Bill H. Ritchie, Jr.

Biographical Résumé 1999-1963

Items of Current Interest (current until 1999 only)

  • 1999: Bellevue Art Museum Group Exhibit, November
  • 1999: Davidson Galleries Group Exhibit, July
  • 1998: Included in Contemporary Printmaking in the Northwest by Lois Allan
  • 1998: PhoneCardia series by Gazelle Telecards, "Seattle Skylines"
  • 1997: Giclee display of "Video Landscapes" at DigiColor in Seattle


Visual Arts Exhibitions
  • Included in Seattle exhibit of IRIS prints, "Video Landscapes" at DigiColor

Video Art Shows
Computer Art Exhibitions
  • Quality printmaking from computer art at DigiColor Giclee Display

Installations, Performances
Permanent Collections

Private Collections

Prizes
Bibliography
Public Speaking, Consulting, Training
  • Speaking on the education and technology of game design
Media Events
Technical
  • Co-venturing with digital artists and poets

Videography
  • New video for archive: Bill Ritchie at the UW

Education and Job Experience



Education and Job Experience

Schools, colleges, and universities taught and attended; study, training, workshops, full and part-time job experience, travel, professional conferences, administration and business management and ownership experience.

Continuing Education, Study, Conferences and Travel

1999-1992  Inventing Emeralda: The Game for the Gifts of Life; Founder Member of Digital Media Alliance, Washington Software Association; Founder Charter Member, US Tech Corps.
1992-1988   International Interactive Communications Society / PC Users Multimedia Users Group / Washington Software Association Annual Conference, Workshops, Seminars and Interactive Multimedia Special Interest Group; International Interactive Communications Society First Annual Interactive Multimedia Art Show (Panelist/Participant) Independent Computer Consultants Association National Conference (Presentor/Participant) PC Users Consultants Special Interest Group / MIT Forum on Multimedia; Computer Graphics Conference, Portland, OR / Northwest; Print Council Conference, Pullman, WA / National Speakers Association Conference, Atlanta, GA
1988-1985   Laser optical disk teaching, research and practice; Hypermedia Development Projects; CD/ROM National Conference (Microsoft) and founding of CD/ROM Publisher's Club with C. T. Chew
1985-1983   Completed 19-year formal teaching career at University of Washington School of Art, early retirement to seek the Perfect Studios: Teaching, Research and Practice under one roof.
1983-1982   Sabbatical No 2: Fifteen-nation (Europe, Japan, Indonesia, Australia and Cross-USA) travel-tour art museums, universities, video and computer studios of artists; speaking, videotaping and radio interviews on printmaking, video, and computer art / International Papermaking ERC (hand-papermaking) (Kyoto, Japan) / MAGNETICA (computer art) (Bologna, Italy) / World Print Council, San Francisco, CA
1976 - 1975   Sabbatical No 1: Japan travel, tour art museums, universities, and craft houses in Tokyo and Kyoto / U.S. travel, New York, Philadelphia, Boston, Nevada, university, museum, gallery, and video art studios.
1974   Intern, National Center for Experiments in TV, San Francisco / Global TV Conference Electronic Concert, SMU, Dallas
1969   European travel, Study with Rolf Nesch (Norway) / Artist-Scholar in Residence, the Munch Museum / art museums, printmaking studios in Germany, France, and Amsterdam.

Professional Associations

1993 - 1990   Emeriti Placement Program / National Speakers Association and Pacific Northwest Speakers Association / Northwest Print Council / Print Consortium / Washington Software Association / Who's Who in American Education

Job Experience

1991 - 1990   Ritchie's, Inc., President and CEA
1990 - 1985   Owner, Ritchie's Perfect Studios

Employment, Part-time and contracts

1990 - 1985   Consultant, Devereux Designs, Ltd. and Project Director, "Colorline: Design Communication Network" / Adjunct faculty of Art, University of Oregon, Eugene / Substitute Teaching, Cornish College of Art, Seattle / Visiting Faculty of Art, The Evergreen State College

Employment, Full-time

Summer school

1965   Summer Art Faculty, College of Notre Dame, Belmont, CA

College, Schooling

1966   Master of Arts, Printmaking, San Jose State College, CA
1964   Bachelor of Arts, Graduated with Honors: Arts and Crafts, Central Washington State College, Ellensburg
1960   Diploma, Prosser Senior High, Prosser, WA

Visual Arts Exhibitions

Visual Arts Exhibitions includes solo and group shows, exhibits, displays, invitationals, competitions, fairs, festivals, and conference shows in the visual arts.

Visual Arts: Solo Shows, 1990-1964

"Despite the importance of one person shows for artist, dealer and the community, your long-range goals need more than a annual one person shows. I do not like the idea that an artist works for shows, except when shows create helpful deadlines." - Bill Ritchie, Author of The Art of Selling Art.

1991   International Interactive Communications Society Annual Art Show, Seattle
1990   Digital Equipment Corporation, Bellevue, WA
1989   Pacific Lutheran University, Tacoma
1988   Union Bay Cafe, Seattle
1986   St. Martin's College, Olympia; University of Southern Mississippi, Hattiesburg, MI
1984   Greenlake Grill, Seattle
1982   Stone Press Gallery, Seattle
1980   Erica Williams/Anne Johnson Gallery, Seattle
1979   Art Action, Stone Press Gallery, Seattle
1978   Rental-Sales Gallery, Seattle Art Museum, Seattle
1976   Kiku Gallery, Seattle Everett Public Library, Everett WA; University of Nevada, Las Vegas NV
1974   Central Washington State College, Ellensburg; King and King Gallery, Seattle
1973   Evergreen State College, Olympia; Galleries O'Broclain, Gig Harbor WA
1972   Seattle Pacific College, Seattle; Burien Arts Gallery, Burien WA
1971   Francine Seders Gallery, Seattle; Renton Public Library, Renton WA; Pacific Lutheran University, Tacoma
1970   Color Center Gallery, Anchorage AK
1969   Otto Seligman Gallery, Seattle; University of Calgary, Calgary AB
1967   Lakewood Artists Gallery, Tacoma
1966   San Jose State College, San Jose CA; USIS Exhibit, Ankara, Izmir, Adana, Turkey
1965   College

Visual Arts Exhibitions: Group Shows: 1992-1963

"For some people, shows and exhibits are validation and a way to establish higher authority. Art schools have a marketing and selling job to do, too. They qualify their guarantees to provide outstanding art teachers by shows and prizes they have. Sales are secondary. In reading art magazines, newspaper reviews, advertisements and announcements, can you tell when the intent is to sell and when the intent is to validate?" Bill Ritchie. The Art of Selling Art

1992   "Annual Art Exhibit," Kirkland Art Center, Kirkland, WA
1991   "Print Types," Indiana University Southeast, New Albany "Tacoma Art Museum Art Auction," Highlighter, Tacoma "Washington Printmakers," Office of the Governor, Olympia "Recent Acquisitions", Tacoma Art Museum, Tacoma "Bumberbiennale: Seattle Photography 1931-1991," Bumbershoot, Seattle "Centrum Foundation Print Portfolio," King County Executive Offices Premier, Seattle "Computers and the Creative Process," Traveling exhibition at a University in Ontario, a museum in Wisconsin and in an Oregon gallery.
1990   "Views and Visions in the Pacific Northwest", Seattle Art Museum, Seattle "American Print Survey", Martin Museum, Baylor University "Computers and the Creative Process," Traveling exhibition at Universities in Alabama, Indiana, and Ontario; also in museums in Texas, Illinois, Indiana, Oregon and Wisconsin.

"Bill Ritchie was professor of art at the University of Washington from 1966 to 1985 and inspired students to explore new relationships between printmaking and the other media arts." Penelope Loucas, Curator, Tacoma Art Museum catalog entry for One Hundred Years of Washington Art

1989   "One Hundred Years of Washington Art: New Perspectives", Tacoma Art Museum
1988   "Monotypes and Prints", Stone Press Gallery, Seattle; "Northwest Printmaking", Municipal Art Center, Everett WA; "School of Art: 1975-1988", Safeco Insurance, Seattle
1987   "Art Expo `87", Seattle Trade Center, Seattle WA; "Computer as Drawing Tool", American Art Gallery, Tacoma; "Works on Paper", Seattle Pacific University; "Before and After", Davidson Gallery, Seattle; "Visiting Faculty Exhibition", The Evergreen State College, Olympia
1986   "Seattle Printmaking: A Selected Review," Stone Press Gallery, Seattle; "Tech Art", North Seattle Community College, Seattle; "Greenlake Retrospective", Greenlake Grill of Seattle; "Artist and Computer Traveling Exhibit", Eugene OR
1985   "Western States Print Invitational", Portland Art Museum;"East/West/East", The Public Art Space, Seattle Center
1984   "Printmaking Invitational", College of the Mainland, Texas City, TX; "New American Graphics Traveling Exhibition": Colorado Gallery of the Arts, Littleton, CO; Concord College, Athens, WV; Art Center, Inc., South Bend, IN; Humboldt Cultural Center, Eureka, CA; "Print National", Moravian College, Bethleham PA; "The Museum in the City", Seattle; "Prints and Drawings", Community Gallery, Ellensburg; "PNW Graphics Display" and "City Club Art Display", Seattle
1983   "International Print and Drawing Exhibtion", Springfield IL; "New American Graphics" traveling exhibition at: Alaska State Museum, Juneau; Visual Arts Center, Anchorage; Alaska Association for the Arts, Fairbanks; El Paso Museum of Art, El Paso, TX; Visual Arts Gallery, Hayes, KS; Amarillo Art Center, Amarillo TX
1982   "New Printmaking Technologies Conference Invitational", World Print Council, San Francisco CA; "Sixth Annual Print Symposium Invitational", Montana State University, Bozeman MT; "New American Graphics", Madison Arts Center & Crossman Gallery, U. of Wisconsin, Madison, WI; "Art Festival", in Anacortes, Bellevue, Renton, WA
1981   "Four Seattle Printmakers", Blackfish Gallery, Portland; "Seattle Printmakers", Stone Press Gallery, Seattle; "Mezzotint Masters", Davidson Galleries, Seattle; "Cyanotypes", Erica Williams/Anne Johnson Gallery, Seattle; "Portopia '81", Port Island, Kobe, Japan; "Art Instructors Invitational", Mercer Island, WA; "Traveling Print Exhibit", Art Center, Milwaukie, OR, Linn-Benton Community College, Albany, OR, and Spokane Falls Community College, Spokane

