtitle of his trilogy,
Perfect Studios. 230 Words. 2 Pages. PP911111 ©1991 Bill
H. Ritchie, Jr.
Multimedia Roots:
Interviewing X
The chicken-or-egg riddle becomes, Which came first, database
or document? People working in information technology think the
two are similar. Viewing a videotape of himself, the author writes
an interview inspired by Glenn Gould interviewing himself. 1483
Words. 3 Pages. PP911105 ©1991 Bill H. Ritchie, Jr.
The Shape of Content:
Time to renew
A page looks like a page, but a page is a metaphor in a computer
program like ToolBook. In HyperCard, the card file is a metaphor.
Hypermedia programs' names refer to metaphors. They have paradigms
that include a range of media, e.g., multimedia. 1243 Words. 3
Pages. PP911104 ©1991 Bill H. Ritchie, Jr.
Joy in a box:
Reinventing arts studios
Confessions of an artist with a passion for computers. For
Crafts Report, the author also wrote several columns about selling
art adapted from his Perfect Studios trilogy. 856 Words.
2 Pages. PP911025 ©1991 Bill H. Ritchie, Jr.
Playing cards:
Postcards from the future
The Northwest Print Council draws an artist's name in a lottery
to commission a print. This artist then reflects on hand craft
in the age of space/time, and forecasts life of an artist in 1995.
519 Words. 2 Pages. PP911022 ©1991 Bill H. Ritchie, Jr.
Art upgrades digitally:
Artists into software
Computer programs are like works of art. They document an
age between virtue and reality. Keystrokes are like brushstrokes
to this artist/author. Artists are portrayed as ones who add elegance
to creations in digital multimedia. 619 Words. 2 Pages. PP911016
©1991 Bill H. Ritchie, Jr.
Roots of The Ghosts in the New Machine:
Games and other things not fit for print
Reflecting on games, literature and lectures about artists'
book-arts, he author seeks structure his forthcoming book, Ghosts
in the New Machine, and doubts it is fitted for print. It
is an old dilemma: Art method in conflict with the printing press.
1683 Words. 5 Pages. PP910922 ©1991 Bill H. Ritchie, Jr.
Fan Club:
First buyers of my first book
The author recalls the people who helped get his book, The
Art of Selling Art, into the marketplace for self-help artists'
books. 395 Words. 1 Page. PP910819 ©1991 Bill H. Ritchie,
Jr.
Trying Multimedia:
First visit to Beethoven's Ninth
A multimedia workstation in the downtown public library in
Seattle is a first chance to try out the Beethoven Ninth Symphony
multimedia created on the Macintosh computer. CD/ROM will be used
by artists, so the author uses it to test look-and-feel. 1023
Words. 3 Pages. PP910812 ©1991 Bill H. Ritchie, Jr.
Art Prints in Washington State:
Start a new venture, Now?
Actor Jeff Bridges' line from the movie, Star Man,
is used to summarize the resilience of art workers in the Northwest.
Recounting their unique role in the art scene, the author focuses
on people who use printmaking as their primary medium. 409 Words.
1 Page. PP910811 ©1991 Bill H. Ritchie, Jr.
Goal-writing made easy:
Taking a run at IT
Success in your art and craft depends on writing your goals.
Fifth of a series of essay by Bill Ritchie on the art of selling
arts, crafts and design. They are revised excerpts from Ritchie's
The Art of Selling Art: Between Production and Livelihood.
874 Words. 2 Pages. PP910715 ©1991 Bill H. Ritchie, Jr.
Pricing your art:
Evaluation stops devaluation
Third of a series from his Art of Selling Art by Bill
Ritchie on evaluating art, crafts and design. Five excerpts like
as this one from his book were printed in Crafts Report in 1991,
reduced from chapter-length to essay-length. 1104 Words. 3 Pages.
PP910712 ©1991 Bill H. Ritchie, Jr.
Marketing and the Art of Selling Art:
More than meets the eye
Before an artist or a dealer can sell art, there has to be
a marketing plan. Excerpt from the author's book, The Art of
Selling Art: Between Production and Livelihood. 1063 Words.
2 Pages. PP910615 ©1991 Bill H. Ritchie, Jr.
Leonardo's Business Plan:
Genius and Information Technology
Business planning means long-term success for artists. If
Leonardo da Vinci were alive, would he have one? Would it be verbal
or visual, or musical? In the age of electronic reproduction,
creative people must plan to be effective in the future. 3193
Words. 8 Pages. PP910614 ©1991 Bill H. Ritchie, Jr.
