Living Prints Mezzotint On-line


Burnishing

The burnisher is a hardened-steel tool with a curved, polished round end like a spoon. Burnishing is like drawing white on black with white pencil or chalk, as on dark paper. An intaglio-printed mezzotint plate requires that the artist polish the plate in the non-printing areas. Where there is no plate texture, there is nothing to trap the printing ink during the wiping of the plate (preparation to print). Rollers in a high pressure printing press print the plate, leaving an impression of the ink on paper. Non-printing portions of the plate are scraped, burnished and polished. This will not print, of course, leaving the color of the paper--usually white.

If you are a newcomer to Living Prints On-line, you may find yourself at the middle of the plate-making process. Back-track or get other snapshots of the processes by selecting highlighted key words and images. If you want to go back to the first steps, select here.

Select the highlighted word, scraper, to see a snapshot of this tool. In making a mezzotint, the scraping, burnishing and polishing are used in any appropriate order. There is no one fixed, best way of using these tools in the making of a creative, fine art mezzotint. Some artists and craftspeople are using power tools, too, to grind, scrape, burnish and polish the highlights and tints into the metal plates. Plastic plates--such as acrylic and styrene-- are being used as alternatives to metal.


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©1999 Bill H. Ritchie, Jr. ritchie@seanet.com