 
"As a teacher, Ritchie has continually encouraged students to explore with him the creative use of the [video] art . . .." Harvey West, Director of the Henry Gallery, Curator of The Washington Year

1980   "Image: Artist/Machine - The Washington Year," Henry Gallery, UW, Seattle; "A Refuses Exhibition", Soames-Dunn Building, Seattle; "Drawings Relationships to Prints", Davidson Galleries, Seattle; "Seattle Printmakers", Stone Press Gallery, Seattle; "Invitational Print Exhibition", Philadelphia Art Alliance, PA; "Traveling Print Exhibition", State College, museums and art centers in Montana State University and Eastern Montana Anaconda, Butte, Great Falls, Miles City, Sydney, MA; Las Vegas, NA; Coos Bay, OR; Wenatchee Valley College, Wenatchee, WA;
1979   "Northwest Printmakers", Stone Press Gallery, Seattle; "Group Exhibition", Erica Williams Anne Johnson Gallery, Seattle; "Group Exhibition", Davidson Gallery, Seattle
1978   "National Invitational Print Exhibition", Georgia College GA; "Invitational Print Exhibition", Yellowstone Art Center, Billings MT; "National Print Exhibition", Silvermine Guild of Artists, New Canaan CT; "Evergreen Art Collection Exhibition", The Evergreen State College, Olympia; "Original Editions Print Exhibition", Oregon Arts Foundation, Salem; "Rental Sales Gallery", Seattle Art Museum, Seattle; "Art Festivals", Anacortes, Bellevue, Puyallup, WA
1977   "Invitational Print Exhibition", USIA - Tokyo, Japan; "Invitational Print Exhibition", Foy Gallery, Georgia Southern College, Statesboro GA; "Invitational Print Exhibition", Impressions Workshop Gallery, Boston MA; "Invitational Art Exhibition", Sarah Spurgeon Gallery, Central Washington State University, Ellensburg; "National Print Exhibition", DeCordova Museum, Lincoln MA; "National Print and Drawing Exhibition", 2nd Street Gallery, Charlotteville VA; "Group Exhibition", Anchorage Visual Arts Center, Anchorage AK; "Regional Art Exhibition: Northwest `77", Seattle Art Museum, Seattle; "Traveling Exhibition", Oregon Arts Commission, Salem; "Regional Print Exhibition", Davidson Gallery, Seattle; "International Print Exhibition: Footprint", Davidson Gallery, Seattle; "Ritual Objects", Bumbershoot `77, Seattle Center; "Temporary Sculpture: The Wave Square", Bumbershoot `77, Seattle Center, Seattle; "University of Washington Art School Faculty Exhibition", Henry Gallery, U of W, Seattle
1976   "Invitational Print Exhibition", The Print Club, Philadelphia PA; "Invitational Print Exhibition", Davidson Gallery, Seattle; "International Print Exhibition", Davidson Gallery, Seattle; "National Drawing Exhibition", Bellevue Art Museum, Bellevue WA; "20th National Print Exhibition", Brooklyn Museum, Brooklyn NY; "National Print Exhibition: Colorprint USA", Texas Tech University, Lubbock TX; "Canadada Postcard Exhibition", University of Manitoba, Winnepeg, Canada; "Statewide Arts Exhibition", Oregon Arts Commission, University of Oregon; "Group Print Exhibition", Anne Hughes Gallery, Portland; "First Editions Print Exhibition", Oregon and Washington Arts Commissions, Seattle and Portland; "Art Festivals", Anacortes, Bellevue, Burien, Edmonds, Everett, Mercer Island, Puyallup, Renton WA
1975   "International Invitational Print Exhibition", Atelier Nord, Oslo, Norway; "3e Biennale Internationale de L`Image", Epinal, France; "Invitational Print Exhibition", Town Hall Gallery, Birmingham University School, Birmingham AL; "Invitational Print Exhibition", University of Calgary, Alberta, Canada; "National Print Exhibition", Texas Tech Unversity, Lubbock TX; "Invitational Exhibition of Art", Governor's Invitational, Washington State Art Museum, Olympia; "Regional Group Show", Contemporary School of Visual Art, Burien WA; "Regional Group Show", Seattle Pacific College, Seattle; "Art Festivals", Anacortes, Bellevue, Burien, Edmonds, Everett, WA
1974   "International Print Exhibition: 1st Biennale Exhibition of Graphic Arts and Multiples", Segovia, Spain; "International Print Exhibition: Philadelphia Print Club", Philadelphia Print Club, Philadelphia PA and Washington DC; "International Invitational Print Exhibition", Rafi Marg, New Delhi, India; "International Invitational Print Exhibition", Western Michigan University, Kalamazoo MI; "Juried Members Exhibition", Philadelphia Print Club, Philadelphia PA; "Regional Painting Exhibition", Northwest Watercolor Annual, Cascade Gallery, Seattle; "Art Festivals", Anacortes, Bellevue, Everett, WA
1973   "Invitational Exhibition of Prints", Texas Tech Unversity, Lubbock TX; "International Print Exhibition: Members of the Philadelphia Print Club", Philadelphia Print Club, Philadelphia PA; "National Painting, Print, and Drawing Exhibition", Springfield Art Association Gallery, Springfield IL; "All-American Landscape", Henry Art Gallery, Seattle; "National Print and Drawing Exhibition", Minot State College, Minot ND; "Regional Watercolor Exhibition", Seattle Art Museum Pavilion, Seattle; "Art Festivals", Anacortes, Bellevue, Burien, Edmonds, Everett, Puyallup WA
1972   "International Print Exhibition: British Print Bienalle", Bradford GB; "International Print Exhibition: Members of the Philadelphia Print Club", Philadelphia Print Club, Philadelphia PA; "Invitational Exhibition of Art", Governor's Invitational, Washington State Art Museum, Olympia; "National Print Exhibition", Silvermine Guild of Artists, New Canaan CT; "National Print Exhibition", Texas Tech Unversity, Lubbock TX; "Art Festivals", Anacortes, Bellevue, Burien, Edmonds, Everett, Renton WA
1971   "Invitational Exhibition of Prints", Evergreen State College, Olympia; "Invitational Exhibition of Prints", University of Wisconsin, Green Bay WI; "Invitational Traveling Exhibition of Prints", Washington State Artmobile, Olympia; "National Art Exhibition: SFAI Centennial", California Palace of the Legion of Honor, San Francisco; "National Print and Drawing Exhibition", Dulin Gallery of Art, Knoxville TN; "National Print and Drawing Exhibition", Western New Mexico University, Silver City; "National Print and Drawing Exhibition", Olivet Festival of Fine Arts, Olivet MI; "National Print Exhibition", Honolulu Academy of Arts, Honolulu HI; "National Print Exhibition", Boston Printmakers, Decordova Museum, Boston MA; "National Print Exhibition", Library of Congress, Washington DC; "National Print Exhibition", Texas Tech Unversity, Lubbock TX; "National Print Exhibition", Civic Arts Gallery, Walnut Creek CA; "National Print Exhibition", Society of American Graphic Artists, New York NY; "National Print Exhibition", San Diego State College, San Diego CA; "National Small Sculpture and Drawing Exhibition", Ball State University Gallery, Muncie IN; "Art Festivals", Anacortes, Bellevue, Burien, Edmonds
1970   "International Print Exhibition", Seattle Art Museum Pavilion; "National Print and Drawing Exhibition", Western Illinois University, Macomb IL; "National Print and Drawing Exhibition", Olivet College, Olivet MI; "National Print and Drawing Exhibition", Minot State College, Minot ND; "National Print and Drawing Exhibition", Erie Art Center, Erie PA; "National Art Exhibition: Exhibit 432-70", Minot Art Association, Minot ND; "National Print Exhibition", State University College, Potsdam NY; "National Drawing Exhibition", St. John's University, Jamaica NY; "National Drawing Exhibition", Western Washington State College, Bellingham WA; "Art Festivals", Anacortes, Bellevue, Renton WA
1969   "International Print Exhibition", Seattle Art Museum Pavilion, Seattle; "National Exhibition of Prints", Mercyhurst College, Eerie, PA; "National Exhibition of Prints", University of the Pacific, Stockton CA; "National Exhibition of Prints", State University College, Potsdam NY; "National Exhibition of Prints and Drawings", Western New Mexico University, Silver City; "Northwest Watercolor Annual", Seattle Art Museum Pavilion, Seattle; "Exhibition of Prints", Eastern Michigan University, Ypsilanti MI

"In this day of TV, movies, records and magazines, instantaneous communication and travel, the majority of people refuse to accept the validity of the print as an object of art because more than one exists. Such prejudice is an unwillingness to think beyond the times when art was thought to belong only in museums, palaces and cathedrals.... Art belongs where people are-where it can be seen and experienced naturally, easily and often ... Solution? The Print" (Excerpt from article by David Mendoza, 1969 Director of Richard White Gallery. Read The Print Hang-up written during prints exhibit by Ritchie--also Leo Kenney, Steve Hazel, Kathleen Rabel, Charles Stokes, and Keith Achepohl.)