Language and multimedia:
If it don't compete, it don't compute
Multimedia roots go back before the invention of moveable
type. A millennium of media habits - from the bible to computer
babble - means we must learn new expressions. Every content re-purposing
proposal begins with economics. 2011 Words. 3 Pages. PP910605
©1991 Bill H. Ritchie, Jr.
Libraries define art:
Nobody does IT better
When I first opened my eyes to art, I was looking at a print
. . . writes the artist/author. Learning about printmaking as
fine art, he adds a significant second part of the his statement:.
. . and I was in a library. 1432 Words. 4 Pages. PP910531 ©1991
Bill H. Ritchie, Jr.
Revisiting intuition:
Keeping the gates clear
The moment the multimedia artist is out of bed, he asks himself,
"Does the new medium help or eliminate creativity?"
Innovators he has met populate his memory like ghosts and, in
his new machine, they are role models for the virtual artist.
2804 Words. 4 Pages. PP910522 ©1991 Bill H. Ritchie, Jr.
Falling to earth:
Press to hypermedia
Living in an age between the mechanized, industrial world
and the electronic, the information age gives an artist a headache.
Often they try casting molds for something that will be tangible
ten or twenty years in the future. 1303 Words. 2 Pages. PP910518
©1991 Bill H. Ritchie, Jr.
Computer passion for rugs:
A story of three rug designers
Rug and carpet design takes a new twist in the studios of
three artist/designers who use computers to create rug designs.
Mixing business and esthetics saves time, adds new marketing and
sales methods. They blend fiber, hand weaving and digital dreams.
1275 Words. 3 Pages. PP910515 ©1991 Bill H. Ritchie, Jr.
Time to sell art:
How long does it take?
Time is the essential concern in selling your art. Time selling
takes away from time creating - the crucial point in balancing
between production and livelihood. From the author's book, The
Art of Selling Art. 1103 Words. 3 Pages. PP910514 ©1991
Bill H. Ritchie, Jr.
Art Prints in Washington State:
Waiting in the Wood
There is an opinion there are no significant print collections
in Washington State. It is more accurate to say that the collections
which do exist are not promoted. Instead, print making is the
starting-point, a seminal art medium for multimedia. 500 Words.
1 Page. PP910507 ©1991 Bill H. Ritchie, Jr.
Marketing Prints with Multimedia:
Getting back to the root
The perfect studio for multimedia arts is where teaching,
experiments and applications are going on at the same time in
the same place. In one view, this suggests that an etching press
is set up alongside a computer. 1291 Words. 2 Pages. PP910426
©1991 Bill H. Ritchie, Jr.
Self-publishing your first book:
Notes from those who did it
In-home education programs are one way to learn self-publishing.
Based on a talk by two published speakers, these are insights
covering different views on publishing and public speaking. 1281
Words. 3 Pages. PP910409 ©1991 Bill H. Ritchie, Jr.
Multimedia Intuition:
Creativity after the paradigm shift
Space and time no longer stand alone. Which means that new
techniques are used by intuitive, creative workers to explore
the future. Time and timing - like space - are being shaped by
computers. Leaders have skill in using these new machines. 1991
Words. 3 Pages. PP910407 ©1991 Bill H. Ritchie, Jr.
Multimedia across the ages:
Hyper guide book for forty-something artists
A proposal that museums and libraries develop multimedia policies
for the next generation and to choose a top-down or bottom-up
approach. Based on a fantasy viewpoint, comparing the age of a
40-year old with the ages of stones. 4065 Words. 6 Pages. PP910324
©1991 Bill H. Ritchie, Jr.
Grants and The Art of Selling Art:
Where exposure counts
In The Art of Selling Art, the chapter on grants explains
how they mean many things, such as education and exposure to blue
ribbon panels. They mean more than meets the eye. 1063 Words.
2 Pages. PP910317 ©1991 Bill H. Ritchie, Jr.
Multimedia, roots or gates?:
Johnnie can't draw, but scores high in games
Thousands look for a new approach to education. In this essay,
multimedia art matters more than traditional thinking. Information
Technology, IT, is where the action is, and art provides ways
to do business. 1538 Words. 3 Pages. PP910304 ©1991 Bill
H. Ritchie, Jr.
An artist blind-sided:
Encountering the dark side of public art
Artwork for a State Arts Commission Art in Public Places was
to be commissioned. The committee was very encouraging--at first.
His experience turned out to be a disasterous encounter with the
dark side of government programming. 2142 Words. 6 Pages. PP910303
©1991 Bill H. Ritchie, Jr.
