Gicleé Publisher's Journal

The publisher produces the bases for Living Prints with support for all the players and keeps communications clear and on course.

The professor's lawyer told me he had a funny, short story. He said the University stopped investigating the continuing competence of its tenured faculty 5 years ago. He seemed pretty surprised.
"Five years with no quality control!" he was almost shouting, and laughed. I don't know what he thought was funny about it. I knew about that already. Then he said--and he kind of had a gleam in his eye: "And, yet, these people say that distance education has to prove it will work. BS!"

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I called him back. Wants me to fork out some money for one of those computer prints. I've got about a million reasons not to get involved. I told him about that artist who just sold the city's museum on a whole portfolio of them. Watercolors he scanned into a computer and fooled around with the colors a little.

He just laughed about it. I said, "A MILLION reasons? That's more than I can afford to argue with! I think he was going to hang up, but I told him I'd check out that show he's in at that printer's. When I get time.

	Curator's Log	The curator is seldom seen but is always seeing to it that the living prints' records are correct and rules followed.
	Artist's Diary	The artist provides the vision and imagery of the living print, laboring after the compelling image.
	Printer's Notes	The printer performs many tasks to keep prints alive, crafting and designing solutions to problems the artist, curator and publisher propose.
	Professor's Papers	The professor explains the living print, the history of printmaking, and keeps the academic community informed.

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©1999 Bill H. Ritchie, Jr. ritchie@seanet.com