1969"Liner, Drawings and Prints", Richard White Gallery, Seattle; "Exhibition of Prints", Gallery 1017, Bellingham WA
1968   "Group Show", Otto Seligman Gallery, Seattle; "Group Show", Fountain Gallery, Portland OR; "Northwest Annual", Seattle Art Museum; "Invitational Art Exhibition", Seattle Center; "4th Annual Congress of Arts: Prints", Seattle Center; "National Print and Drawing Exhibition", Northern Illinois University, Dekalb; "First Annual National Drawing Exhibition", Seattle Pacific College; "10th Annual National Exhibition of Prints and Drawings", Oklahoma Art Center, Oklahoma City; "4th Bucknell Annual Drawing Exhibition", Bucknell University, Lewisburg PA; "5th Annual Small Sculpture and Drawing Exhibition", Western Washington State College, Bellingham; "9th Annual Washington State Art Exhibit", Wenatchee Art Center; "4th Dulin National Print and Drawing Exhibition", Dulin Gallery of Art, Knoxville TN; "National Print Exhibition", State University College, Potsdam NY; "Drawings USA", St. Paul Art Center, MN; "Art Festivals", Anacortes, Bellevue, Renton, WA
1967   "48th Annual Print Exhibition", Society of American Graphic Artists, AAA Gallery, New York, NY; "2nd International Invitational Print Show", Eastern Michigan University, Ypsilanty, MI; "4th Annual Small Sculpture and Drawing Exhibition", Western Washington State College, Bellingham; "Northwest Watercolor Annual", Northwest Watercolor Society, Seattle; "Summer Salon", Henry Gallery, Seattle "Six: Group Show", Henry Gallery, Seattle; "Young Printmakers Invitational", Seattle Pacific College "SJSC Alumni Invitational", San Jose State College Art Gallery, San Jose; "Art Festivals" in Anacortes, Bellevue
1966   "Northwest Printmakers Regional Exhibition", Henry Gallery, Seattle "New Faculty Art Exhibit", University YMCA, Seattle; "All California Print Exhibition", Los Angeles Printmaking Society; "Faculty Invitational Art Exhibition", Central Washington State College, Ellensburg
1965   "Pacific Prints", Orange Coast College, Costa Mesa CA; "Print & Sculpture Annual", Richmond Art Center, CA; "5th Annual Mercyhurst Drawing and Print Exhibit", Erie Art Center PA; "SJSC Graduate Students Invitational", San Jose State College CA;
1964   "Washington State Annual Art Exhibition", Wenatchee Art Center "Central Washington Art Exhibition", Yakima Valley College; "Central Art Student Festival", Ellensburg WA
1963   "Central Art Student Festival", Ellensburg WA

Video Art Shows, Broad/Narrowcasts

Video as an art form, closed-circuit TV and video installations; broadcast television and cable TV productions and feature programs. See also Media events for interviews and co-productions on radio and television.

1981   "Clinton Street Series", The Media Project, Portland, OR; "VideoSpace 300", Gallery Iteza, Kyoto, Japan
1980   "Image: Artist/Machine", Henry Gallery, Seattle; "Seattle Video (with Norie Sato)", Anthology Film Archives, NY; "Three Seattle Video Artists", Vancouver Art Gallery, Vancouver, BC; "New Seattle Video", NW Film Study Center, Portland, OR; "Athens Video Festival", Athens, OH; "Local Produce", And/Or and High Hopes Productions, Seattle; "Inserts", Seattle Arts Commission's Video Art in Public Places Project
1979   "Project: Video", Museum of Modern Art, N.Y; "Direct from New York", And/Or Gallery, Seattle "Seattle Video", And/Or (Seattle), P.S.1 (NYC), and Media Study Buffalo (NY)
1977   "Invitational Video Exhibit", Galleri Paloma, Stockholm, Sweden; "Vintage Video", And/Or Gallery, Seattle; "Video Landscape", Seattle Public Library
1976   "Group Show", And/Or, Seattle
1975   "International Video Exhibition", Center of Art and Communications, Buenos Aires, Argentina
1974   "Video Art Month"; telecast series on KCTS Ch. 9, Seattle; "First Northwest Film and Video Festival", Portland Art Museum, OR
1973   "First Northwest Film and Video Festival", Portland Art Museum, OR;
1970-1986   Produced over sixty videotapes since 1970 covering printmaking and media arts, interviews with artists, documentaries, video art, and computer art, co-produced by the University of Washington Instructional Media Services and Ritchie's Video.

Computer Art Exhibitions

Computer graphics and computer installations, computer-aided printmaking, multimedia displays.

1991-1990   "Computers and the Creative Process II", Traveling Exhibition. University of Oregon, Eugene OR;
1987   "Computer as Drawing Tool", American Art Company Gallery, Tacoma, WA;
1986   "Tech Art", North Seattle Community College Art Gallery. Seattle
1985-87   "Computers and the Creative Process I", Traveling Exhibition. University of Oregon, Eugene OR; Two-Person Show,
1984   "Computer Art of C. T. Chew & Bill Ritchie", Davidson Gallery, Seattle WA

Installations, Performances

Environment, sculptural temporary installations, performance and participatory artworks.

1985   Multimedia installation: "Video and Media Arts", Wekell Gallery, Pacific Lutheran University, Tacoma WA;
1984  Workstation, 1984 display and lecture: "Compufair '84" and "Computer Graphics", Tacoma WA and Portland OR; Performance,
1984   "Our Own Cliches" (Two-man performance with C. T. Chew), The Evergreen State College, Olympia; Installation,
1982 visual arts & video:   "Six Male Storytellers North of Tukwila", Pacific Lutheran U., Tacoma WA;
1976  Video installation: "Target and Reflection", And/Or Gallery, Seattle;
1977  Wood sculpture in reflecting pool: "Temporary Sculpture: The Wave Square", Bumbershoot `77, Seattle Center, Seattle
1973  Temporary and video artstudio: "Bumbershoot Festival 73: Video Art", Seattle Center

Permanent Collections 1991-1963

All permanent public and private institutional and individual collections that include works in visual and electronic media acquired from 1963 to 1993.

Public Museum, Gallery Collections

  • Anacortes, City of, (WA); Cheney Cowles Museum, Spokane (WA); DeCordova Museum, Lincoln (MA); King, County of, Seattle; Kobe, City of (Japan); New York Public Library, (NY); Philadelphia Museum of Art (PA); Renton, City of, (WA); Seattle Art Museum; Seattle; Springfield Museum, Springfield (IL); Segovia (Spain); Tacoma Art Museum; Walnut Creek, City of (CA); Washington, State of, Olympia; USIA, Tokyo.

College and University Collections

  • Calgary, University of (AB); Central Washington State University (WA); Evergreen State College, The (WA); Gonzaga University, Spokane (WA); Henry Art Gallery (UW); Western New Mexico University, Silver City (NM); Olivet College (MI); Oregon, University of (OR); Pacific Lutheran University, Tacoma, (WA); Potsdam, State University College (NY); Rockford College (IL); San Jose State University (CA); Seattle Pacific University (WA); Texas Technical University (TX); Washington, University of (Seattle)

Corporate and Business Collections

  • Boeing Computer Services, Bellevue, WA; Davis Wright & Tremaine, Seattle; Erica Williams/Anne Johnson Gallery, Seattle; First National Bank of Boston (MA); First National Bank of Portland (OR); First National Bank of Seattle (WA); Francine Seders Gallery, Seattle; H. J. Heinz Co. (Pittsburgh); Laird Norton Corporation (Seattle); Metcalf, Beatty, and Knapp (Seattle); Microsoft (Redmond); Old National Bank, Seattle; Rainier National Bank (Seattle); Safeco Insurance Corporation; Seattle First National Bank; Seattle First Savings and Loan; Seattle Trust and Savings Co.; Sheraton Hotel (Seattle); United Pacific Reliance Corp., Los Angeles; Riddell, Williams, Bullitt & Walkinshaw, Seattle

Libraries and Media Centers

  • Videotape Library, U. of W., Seattle; New York Archives Public Library, NY; Rare Books Collection, Suzallo Library, U. of W; Seattle Arts Commission Archives Library, WA

Collections in Institutions

  • Bush School Seattle (WA); Marysville School District (WA); Renton, City of (WA); Seattle Juvenile Center (WA); Spokane Public Schools, Spokane, (WA); Valley Hospital of Renton (WA)