International Institute for Study of Multimedia Arts:
Gates to an artist's sanctity
One hundred years ago impressionism was born, then cubism;
now, multimedia. A letter to the editor of a Northwest computer
newspaper calls for a new technical art school for multi media
called the International Institute for Study of Multimedia
Arts. 882 Words. 2 Pages. PP910227 ©1991 Bill H. Ritchie,
Jr.
Name the ghosts in the new machine:
Ancestral wins or setbacks?
The ghosts in the new machine may be known by names: Important
people, but they remind one of the days when one met them. In
the age of the illusion of calculation, a ghost is an albatross,
a stifling handicap, a memory of ancestral failures. 2683 Words.
4 Pages. PP910222 ©1991 Bill H. Ritchie, Jr.
Positioning with multimedia:
Navigating the future
Multimedia that interweaves several mediums takes on greater
significance if it is given the scope of business. Business management
encompasses planning goals and tasks. Focusing on positioning
helps give multimedia a working definition. 2160 Words. 4 Pages.
PP910214 ©1991 Bill H. Ritchie, Jr.
Multimedia and the Marketplace:
Alternative to artists' extinction
Multimedia can help of the independent artist, crafts person
and designer. The technology is not complicated, and it may go
far in preserving creativity. Independent computer consultants
are like artists; they can learn from each other. 462 Words. 1
Page. PP910212 ©1991 Bill H. Ritchie, Jr.
Anatomy of an Art Sale:
Below the appearance of public art
Complaint about red tape involved in Art in Public Places
programs. The essay points out the precautions necessary in dealing
with the state bureaucracy and the sad economic picture this paints
for artists who do not go by rules imposed by the state. 552 Words.
1 Page. PP901212 ©1990 Bill H. Ritchie, Jr.
Fool:
Image in a spoon
Between the virtual and the real worlds of art, today's artist
has to make educated choices. Computers can help or hinder their
education, depending on if the artist feels closest to the age
of virtue, of reason, or the Information Technology age. 426 Words.
1 Page. PP901209 ©1990 Bill H. Ritchie, Jr.
Visions:
Conversation among Chew, Ritchie and Sato
Remorse and enthusiasm exist side by side in the comments
by three artists. This is a three-way conversation among C. T.
Chew, Bill H. Ritchie, Jr. and Norie Sato about art, computers
and survival, published in an edited version in VISIONS
magazine. 25197 Words. 30 Pages. PP901119 ©1990 Bill H. Ritchie,
Jr.
Peak producer:
Before we needed art
Art comes from human nature, but what is human nature compared
to machines? The answer is in considering the errors made with
machines by human nature Words. 361 Words. 1 Page. PP901112 ©1990
Bill H. Ritchie, Jr.
Navigation Calculation:
Information Technology strategic planning
The navigator in the information age works in the world as
an illusion of calculation. 203 Words. 1 Page. PP901105 ©1990Bill H. Ritchie, Jr.
Fascisti:
The librarian metaphor
Fascist, one of the darkest words in our society because of
World War II, came from the title of the librarians of the Roman
Empire. Maybe it's time to get back to the original sense of the
world and renew the meaning for business purposes. 342 Words.
1 Page. PP901101 ©1990 Bill H. Ritchie, Jr.
What is computer art of the Third Kind?
Introducing medium-of-origin
Bill H. Ritchie, Jr. defines what, for his purposes, is computer
art, stating there are three kinds and he tells which kind he
is working on. 282 Words. 1 Page. PP901017 ©1990 Bill H.
Ritchie, Jr.
Experts in Printmaking:
Between Tradition and Technology
This is the time for all good teachers to ask, Who are we,
where did we come from, and where are we going? This essay accompanies
a questionaire about the preparation of tomorrow's artists and
educators. 942 Words. 2 Pages. PP900930 ©1990 Bill H. Ritchie,
Jr.
Dinner speech:
The Northwest Print Council
At a dinner held in honor of Judith Brodsky, Bill Ritchie
looked around and realized he was the only one there from Seattle.
The occasion was the Northwest Print Council Annual meeting, so
he stood up and addressed the group with this speech. 506 Words.
1 Page. PP900915 ©1990 Bill H. Ritchie, Jr.
One Hundred Years of Washington Art:
New Perspectives from Bill's Gate on Printmaking
For the catalog for One Hundred Years of Washington Art:
New Perspectives, the Washington Centennial Exhibition at
the Tacoma Art Museum. The author wrote about the influence of
printmaking and high-tech on art of the `70s in Washington State.