Private Collections

  • The following private art collections that include the work of Bill Ritchie were compiled from indexes of artworks made in 1963 to 2000. The Private Collections list contains approximately 324 names, although the list may be incomplete.
  • Gloria Abbenhouse, Lela Abravenel, Keith Achepohl, Richard Adatto, Earl Albertson, Lee Altman, Dona Anderson, Dorothy Anderson, Jack Armstrong, The Arnold Collection, Patricia Austin and Kenneth Auvil.
  • Betty Balcom, Laura Mae Baldwin, Linda Ballantine, Rhea Bark, Jack Barkey, Karl Beckley, Keith Beckley, Lily Bennett, Rich Berman, Karen Berry, Ralph Berry, Margi Beyers, Ray Biersner, Robert Biersner, Jeffrey Bishop, Jon Blake, Joan Bloedel, Tom Blue, Gregory Both, Mark Bouffiou, Geoffrey Bowman, Mary E. Boyling, Bob Brannan, Jay Brockman, Ray Brose, Chris Bruce, Laura Brunsman, Fred Brunton, Rex Burbank, and Dr. Bobby Butler.
  • Fran Calhoun, Patricia Calhoun, Linda Lou Cannon, Don Chamberlain, Judith Chandler, Cheri Chapman, Alice Chew, Bob Chew, Carl Chew, Zena Chew, Bev Christy, Clifford Chung, The Clark Collection, Evelyn Clark, Dwight Coburn, Harriet Cody, Debbie Cornell, Diane Crummett, Alex Cugini, Jr. and James A. Curtis.
  • Richard Dahn, Forrest Darrough, Margaret Davidson, Sam Davidson, Sally Day, Carol Deal, Jan Demorest, Larry Dillon, The Dobbins Collection, Bob Dootson, The Dorgan Collection and The Duryee Collection.
  • Sheila Eagan, Katherine Eckhouse, Beth Elliot, Joan Elmer, Sean Elwood, Dennis Evans, Terry Evans and The Everett Collection.
  • Richard Fairbanks Estate, Laurie Fairman, Linda Farris, Arthur "Jack" and Berta Fern Fisher, Susan Fleming, Anne Focke, Marietta Foubert, The Frasier Collection, Ron Freeman, Michael Frey, Kathy Fridstein, John Fudala, Carole Fuller, and Darcie Furlong.
  • Nicholas Gallo, Avery Garrett, Marian Gartler, Bea Geller, Anne Gerber, Pam Gibson, Sharon Gilbert, F. N. Glen, Bill Goldberg, the Boyer Gonzales Family Collection, Erin Goodwin, Rick Gottas, Victoire Grassl, Mrs. Gordon Griffes, Maria Guaita, Spence Guerin, Helen Gurvich and Karen Guzak.
  • Regina Hackett, Ann Hagler, Jim Halvorsen, Elizabeth Hampson, Taber Hand, Alfred Harrison, Anne Gould Hauberg, Stephen Hazel, Edwin Hearing, Lorene Heaton, Larry Hebner, "Spike" Henderson, Ole Hendrickson, Mary Herrmann, Marilyn Hetzel, Leon W. Hevly, Jr., Stephen Higgins, Eric Hoffman, Kim Hoffman, I. Holcomb, Don Hopkins, Gwen Howell, Ward Hulbert, and Al and Pat Hyde.
  • Howard Ikemoto.
  • Laura Jackson, Skip Jensen, Margaret Jacobi, Anne Johnson, Elaine Johnson, Julie Johnson, The Jones Family Collection, Ross Jones Estate and Lorna Jordan.
  • Gregory Kaveny, William Kelly, William S. Kemp, Dick Kerr, Bill Kimura, K. M. Kirkpatrick, Sheila Klein, Dick Knapp, Michi Kosuage, The Howard Kottler Collection, Izumi Kuroiwa and Akira Kurosaki.
  • Christopher Lange, Ginger Lanier, Carolyn Law, John Leary, Mark Leonard, Pam Lewis, Paul Lewis, Sean Licka, Dan Lipkie, Alan Lobb, David Lonay, Tom Lopez, Kent Lovelace, Al Loving, Charles Luce, Wayne Ludvigsen, Norman Lundin, Jay Lusche and Virginia Lynn.
  • Laurie MacBride, Elaine Mally, Frank Mark, Sherri Markovitz, Don Marshall, Dorothy Martell, Jeffrey Martin, Dennis Mashek, Chuck Matson, Eleanor Matthews, Emeline Matthews, Jo Mayhew, Phillip McCracken, Shirlie McKnight, Nancy Mee, Sally Mee, Everett Melick, Tandy Messenger, John Methot, Jean Metzgar, Ann Middleton, Rick Miescher, Mark Millett, Richard Morhouse, Jerry Morin, Ray & Dotty Morris, Atsuhiko Musashi and Don Myhre.
  • Michitaka Nakahara, Kenichi Nakano, Richard Neal, Elizabeth Neaville, Jan Nelson, Jack Nesbitt, Ries Niemi and Camilla Nowinski.
  • Michael Oard, Marilyn Olin, Gerald Oppenheimer and John Overton.
  • Jo Pagliasotti, Walter Parsons, Rick Pasher, James Scott Patnode, Margaret Patterson, Buzz Pearson, Clint Pehrson, Ruth Penington, Ronald Penley, Betty Penn, Maury Pepin, Laura Perry, Mary Anne Peters, Michael Peterson, Pam Pike, Hank Pitzler, Marianne Pitzler, Deborah Poletti, Gerald Pomeroy, Donna Pope, Ed Praczukowski, Richard Proctor, Charles Pullen and Bob Purser.
  • G. I. Quimby.
  • Kathleen Rabel, Reino Randall, W. J. Rathbun, Pat Ray, Kelsy Redlin, Daniel Rice, Kim Richards, James Bud Richardson, Bo Rinaldi, Diane Robertson, Mrs. H. L. Roman, Casey Rosenberg and Reubin Roth.
  • Ritchie's family members who supported his works are his mother, J. H. Ritchie, his wife Lynda Ritchie, his daughters Jane Ritchie and Nellie Ritchie, his only brother Paul Ritchie, and his father, William D. Ritchie, Jr., also his three sisters Wilma Fox, Gail Frailey and the late Jennifer Bennett.
  • Margaret K. Sainio, Bob Sarkis, Shake Sarkis, Norie Sato, Chris Sayers, Carolyn Scheve, Dr. Saul Schluger, Anne Schwendiman, Margit Scucz, Francine Seders, David Setsuda, Margaret Shannon, Kathy Sharp, Gerard Shellan and Harold Sims. Also Daniel Smith, Virginia Smith, The Smysee Collection, J. R. Sorby, The Chas Sparling Family Collection, Presha Sparling, Rita Speiser, Constance Speth, Mary Stamper, The Stanley Collection, Victor Steinbrueck Family Collection, Nancy Sternoff, Jean Stewart, Charles Stokes, Mrs. Paul Stone, Lee Stubbe, Richard Suchinsky and George Suyama.
  • Sandra Taylor, Bill Thiederman, David T. Thomas, Teddy Tillett, George Tsutakawa and The Turner Collection.
  • Jan Van der Marck and Gary Vesoza.
  • Doug Wadden, Marcie Wagoner, Katherine Walker, Robert Walker, Susee Wampler, Carl T. Washington, Jr., Brett and Marivic Weathers, Glenn Webb, Neil Wechsler, Frank Weiditz, Andy Weisbecker, Linda Weissman, Willa Jean Wendell, Larry Wheeler, Ross Wiggins, A. Williams, Erica Williams, Chip Wilson, Suze Woolf, Stevan Worley and Christy Wyckoff.
  • Lin Yee and Shirley Younglove.
  • Jeff Zagger and The Zuberbuhler Collection.

Prizes-1985-1964

Purchase Prizes

1983   Rockford College, Rockford, IL;
1978   Evergreen State College, Olympia;
1977   DeCordova Museum, Lincoln, MA;
1973   Springfield Art Assn. Springfield, IL;
1973   Philadelphia Print Club (Philadelphia Art Museum) PA;
1971   Western New Mexico U., Silver City, NM;
1970   State University College, Potsdam, NY;
1970   Olivet College, Olivet, MI;
1969   Western New Mexico U., Silver City, NM;
1969   University of Calgary, AB;
1969   Renton Art Festival, WA;
1969   Philadelphia Print Club (Philadelphia Art Museum) PA;
1968   Anacortes Art Festival, WA

Awards

1984   Washington, State of, "New Purchases of Art", Drawing;
1981   Seattle, City of, "Portable Works Collection", Print;
1981   Seattle, City of, "Art in Public Places", Videotape;
1979   Arts Resource Services, Seattle, Print;
1977   Seattle Public Library, Videotape;
1977   Original Editions, Oregon Arts Foundation, Salem, OR, Prints;
1976   International Print Exhibition, Davidson Galleries, Seattle, Print;
1973   Portland Art Museum, Portland, OR, Videotape;
1972   Seattle Pacific College, Drawing;
1971   Pacific Lutheran University, Tacoma, WA, Drawing;
1971   Civic Art Gallery, Walnut Creek, CA, Print;
1968   Recommended for Purchase, Northwest Annual, Seattle Art Museum Pavilion, Painting
Regional   1982 Anacortes, Bellevue, Renton;
1976   Anacortes,

Festivals, Prizes and Purchase Awards

1976   Everett;
1975   Anacortes, Bellevue, Edmonds, Everett, Renton;
1974   Everett;
1973   Bellevue, Everett, Puyallup;
1972   Anacortes, Burien, Edmonds, Everett, Renton;
1971   Anacortes, Bellevue, Edmonds;
1969   Anacortes;
1968   Bellevue

Grants, Stipends

1987  Stipend, CD/ROM Publisher's Club;
1985   Artist-in-Residence Program, Centrum Press Northwest Artists Print Project (Fort Worden);
1984  Technology and Art Course Writing Stipend, UW;
1984  Artists Projects Program, And/Or Gallery;
1982  Sabbatical Leave, UW;
1979  University of Washington Graduate School Research Grant;
1976  Art School Ford Travel Grant, UW;
1975   Sabbatical Leave, UW;
1974  National Endowment for the Arts, Printmaker's Fellowship;
1974   Internship Program, National Center for Experiments in Television, San Francisco, CA;
1972   University of Washington Graduate School Research Grant;
1971   University of Washington Graduate School Research Grant;
1970   University of Washington Graduate School Research Grant;
1969   University of Washington Summer Salary Research Grant Commissions,
1991   Northwest Print Council Associate Print Commission, ContractsPortland, OR; Design Proposal Commission, Washington State Arts Commission Art in Public Places Program;
1990-1988   Computer Aided Carpet Design Project, Devereux Designs, Ltd., Seattle;
1983   Design Commission, Washington State % for Art;
1982   Sheraton Hotel, print, Seattle;
1981   Design for artworks, Boeing Computer Services, Bellevue;
1981   Videotape, King County Arts Commission Media Projects, Seattle;
1980   Henry Art Gallery, "Image: Artist/Machine" Videotape;
1980   Wall treatment, Laird-Norton Corporation, Seattle;
1977   Temporary sculpture, Bumbershoot, Seattle;
1973   Print Edition, Henry Gallery Association, Seattle;
1969   Print Edition, Seattle Trust and Savings Co.;
1968   Print Edition, Seattle First Savings and Loan Co.;
1964   Photomural, Central Washington State College Library, Ellensburg, WA

Nominations, Honorable Commendations

1984   Nomination, Awards in Visual Arts (AVA, Winston-Salem NC;
1979   Honorable or Special Mention from Exhibit 432-70, Minot ND;
1974   Northwest Watercolor Society, Seattle;
1970   Honorable Mention, Exhibit 432-70, Minot, ND Print;
1969   Honorable Mention, Mercyhurst College, Eerie PA;
1969   Regional Festival, Renton WA;
1968   Regional Festival, Bellevue

Bibliography, 1991-1966

The bibliographical file consists of publications in print media published or edited by Bill Ritchie. This does not include original prints, non-print media, or unpublished essays. See also "Complete Artwork List", "Videography" and "Unpublished Articles" for related small press productions and collaborations.

Books, trade

1991   publication: Ritchie, Bill H. "The Art of Selling Art: Between Production and Livelihood". Premier trade paperback edition. Ritchie's Perfect Press. Seattle. 252 Pp. ISBN 1-56235-117-6
1991   Articles "Goal-setting," Crafts Report. November, 1991. "What you get is what you earn." Crafts Report. Oct., 1991. "Marketing is more than putting out a sign." Crafts Report. September, 1991. Crafts Report. August, 1991 "How to find your way out of a slump." Crafts Report. Jul., 1991 Crafts Report. May, 1991 "The Art of Selling Art." Artist Trust Newsletter, Spring, 1991.
1990   Ritchie, Bill H. "The Art of Selling Art: Between Production and Livelihood". Workbook Edition. Ritchie's Perfect Press and the University of Oregon School of Art. Seattle/Eugene.
1989  Preliminary draft, limitedhandmade edition: Ritchie, Bill H. "The Art of Selling Art: Between Production and Livelihood". First Edition. Ritchie's Perfect Press. Seattle. WA.
1989  Museum catalog: Ritchie, Bill H. "Printmaking: Gateway to Media Art". Catalog article for New Perspectives: 100 Years of Washington Art, Tacoma Art Museum, Tacoma WA.
1988  Art Portfolio Ritchie, Bill, and C. T. Chew. "CD/I Folio". Four screenprints in portfolio with provenance/newsletter. CD/I Publishers' Club. Seattle. WA.
1987   Artist bookwork Ritchie, Bill. "Thirty Six Signs of the Station-points for `The Thirty Six Views of the Locus of Beauty'". Hand-made book of computer prints. Edition of 2. Collection of Keith Beckley. Seattle. WA. Newsletters
1986-1987  Newsletters: Ritchie, Bill. "Video 'N Print". Volume I, Four issues. Tabloid newsletters for Ritchie's Video. Co-published with Lynda Ritchie. Seattle. WA.
1986   "Magalog" Ritchie, Bill. "Video 'N Print Magalog". Issued once. Magazine - catalog for Ritchie's Video. Co-published with Lynda Ritchie. Seattle. WA.
1984   Artists and writer collaboration - Ritchie, Bill, and Stevan Worley. "Lunar Concerns". Broadside. Co-published with Stevan Worley, writer. Seattle. WA.
  • - Ritchie, Bill. "The Handmade Dogs". Thirty-two computer graphics paintings in inkjet print. Morgan Fairfield Graphics. Seattle. WA.
  • - Ritchie, Bill. "The Handmade Dogs". Thirty-two Ektagraphic copier prints. Loose leaf. Seattle. WA.
  • - Ritchie, Bill. "The Handmade Dogs". Thirty-two cyanotype prints. Loose-leaf. Triangle Studios. Seattle. WA.
    • 1984  Artists' T-shirt - Ritchie, Bill, and Stevan Worley. "Handmade Dogs, Be Your Own Pet". Commemorative T-shirts in limited edition. Co-published with writer Stevan Worley. Handmade Dog Productions. Seattle. WA.
    1984   World Travelers' Newsletter: Ritchie, Bill. "Ritchie World Travelers' Newsletter". Volume I. Five tabloid issues. Produced in Australia, Germany, Spain, Amsterdam, and the United States.
    1984  Artist's bookwork, Ritchie, Bill. "Daybook of the Thirty-six Views of the Locus of Beauty". Handmade, fan-folded book of computer prints. Published by the artist Carolyn Staley Fine Arts. Seattle.
    1982   Commemorative posters: Ritchie, Bill, and World Print Council. "New Printmaking Technologies". Four-color offset poster. West Coast Print Center. San Francisco CA.
  • Ritchie, Bill. "Cyanotypes Prints Drawings 1982," Second version. Six-color offset poster for Stone Press Solo Show. Atomic Press. Seattle. WA.
  • Collaborative art portfolio: Ritchie, Bill, Ed. "Graduated Students Folio". Portfolio of selected student works on paper from the University of Washington School of Art Printmaking Division. Seattle. WA.
    • 1981   Commemorative poster: Ritchie, Bill. "Cyanotypes 1981". First Version. Five-color offset poster. Atomic Press. Seattle. WA
    1980  Commemorative poster: Ritchie, Bill. "Bill Ritchie Exhibit". Hand-printed screen monotype posters for Erica Williams/Anne Johnson Gallery Solo Show. Triangle Studios. Seattle. WA
    1979   Artist's bookwork Ritchie, Bill. "Views of the Wave Square". Unpaginated variable editions of seven series of computer plotter drawings, 20, 36, 54, and 108 views. Seattle. WA.
    1978, 1979  Scroll: Ritchie, Bill. "Emergency: Sound". Scroll, 32 feet, drawing and assemblage on paper, framed in four-foot sections. Collection of SeaFirst Bank, Seattle. Triangle Studios. Seattle. WA. Collaborative
    1976   Collaborative artists' bookwork: Ritchie, Bill, Ed. "Graphic Video Video Graphic". Handmade, fan-folded book of prints and statements by faculty, students, and visiting artist Akira Kurosaki. University of Washington School of Art Printmaking Division. Seattle. WA. Collaborative art
    1975  Portfolio: Ritchie, Bill, Ed. "Student Prints: 1975". Casebound, unpaginated collection of prints. University of Washington School of Art Printmaking Division. Seattle. WA.
    1974  Collaborative book: Ritchie, Bill, Ed. "Book: No Title's Boring". Unpaginated bound prints and poems by faculty and students. University of Washington School of Art Printmaking Division. Seattle. WA.
    1971  Museum catalogue: Ritchie, Bill, Ed. "Prints/Multiples". Fifty-six page catalog for the exhibition. Henry Gallery. University of Washington and the Junior League of Seattle, Inc. Seattle. WA.
    1970  Collaborative book: Ritchie, Bill, Ed. "Reports from A Printmaking Seminar". Unpaginated project report. University of Washington School of Art Printmaking Division. Seattle. WA.
    1969  Collaborative artists' bookwork: Ritchie, Bill, and Keith Achepohl, Stephen Hazel, Charles Stokes, Kathleen Rabel. "Liners". Five-page case bound handmade book of original prints. Seattle Group. Seattle. WA. Thesis report
    1966   Ritchie, Bill. "An Ideography in Printmaking". Graduate thesis report. San Jose State College. San Jose. CA
  • - Ritchie, Bill. "Prints: Trees". Artists' bookwork. Fourteen-page handmade book of original prints by the artist. San Jose. CA
  • - Ritchie, Bill. "Prints: Trees". Commemorative Poster. Four-color lithograph poster for traveling exhibit in Turkey. San Jose State University, CA.

    • Teaching Experience

    Permanent and part-time, visiting and contract educational lectures, workshops and demonstrations.

    1990   Co-director of Intern program in interior design computer specialty, Western Washington State University Design program in association with Devereux Designs, Ltd., Seattle.
    1989   The University of Oregon, Visiting Professor "Computers, Printmaking, and Artists' Books" - Third in a series of three workshops with guest artists.
    1987   The Evergreen State College Visiting faculty, Printmaking and Media Art, Photographic Etching, Lithography, and Screenprint, Readings, Seminars, Speakers on Artists' Books and Computers.
    1966-1985   Full Professor, teaching University of Washington School of Art Courses: Printmaking (Etching, Screenprinting, Woodcut, Lithography); Survey of Printmaking; Video Art; Graduate Seminars; Design; Drawing; Video Disc Production; Contemporary Art Issues; Art and Technology; Video in Studios and Classrooms; Computer-aided Instruction in Art; Art Studio Management; Special Interest Groups.