1052 Words. 2 Pages. PP900110 ©1990 Bill H. Ritchie, Jr.
Commission Advertising:
Ghost in the New Machine
The artist used a printer that was under-powered. Written
on Pearl Harbor Day, it is wry irony that he had a slow printer.
But, what is the content of this essay worth? Calculate this and
he will get a new printer for making 90's art. 1209 Words. 2 Pages.
PP891207 ©1989 Bill H. Ritchie, Jr.
Commenting on The Business of Art:
One artist's differing view
Asked by Prentice-Hall to review one of their books on the
business of art, Bill H. Ritchie, Jr. shows a fundamental difference
between his and most of the other books that attempt to help the
artist sell artworks. 2465 Words. 5 Pages. PP890810 ©1989
Bill H. Ritchie, Jr.
Planning in art:
The Illusion of Calculation
What the insurance and oil industries have in common is their
planning, based on calculation. Plans are based on the unknown,
and for what seems at first complicated reasons, a studio for
art, design, and crafts is like an industrial business. 1042 Words.
3 Pages. PP890516 ©1989 Bill H. Ritchie, Jr.
What does "Bill's Gate" Mean?
Revised and updated
When Bill Ritchie and C. T. Chew concluded the first phase
of their joint project in the development of an interactive multimedia
project in 1988, they produced a broadside to send the members
of the club. This essay is Bill's. 1158 Words. 2 Pages. PP881127
©1988 Bill H. Ritchie, Jr.
What does "Bill's Gate" Mean?
Original version
According to accounts, artists were brave souls throughout history. How do artists today compare in boldness and creativity?
The author had an Emergency Meeting in 1978, which he describes
as the turning point for artists in the northwest. 2148 Words.
5 Pages. PP881126 ©1988 Bill H. Ritchie, Jr.
Imitation to Art:
Outer limits of traditional art tools
Artists using print, video, and computer systems tried imitating
character of drawing and painting, sculpture, television, and
photography until laser optical media came along. 865 Words. 2
Pages. PP881115 ©1988 Bill H. Ritchie, Jr.
Browsing Metaphors:
Searching for a likeness to CD-I
Observations written during the first six months of the CD/ROM
Publisher's Club, and compiled from the Reports part of Compilation
of a Resource Library on Theory and Technology. 3074 Words. 5
Pages. PP880920 ©1988 Bill H. Ritchie, Jr.
Selling the CD-I Project:
Getting on with art
Bill Ritchie and C. T. Chew learned that the idea of the CD/ROM
Publisher's Club was better than they had thought at first
but more money was needed to develop it. This essay was about
bootstrapping and timing -- the key considerations. 1287 Words.
3 Pages. PP880828 ©1988 Bill H. Ritchie, Jr.
The Art of Selling Art:
A CD/ROM Offering
A part of Perfect Studios to encourages artists to prepare
to sell their art on their own. The methods were tested at an
art school and in art studios. On a CD/ROM, "Everything an
art student needs to know," the text is an artist's survival
aid. 613 Words. 2 Pages. PP880815 ©1988 Bill H. Ritchie,
Jr.
A Plethora of Metaphors:
Groping the Disc
C. T. Chew and Bill Ritchie launched a research and development
project in 1987 to study laser optical media and the arts. In
reviewing the metaphors used the first year of the CD-multimedia
project, Bill says, "Our grope is greater than our grasp!"
989 Words. 2 Pages. PP880715 ©1988 Bill H. Ritchie, Jr.
Early one morning -
in the province of the silicon forest
There may be only modest support for the local arts by new
meritocrats, the nouveau riche of high-tech. Have we outgrown
the provincial image? Artists and corporate creatives recall images
of pioneers, alike but different in measures of resources. 1746
Words. 3 Pages. PP880415 ©1988 Bill H. Ritchie, Jr.
The CD-I Project of Chew and Ritchie:
A view from a high altitude
Bill Ritchie was given a copy of The New Papyrus as
a gift from Tom Lopez. While reading the remarks by the thinkers
in this new technology, these notes were made. 1276 Words. 2 Pages.
PP871101 ©1987 Bill H. Ritchie, Jr.
The Bush / Weiner Inspiration:
Beginning a fifteen-year plan
The story of the Memex, the quotations of Vannevar Bush, and
the recollection of Norbert Wiener's writings come together in
the artist's journal notes. 608 Words. 2 Pages. PP870825 ©1987
Bill H. Ritchie, Jr.
The Cure for Depression:
Studio visitors in shifting times
In reinventing their roles, will the engineer and the artist
work alone or in collaboration? If they collaborate, how will
they reconcile their views? These questions inspired the idea
of a useful product comparable to the invention of aspirin. 1995
Words. 5 Pages. PP870824 ©1987 Bill H. Ritchie, Jr.