    Public Speaking, Consulting,
    Education and Training

    Public presentations, speaking, panel discussions, jury positions, studies and demonstrations

    Consulting and Advising

    1998   "Speaker at AAUW Chapter and UW Graduate Seminar
    1990   "Juror panelist: Media Arts Project", King County Arts Commission, Seattle WA;
    1987   "Graphics consultant," Slightly West, 3rd Edition, The Evergreen State College, Olympia
    Curriculum Innovation: "Computers and Introduction to Media Arts: A Curriculum Proposal", UW Art School. "Information Technology: Fred Meyer Foundation Proposal", Office of the Provost, UW
    International Relations: "Exchange Exhibit: U. of Canterbury, (New Zealand)", Seattle-Christchurch Sister Cities Program "Juror panelist: Multiples Project", King Count Arts Commission, Seattle WA "Nominator: Awards in Visual Arts", SE Center for Contemporary Art, Winston-Salem NC
    Curriculum Innovation Grant development: "Technology and Art", Contract Award for course development, U. of W. Dean's Office "Art and Technology Lecture", (Host) by Miriam Levin, Amherst MA; "Juror for the I-90 Lid Project", Seattle Arts Commission
    Advisory: "Founding Advisor: Student Printmakers Services Association", UW School of Art, Seattle; "Jury panelist", King County Arts Commission Tunnel Project, Seattle; "Printmaking Traveling Display", Washington State Arts Commission Artmobile, Olympia. WA.
    Educators' Workshop Director: "Computer Graphics from A to D", Washington Community College Humanities Association "Bridges" Conference workshop, Seattle;
    1984   "Computer Artist-in-action," Personal Computer Fair, Seattle Science Center;
    1977   "Media Arts: Print, Video, and Multimedia", Fort Worden High School Student Workshop, Port Townsend, WA;
    1976   "Lithography Workshop Design and Implementation", Visual Arts Center, Anchorage AK;
    1973   "Lithography on Stone Workshop", The Evergreen State College, Olympia WA "Video Artists Studio", Bumbershoot `73, Seattle Center, Seattle;
    1971   "Temporary Print Center", Henry Gallery, UW, Seattle
    Public Speaking, Lectures, Panels: "Media and Medium," Artists Equity, Seattle Chapter "The Art of Selling Art," University of Oregon, Eugene; "The Art of Selling Art," Seattle Co-Arts, Edmonds, WA;
    1991   "Artists' Self-Publishing," Artists Equity, Seattle Chapter; "Marketing with Multimedia", Independent Computer Consultants Association, Seattle; "Multimedia Roots", Nine-One-One Media Center, Seattle; "Marketing with Multimedia", National Convention of Independent Computer Consultants Association, Seattle (Also Chapter Meeting Keynote Speaker); "Focus on Interactive Art," First annual art show, International Interactive Computing Society, Seattle;
    1990   American Society of Interior Designers (presentor) National Conference, Atlanta, GA; "The Perfect Studios", Western Washington University, Center for Apparel Design and Fashion Marketing, Seattle;
    1986   "Art, Computers, and Printmaking", North Seattle Community College, Seattle; "Art, Technology, and Human Creativity", St. Martin's College Human Creativity Conference, Olympia WA;
    1985   "Barcelona Art Studios", videotape and lecture, Frye Art Museum, Seattle "Culture and Technology", Pacific Lutheran University, Tacoma, WA; "Microcomputers and Arts Management", Women Painters of Washington, Seattle Art Museum;
    1984   "Aesthetics and Art: Aesthetics of Computer Graphics", Tacoma Community College Honors Colloquia, Tacoma, WA; "Corn, Peas, and Perfect Studios", Central Washington State University, Ellensburg WA; "Evergreen Expressions Arts Symposiums", The Evergreen State College, Olympia WA; "Munch, Micros, and MacRitchies", Personal Computer Fair, Seattle Center; "Pinhead Printmaking", Book Arts Guild, Seattle WA; "Video: My Art", Whitman College, Walla Walla WA;
    1983   "Art and Time", School of the Art Institute, Chicago IL; "Guest Artist", Cornish School of Allied Arts, Seattle; "Guest Artist", Gallery Nishida Contemporary Seminars, Nara, Japan; "Guest Artist", Melbourne State College, Melbourne, Australia; "New Works: Lithos and Cyanotypes", Rockford College, Rockford IL; "Sabbatical on Video", UW School of Art, Seattle WA; "Video in Seattle", Gallery SCAN, Tokyo, Japan;
    1982   "Behind Time in the Electronic Age," World Print Council Conference on New Technologies in Printmaking, San Francisco CA; "Collecting Prints and Multiples", Spectrum Series, UW, Seattle; "Computer Graphics and Art Traditions", Computer Week, College of Urban Planning, UW, Seattle; "Guest Artist", 6th Annual Printmaking Symposium, Montana State University, Bozeman MT; "Video Art in the Northwest", Noncredit Courses, UW, Seattle; "Where is the Artist in the Media Arts?", KALA Institute, Berkely CA;
    1981   "Artist in the Studio", Bellevue Art Museum Docents at Triangle Studios, Seattle; "Cyanotypes", Erica Williams/Anne Johnson Studio, Seattle;
    1980   "Artists' Self-Management and Options", Cornish School of Allied Arts, Seattle; "Glimpses: Making the Video", Four Lectures for the King County Arts Commission, Seattle;
    1975   "Founding Board: Seattle Association for Media Artists", (SAMA), Seattle;
    1979   "Artists' Survival", Volunteer Lawyers for the Arts, Green River Community College, Auburn WA;
    1974   "Alumni Lecture", Central Washington State College Alumni Association, Ellensburg WA; "Media Arts in the High School", Bellevue High School Art Development Council, Bellevue WA; "Video Art", Archdiocesan Commission of Sacred Art, Seattle "Video Art", Henry Gallery, UW, Seattle;
    1973   "Art and Video", Lake Sammamish High School, Sammamish WA "Video Art", Henry Gallery, UW, Seattle;
    1971   "Art and Video", Seattle Art Museum Docents, Seattle; "Edvard Munch: The graphics and the paintings", Joint Lecture, Seattle Art Museum Public Lectures, Seattle; "Video Art", Seattle Art Museum Couples Guild, Seattle; "Printmaking and Video", Henry Gallery Docents, UW, Seattle WA.
    Readings, Booksignings: "Artists Selling Art," Artists Equity chapter meeting, Seattle; "Elliot Bay Book Company Booksigning," Elliot Bay Book Co., Seattle

    Electronic Publishing Service

    Research, education and production in print, non-print and multimedia publishing

    Consulting and Production Management:

    1991   Kuroiwa-Leonard Media Arts, Educational videotape and book production
    1990-1988   Colorline, The Design Communication Network, Seattle, Industrial video
    1985 - 1970   University of Washington, Joint-productions, educational videotapes (See Videography, below)
    1986   Skinner Releasing Company: Joan Skinner, Director - Dance Documentary North Seattle Community College, Educational videotape
    1984   Laurence Barker, Barcelona, Spain - Handmade paper videotape
    1984   Seattle Art Museum Education Department: Tea Ceremony video Henry Art Gallery: Video Artists Compilation
    1983   Garry Coleman: Technic Art, Australia - Screen stretching technique University of Washington: Sabbatical Videotape, 35 Hours around the world
    1982   Seattle Arts Commission; Ed Marquand: Professional Self-help
    1981   Louis Durkee: Dance Connection Plasteel Frames, Seattle - Training video Art Program, Boeing Computer Services Facility - Art program proposal
    1981   King County Arts Commission
    1978   Daniel Smith, Inc., Seattle - Educational videotapes
    Technical Presentations: Mercer Island Arts Council; Pilchuck Glass School, with Norie Sato; Northwest Print Council, Public demonstration;
    1984   Cerulean Blue, Inc., Seattle WA;
    1983   Il Bisonte International Graphics School, Florence, Italy; Gallery Nishida, Nara, Japan; Videoarte Centro, Pallazzo Diamante, Ferrara, Italy;
    1982   World Print Council, San Francisco CA; Whatcom County Museum, Bellingham WA; Seattle Art Museum; Davidson's Gallery, Seattle WA; Daniel Smith, Inc., Seattle WA
    Media strategic planning adviser, Consulting and management: Artist Trust, Seattle; Victor Larson (Transition Services), Seattle; Miriam Levin, University of Massachusetts, Amherst MA; Seattle/Christchurch Sister Cities Program (Eva Ellis); University of Alaska, Anchorage; Visual Arts Center, Anchorage; Centrum Foundation, Seattle/Port Townsend, WA; Intern Program, Devereux Designs, Ltd. and Western Washington University; C. T. Chew; IBIS Management Group, Youngman/Mathews, Woodinville; CD/ROM Publisher's Club, Seattle WA
    Electronic Publishing Design Team Projects: Devereux Designs, Ltd., Seattle; Digital Systems International Shuttle Corporation, Renton; Ritchie's Video 'N Print (Publisher); Marianne Hanson, Assistant Publisher
    Technical Assistant: The Kitchen (New York) in Seattle; New City Theater, Seattle
    Videotape & Fine Art Print Publishing Consultant: : Kuroiwa, Izumi & Mark Leonard: Austin, Pat (AK); Barker, Laurence, Spain; Brown, Kathan: Crown Point Press, Oakland; Carrión, Ulises (d) Netherlands; Chew, C.T.; Coburn, Dwight; Guerin, Spence (AK); Kuroiwa-Leonard Media Arts; Kurosaki, Akira, Japan; Moser, Barry (NH); Salzer, Lisel; Sato, Norie; Summers, Carol (CA); Dowell, John Jr. (PA); Van Vliet, Claire (VT)

    Media Events

    Articles, reviews, and interviews in print and non-print media by other authors or direction of other publishing or broadcast companies. This list does not include unpublished essays, biographical bibliography, or autobiographical writing. See "Videography", "Bibliography", and "Journals."

    In Books
    1992 - 1990   Who's Who in Professional Speaking, National Speakers Association
    1991 - 1976   Who's Who in American Art, Current (18th Edition); R. R. Bowker

    In Art books

    1976   Eichenberg, Fritz. "The Art of the Print". Harry N. Abrams, Inc. New York. Illustration, pp. 240-241.
    1976   Schneider, Ira, and Beryl Corot, Eds. "Video Art". Harcourt, Brace, Jovanovitch. New York. NY. Illustrations, pp. 106-107.

    1974   Wadden, Doug, Ed. First Proof. University of Washington Press. Seattle. Illustration: Christy, below, Page 38.

    1973   Edmondson, Leonard. "Etching".

    Van Nostrand Reinhold. New York. NY. Illustration, p. ____.

    1972   Heller, Jules. "Printmaking Today". Holt, Reinhart, Winston. New York. New York. Illustration on p. 105

    In Periodicals:  
     
    91: Spring   "Dialogs." Visions Magazine.
    91/11/01   "The IBIS Experiment: 10 years after" IEEE Computer Graphics Magazine, November issue, pp. 8-9 (sidebar);
    85/01/05   "Art in the Lobby", Arts Line, A Contemporary Theater (ACT), Seattle, WA;
    85/03/01   "Drawing Power", Pacific NW Magazine. Seattle, WA;
    84/06/24   "Painting at the Speed of Thought", Everett Herald Venture Magazine, Everett, WA;
    82/08/00   "Printmakers Take a Creative Approach Toward Technology", Screen Printing (address unknown);
    82/01/10   "Diversity by Four Printmakers", Northwest Magazine, Portland, OR;
    77/00/00   "Artist' Video in Seattle", Videoscope (address unknown)
    77/10/00   "Video Art Goes Northwest", Videography, New York, NY;
    77/06/00   "Bill Ritchie: The Leap from Print to Video", Videography, New York, NY
    76/11/07   "New Ideas from Up North", Northwest Magazine, Portland, OR
    71/03/21   "Printmaking -- A Fortunate Marvel", Northwest Today, Seattle P-I, Seattle, WA
      70/00/00   "The Print Hang-up"by David Mendoza, 1969 Director of Richard White Gallery in ThePrint Hang-up during exhibit of prints and drawings by Ritchie, Leo Kenney, Steve Hazel, Kathleen Rabel, Charles Stokes, and Keith Achepohl. (Full Text).

    Reviews In Newspapers, Newsletters, publications:

    90/07/00   "The Art of Selling Art: Between Production and Livelihood". Review by William Eickhorst, Editor, Artist's Proof.

    87/11/08   "The computerized palette", The News Tribune. Tacoma, WA;
    87/04/00   "An Artist Speaks: Bill Ritchie", Artist Trust Newsletter, Vol. I No. 1, Seattle;
    86/10/19   "Artists use video medium to communicate their message", Journal-American, Bellevue, WA;
    86/04/11   "Printmaking exhibition reveals individuality and vitality", Seattle Times, Seattle;
    86/03/04   "Tech Art comes to North Seattle CC", Community Newspaper, Seattle;
    85/11/01   "PLU gallery features first video art exhibit", The Mast, Pacific Lutheran University, Tacoma, WA
    85/05/17   "Art prof uses tv for his canvas", The Daily, UW, Seattle;
    85/04/18   "Video art is more than MTV says art professor Ritchie", University Week, UW, Seattle;
    85/03/00   "Editorial: The marriage of high tech and art", Northwest Computer News, Seattle;
    85/02/00   "Editorial", Northwest Computer News, Seattle;
    84/11/26   "Former CWU student returns for art lecture", Daily Record, Ellensburg, WA;
    84/03/01   "The Northwest Collection", The Arts, King County Arts Commission, Seattle;
    82/05/22   "The challenge of new technologies", Artweek, San Francisco, CA;
    82/04/09   "MSU hosts print seminar", Bozeman Daily Chronicle, Bozeman, MT;
    82/02/00   "Cover", Madison Park Post, Seattle;
    81/12/00   - "The Post's Incomplete Gift Guide", Madison Park Post, Seattle;
    81/12/06   - "Artists turn old Seattle buildings into economical studio space", Seattle Times, Seattle; -
    81/10/25   "Japanese influence is elusive element in Northwest art" The Seattle Times
    81/08/25   "Summertime Blues: The art of the cyanotype", The Weekly, Seattle;
    81/08/08   "Cyanotype shows brilliance of blue", Seattle P-I, Seattle;
    81/04/24   "Boob Tube Art", Argus, Seattle;
    80/09/21   "Technology Serves Their Art", Seattle P-I, Seattle;
    80/03/29   "Information Through Topology", Artweek, San Francisco, CA;
    80/03/00   "Bill Ritchie, Norie Sato, Alan Lande", Artweek, San Francisco, CA;
    80/03/23   "Bill Ritchie: Art in the Eye of the Hurricane", Seattle P-I, Seattle;
    80/02/03   "Artists exploring new forms for the video tool", Seattle Times, Seattle;
    79/07/00   "Video artist to judge show", Renton Record-Journal, Renton, WA;
    78/06/00   "New Video Editing Post Production Facility Opens to Artists on June 15", The Arts, King County Arts Commission, Seattle;
    78/03/00   "Vintage Video: a look at our `Roots'", And/Or Members Notes, Seattle;
    78/02/13   "The Tube's Getting Arty", Seattle P-I, Seattle;
    77/10/28   "Best Bets", Seattle P-I, Seattle;
    77/10/07   "Former students exhibit art in new Sarah Spurgeon Gallery", Ellensburg Daily Record, Ellensburg, WA;
    77/06/05   "Footprint", Seattle Times, Seattle;
    77/06/05   "Movie Notes", Seattle Times, Seattle;
    77/05/22   "The Trouble With the Northwest Exhibition", Seattle P-I, Seattle;
    76/00/00   "Printmakers in current art school exhibit", Burien Newspaper, Burien, WA;
    76/00/00   Video: State of the Art", Working Papers, The Rockefeller Foundation. New York. NY. Pp. 36-37;
    76/11/00   "And/Or", The Seattle Times, Seattle;
    76/09/16   "New press goes into operation", (caption) The Anchorage Times, Anchorage, AK;
    76/09/03   "Art Review", Seattle P-I, Seattle;
    76/08/30   "Printmaker To Present Video Show", Anchorage Times, Anchorage, AK;
    76/07/28   "Winning entries selected", Anacortes American, Anacortes, WA;
    76/07/04   "Prints Are Everywhere, Even Seattle", Seattle P-I, Seattle;
    76/06/27   "`Footprint': big show of small images", Seattle Times, Seattle;
    76/03/13   "Seattle Printmakers", Artweek, San Francisco, CA;
    76/03/07   "Seattle's Revolution in Printmaking", Seattle P-I, Seattle;
    76/02/27   "Gallery celebrates printmaking--14 times", Seattle Times, Seattle;
    76/01/10   "Library has top-quality Bill Ritchie Exhibition", Everett Herald-Western Sun Panorama, Everett, WA;
    75/10/23   "Bill Ritchie art in exhibition in Oslo", Queen Anne News, Seattle;
    75/10/14   "Gets Bid to Norway", Seattle Times, Seattle;
    75/03/09   "What makes an `original print' original?", Seattle Times, WA;
    75/02/25   "PANACA shows videotapes", Seattle Times, Seattle;
    75/02/21   "Printmaking show, demonstration set", Bellevue American, Bellevue, WA;
    74/00/00   "Former student to show art", Ellensburg Daily Record, Ellensburg, WA;
    74/08/21   "$3,000 grant for printmaker", Seattle; Times, Seattle;
    74/05/02   "New channels for video art", Seattle Times, Seattle;
    74/04/03   "Ritchie exhibits work at Central", The Herald Republic, Yakima, WA;
    74/03/28   "Central Graduate to present art exhibit", Crier, CWSC Student Newspaper, Ellensburg, WA;
    74/03/00   "Alumn Art Show Due", Central Today, CWSC Alumni Newsletter, Ellensburg, WA;
    74/03/15   "Ritchie to talk about prints", Seattle Times, Seattle;
    73/09/02   "Four Lane movies win top awards", Register-Guard, Eugene, OR;
    72/11/17   "The Visual Arts", Seattle Times, Seattle
    72/00/00   "Bill Ritchie: Guest artist", Prosser Record-Bulletin, Prosser, WA;
    72/03/07   "Art--a continuing process?", Everett Herald, Everett, WA
    72/02/27   "Landscapes of a different sort", Seattle P-I Book World, Seattle;
    72/02/24   "To Speak on Graphics", Mercer Island Reporter, Mercer Island, WA
    72/02/21   "Gallery Features 2 Exhibits", Tacoma News Tribune, Tacoma, WA;
    72/02/27   "Can `Newsweek ' be Art?", Seattle P-I, Seattle;
    72/02/20   "Will the real Harris Sweed please stand up?", Seattle Times, Seattle;
    72/02/13   "Space Mouse", Seattle P-I, Book World, Seattle;
    71/11/07   "...A Bunch of Munch: A joint lecture by professors Ritchie and Lundin", Seattle Times;
    71/10/25   "Art Notes: Joint lecture by professors Ritchie and Lundin, Seattle Times;
    71/01/24   "Personal, popular artists in new shows", Seattle Times,
    71/01/17   "At Seders Gallery", Seattle Times;
    71/01/09   "Printmaker Bill Ritchie at Seders", Everett Herald, Everett, WA;
    71/01/08   "A one-man showing ...", Seattle P-I;
    71/04/05   "Sixteen artists represented in April show at gallery", Bellingham Herald, Bellingham, WA;
    70/09/04   "The Fine Art of Printmaking", Alaska Daily News, Anchorage, AK;
    70/09/01   "Skills Develop At Print Making Workshop", Anchorage Daily Times, Anchorage, AK;
    70/08/11   "Prints headed for Japan", Seattle Times, Seattle;
    69/00/00   "Ritchie's `Three Targets Three Trees' a Puzzlement", Seattle P-I, Seattle;
    69/12/00   "Boundaries Disappear from World of Prints", Seattle Times, Seattle;
    69/12/00   "The Appreciation of Prints", Everett Herald, Everett, WA;
    69/12/00   "Print Exhibit Previewed", Seattle Times, Seattle;
    69/12/00   "Ex-Yakimans stage exhibit in Seattle", Yakima Herald, Yakima, WA;
    69/11/30   "Let Each Print Speak For Itself", Seattle; P-I, Seattle;
    69/11/12   "Creativity `Back Stage'", Seattle P-I, Seattle;
    69/11/14   "`New Wave' Graphics in Henry Show", Daily, UW, Seattle;
    69/02/16   "Bill Ritchie on Target At Maple Valley Library", Auburn Globe-News, Auburn, WA;
    69/01/25   "Young Artist Has One-Man Show At Seligman Gallery This Month", Everett Herald, Everett, WA;
    69/01/15   "Ritchie Hits Targets In Show at Seligman", Seattle Times, Seattle.