How does CD-I Involve the Arts?
Uncovering history behind glass
Learning about the first true multi-media delivery system
which was being developed by the laser-optical media industry
led to these thoughts about the revolution for artists at hand.
2538 Words. 5 Pages. PP870817 ©1987 Bill H. Ritchie, Jr.
How I use computers in Art:
Minutes of a multimedia talk
A minute-by-minute text of an early (1987) demonstration lecture
for The Evergreen State College (TESC) on artists' uses for a
computer in print, video and computer graphics. Includes questions
asked after the talk. 1539 Words. 4 Pages. PP870227 ©1987
Bill H. Ritchie, Jr.
Art, Technology, and Human Creativity:
Consequence and inspiration concurrently
An illustrated lecture presented by The Human Creativity
Conference at St. Martin's College, in which the creative
process is described as both a consequence of and an inspiration
to use new technologies. 1819 Words. 7 Pages. PP860412 ©1986
Bill H. Ritchie, Jr.
Video in the Museum:
Through the glass walldows
Promotion of the idea of using electronic media in museums
of art. The suggestion is to combine hospitality with learning
- B&B days! 370 Words. 1 Page. PP860321 ©1986 Bill H.
Ritchie, Jr.
Art and Technology Reversal:
History in rewind?
In a round-table discussion on art, technology and printmaking,
photography was suggested as a metaphor for the new computer graphics;
more likely, a reversal metaphor of the history of communication
would serve. 1850 Words. 3 Pages. PP860131 ©1986 Bill H.
Ritchie, Jr.
Microcomputers, Marketing, and the Artist:
Addressing the artist's needs
Lecture to the Women Painters of Washington on the basic dilemmas
of marketing your own artworks, and the changes being made by
use of microcomputers. 982 Words. 3 Pages. PP851110 ©1985
Bill H. Ritchie, Jr.
Art and Technology:
Perspective on developments since 1945
Paper written for the University of Washington Art History
Students, but not delivered. At the time of this entry this essay
is yet to be located, but it probably is on the Apple Computer
Database. 70 Words. 1 Page. PP850515 ©1985 Bill H. Ritchie,
Jr.
Videodisc:
Selected readings on a new art form
The groundwork for a philosophy of a video disc class for
art students is described by using quotations from Walter Benjamin,
Levi-Strauss, and Jack Burnham, all having to do with ritualized
process, art, and technology. 955 Words. 2 Pages. PP840518 ©1984
Bill H. Ritchie, Jr.
Perfect Studios:
Philosophy and Speculation
In this essay the dream of the perfect studio finds a model
in an account of a Chinese printing business that operated centuries
ago, where printing craft was balanced with publishing on the
subject of fine arts processes. 729 Words. 2 Pages. PP840212 ©1984
Bill H. Ritchie, Jr.
What is Cyanotype?
Blue Process for Printmaking
The cyanotype, or blue process photography, gave the author a perfect method with which to introduce the principles of photographic emulsions to beginning printmaking students. He created a shirt-pocket or purse 'little book" for his students. 1172 Words. 3
Pages. PP820225. ©1981 Bill H. Ritchie, Jr. Full Text.
Printmaking Techniques:
An approach with impact
Written for print collectors, this essay provides a simple
outline of print making terminology. It stresses two aspects of
the technology: Impact and non-impact, plate making and print
making, plus the four kinds of printing. 931 Words. 2 Pages. PP711015
©1971 Bill H. Ritchie, Jr.
New trends in prints:
Revolution in the making
Talk to Seattle Art Museum Couples' Guild on a revolution
in print making. First drafted in1971 and presented as an illustrated
lecture. It hints of things to come, and challenges the artistic
merits of the show. 2790 Words. 4 Pages. PP710324 ©1971 Bill
H. Ritchie, Jr.
The Collagraph:
A course syllabus
The first chapter from the technical papers used in print
making classes at the university. Hand print making came into
its own and unique processes like this were born as fine art print
media with no commercial value--at first. 3326 Words. 5 Pages.
PP700104 ©1970 Bill H. Ritchie, Jr.
Prints/Multiples:
Introduction to an exhibition catalog
Written for the exhibit of prints and multiples at the Henry
Gallery, University of Washington. The premise was there are two camps: Artists whose ideas are inherent in the media, and others
for whom printmaking is a secondary medium. 1015 Words. 2 Pages.
PP690815 ©1969 Bill H. Ritchie, Jr.
ritchie@seanet.com