    On radio, television, and cable TV:

    89/03/28   "Washington: The Year 2089", TV Interview of community leaders, KCTS-TV, Channel 9, Seattle;
    88/01/15   "Painting with light", TV Broadcast program produced by Tacoma Municipal Television, Tacoma, WA;
    87/09/13   "Northwest Computing: Computers and Art", Three-person discussion with Frank Catalano, Radio KING 1090 AM, Seattle;
    85/02/04   "Good Company" Interview on computer art. KING-TV, Channel 5, Seattle;
    84/03/13   "Computer Art", Interview, KIRO TV Channel Seven, Seattle;
    83/01/26   "The Billie Karen Show: Original Prints Versus Reproductions". Interview, Radio 3AW , Melbourne, Australia;
    82/00/00   "PM Northwest". Interview, KOMO Channel Four, Seattle;
    81/01/00   "Speakout", Thirty-minute Interview, KCTS Channel Nine, Seattle;
    80/11/29   "Personality Profile: Bill Ritchie" Radio KCMU. Interview by Angela Henrick. Seattle;
    80/00/00  > "Media Art: Print", Instructional Video Series, CABLELEARN, Seattle Educational Access Consortium, UW, Seattle;

    Technical

    • Technical list of hardware and software skills directly associated with education, research, administration and production in the multimedia arts, including print, photography, cinema, audio, video, computer, and telecommunications for distance learning.
    • Printmaking Computer printmaking; Intaglio; Stencil; Planographic; Relief; Photography; Presentation; Computer thermal printing, ink jet, laser and service bureau preparation.Video Camera; Computer still imaging; Recorder; Audio; Editing; Effects; Presentation Computer PC Desktop Publishing; Graphics; Presentation; Printing; Spreadsheet; Telecommuncations; Video Digitizing; Word Processing Software experience with Microsoft Word for Windows, Excel and Windows 3.0; Aldus Pagemaker for the PC; Corel Draw!; WinRix VGA Paint; Procomm telecommunications; PCLink (B.O.S.S.); ToolBook; Level 5; Norton Utilities Multimedia Laser videodisc; Work station; CD/ROM

    Videography

    • Partial list of completed videotape productions directed, produced or edited in collaboration with others for education, libraries, museums and private multimedia art collections. Ritchie's Video Library and Archives is a 50-page catalog of over 200 titles, from which the following selection were taken.
    • Acid Room Practices for Etching. Length: 17 Min. 1979 Color
    • Aluminum Plate Lithography. Length: 60 Min. 1981 Color
    • Art, Computers, and Printmaking. Length: 50 Min. 1986 Color
    • Artists' Bookworks. Length: 30 Min. 1984 Color
    • Behind Time in the Electronic Age. Length: 54 Min. 1982 Color
    • Beveling Plate. Length: 19 Min. 1979 Color
    • Cage, John, at Crown Point Press. Length: 45 Min. 1982 B&W
    • Carrion, Ulises: Bookworks Revisited. Length: 37 Min. 1987 Color
    • Chew, Carl: Sacrifice. Length: 23 Min. 1980 Color
    • Cutting Metal Plate. Length: 43 Min. 1979 Color
    • Cyanotype with C. T. Chew. Length: 30 Min. 1981 Color
    • Cyanotypes: 1981 with Bill Ritchie. Length: 28 Min. 1981 Color
    • Dowell, John, Jr.. Length: 57 Min. 1979 Color
    • Evans/Waugh at the Whatcom. Length: 49 Min. 1980 Color
    • Ferris, Suzanne, on Book Arts. Length: 30 Min. 1980 Color
    • Frame Shop Equipment. Length: 39 Min. 1979 Color
    • Framing Graphic Art with Tom Blue. Length: 60 Min. 1978 Color
    • Hands of Carl Chew on MyFather's Farm. Length: 7 Min. 1973 B&W
    • Hands of Carl Chew on MyFather's Farm. Length: 7 Min. 1974 Color
    • How I Printed, "My Father's Farm from the Moon". Length: 45 Min. 1976 Color
    • How Serigraphy was Invented. Length: 5 Min. 1980 B&W
    • Inks in A Printmaking Workshop. Length: 19 Min. 1979 Color
    • Intaglio Ink Modifiers. Length: 22 Min. 1973 B&W
    • Intaglio Platemaking. Length: 30 Min. 1972 Color
    • Intaglio Press,. Length: 29 Min. 1979 Color
    • It's Your Portfolio. Length: 60 Min. 1982 Color
    • Kathmandu Rug with C. T. Chew. Length: 18 Min. 1985 Color
    • Kurosaki Prints Again. Length: 28 Min. 1980 Color
    • Kurosaki Prints!. Length: 54 Min. 1978 Color
    • Kurosaki: Watercolors forWoodcuts. Length: 12 Min. 1981 Color
    • Kurosaki: Woodcut Tools and Woodcutting. Length: 43 Min. 1980 Color
    • Leather Roller for Lithography. Length: 20 Min. 1980 B&W
    • Making A Screen for Screenprinting. Length: 30 Min. 1980 Color
    • Making Inks for Printmaking. Length: 22 Min. 1984 Color
    • Making Slides of Your Graphics. Length: 55 Min. 1982 Color
    • Matting Graphic Art, with NancyMee. Length: 60 Min. 1978 Color
    • Moser, Barry: A Workshop in Wood Engraving. Length: 56 Min. 1982 Color
    • Never Mind the Chimes. Length: 30 Min. 1985 Color
    • Papemaking with Laurence Barker. Length: 30 Min. 1984 Color
    • Papers for Printmaking. Length: 30 Min. 1984 Color
    • Perfect Studios. Length: 10 Min. 1989 Color
    • Printmaking Videozine. Length: 30 Min. 1985 Color
    • Registration of a Printing Plate. Length: 21 Min. 1979 Color
    • Ritchie, Bill: Printing "The Locus and the Sea Squares". Length: 25 Min. 1982 Color
    • Ritchie, Bill: Speakout. Length: 29 Min. 1981 Color
    • Rolling Sorcerer I. Length: 3 Min. 1978 B&W
    • Rolling Sorcerer II. Length: 3 Min. 1978 B&W
    • Sabbatical!. Length: 30 Min. 1991 Color
    • Sato, Norie: Nihon Chine Colle. Length: 50 Min. 1979 Color
    • Scraper and Burnisher, The. Length: 20 Min. 1973 B&W
    • Screen for Screenprinting, The. Length: 30 Min. 1981 Color
    • Shellac Reversal in Lithography. Length: 30 Min. 1984 Color
    • Smith, Dan, Makes Ink. Length: 36 Min. 1978 B&W
    • Smith, Dan, Makes Ink. Length: 20 Min. 1978 B&W
    • Students can Manage. Length: 29 Min. 1981 B&W
    • Summers, Carol, Demonstrates. Length: 30 Min. 1985 Color
    • "Technic" for Screen Stretching . Length: 23 Min. 1984 Color
    • Two Screenprint Workshops:1970-84. Length: 29 Min. 1984 Color
    • Van Vliet, Claire: Relief Etching. Length: 60 Min 1982 Color
    • Video Dig (Length unknown) 1978 B&W
    • Videoism. Length: 29 Min. 1980 Color, B&W
    • Viola, Bill, at the University of Washington. Length: 46 Min. 1982 Color
    • Viscosity Printing. Length: 48 Min. 1977 Color
    • Yang,Janet, Prints Hanga. Length: 26 Min. 1980 Color
    Send E-mail to:
    ritchie@seanet.com