ÿWPCá ûÿ2üB ZR ¬F¶3|dHP LaserJet IIIHPLASIII.PRSÂdô\  @Ž,\,ðã$}´X@ÐÐCourier 12cpiCourier 10cpiCourier 10cpi (Bold)Courier 12cpi (Bold)ûÿ20Y.X‡ß«Âdô\  @ŽX@2ô\  €`((Roman 12cpip p piXXxþ6X@X@<—4x 9Z ‹.Courier New RegularXXxþ6X@X@<à09Z ‹.Courier New RegularXXxþ6X@X@<à09Z ‹.Courier New RegularX&nþ6X@&@<—4x 9Z ‹.Courier New Regular&6ÿÿs4ddd,“jÂdþ6X@Ƀ87ûô@þþþþþþþÿþÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿøÿÿ‰?xxx,«gôxþ6X@É“87ûX@þþþþþþþÿþÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿªÿÿ‰?xxx,”ØôxÐ `É•B7ûX€þþþþþþþÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ&ÿÿr5ddd,1¤ÑÂdÐ `É•J7ûô€þþþþþþþÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÔ ‰? ÔÑ#&nþ6X@«g&@#ÑÐÐÐ °°„„ ÐÐ °°XX ÐÐ XXX, ÐÓÓÐÐX°` ¸ hÀpÈ xÐ (#€%Ø'0*ˆ,à.81�3è5@8˜:ð ÔÃÃà ÃMeasÄÄÂXÜÜÂÃÃCtÂhDD ÄÄÂh¬¬ÂÃÃPRAVO © Short BasicÄ Ä © Done at the start, to the slower musicÄÄÆT$¬Æ Ô s5æ Ô1ÁÜÜÁ1ÁDDÁÁ¬¬ÁFacing center & moving R, à ÃstepÄ Ä to R and slightly back onto R Ô s5Ž ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä L next to R Ô s56 Ô2ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä to R and slightly back onto R (Ct. 1), Pause (Ct. 2) Ô s5Þ Ô3ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä slightly forward onto L foot (Ct. 1), Pause (Ct. 2) Ô s5† ÔÁÜÜÁÁDDÁÂ(¬¬ÂÂ,Ø Ø ÂÁ€¬¬Áà ÃREPEATÄ Ä the above pattern as long as desired then transition onto measure 4 of the next stepÆT$Ø Æ Ô r5| ÔÁÜÜÁÁDDÁÁ¬¬Áà ÃÃÃPRAVO © BasicÄÄÄ Ä Ô s5# Ô1ÁÜÜÁ1ÁDDÁÁ¬¬ÁFacing center and moving R, à ÃstepÄ Ä diagonally forward onto R Ô s5Ë ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä onto L next to R Ô s5s! Ô2ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä diagonally fwd onto R (Ct. 1); Slight À ÀuhÀÀ on R (Ct. 2) Ô s5" Ô3ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä onto L in front of R (Ct. 1); Slight À ÀuhÀÀ on L (Ct. 2) Ô s5Ã" Ô4ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä back and slightly R onto R foot Ô s5k# ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä back onto L foot Ô s5$ Ô5ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä slightly back onto R (Ct. 1); Slight À ÀuhÀÀ on R (Ct. 2) Ô s5»$ Ô6ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä slightly to L onto L (Ct. 1); Slight À ÀuhÀÀ on L (Ct. 2) All of the À ÀPravoÀÀ variations can be added at the individual dancerÀÀs option, depending on the speed of the music and the energy of the adjacent dancers. Remember to dance ÃÃwithÄÄ the adjacent dancers. Ô s5¦( Ôà ÃÂXÜÜÂÂhDDÂÂh¬¬ÂÃÃPRAVO © VariationÄ Ä © Slower music © À ÀPauseÀÀÄÄÆT$¬Æ 1©2ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic above Ô s5õ) Ô3ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä onto L in front of R Ô s5�* ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä onto R slightly to R Ô s5E+ Ô4ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃPauseÄ Ä on R Ô s5í+ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä back onto L 5©6ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic above Ôã- 0�.�.XXÔ Ô s5 ÔÃÃà ÃMeasÄÄÂXÜÜÂÃÃCtÂhDD ÄÄÂh¬¬ÂÄ Äà ÃÃÃPRAVO © VariationÄ Ä © Energetic music © À ÀJumpÀÀÄÄÆT$¬Æ 1©2ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic above Ô s5O Ô3ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä onto L in front of R Ô s5÷ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃJumpÄ Ä onto both feet, leaving L in place (feet should be about 12" apart) Ô s5Ÿ Ô4ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃLeapÄ Ä back onto R Ô s5G ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä back onto L 5©6ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic above Ô s5= ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃPRAVO © VariationÄ Ä © Energetic music © À ÀStampsÀÀÄÄÆT$¬Æ Ô s5å Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStampÄ Ä diagonally forward onto R Ô s5� ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä onto L next to R Ô s55 ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃScuffÄ Ä diagonally fwd with R (with no weight) Ô s5Ý Ô2ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStampÄ Ä diagonally fwd onto R (completing the scuffing motion) Ô s5… ÔÁÜÜÁ2ÁDDÁÁ¬¬ÁSlight À Àà ÃUhÄ ÄÀÀ or Chug on R 3©6ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic or the Jump variation above Ô s5{ ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃPRAVO © VariationÄ Ä © Energetic music © À ÀStep BehindÀÀÄÄÆT$¬Æ Ô s5# Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä diagonally fwd onto R (should have a falling feeling) Ô s5Ë ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä diagonally forward onto L (with same falling feeling) Ô s5s Ô2ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä diagonally forward onto R (with same falling feeling) Ô s5 ÔÁÜÜÁ&ÁDDÁÁ¬¬ÁStep on L close à ÃBehindÄ Ä to R of R foot (a sort of running 3) Ô s5à ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä diagonally forward onto R 3©6ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic or the Jump variation above Ô s5¹ ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃPRAVO © VariationÄ Ä © Energetic music © À ÀSquatsÀÀÄÄÆT$¬Æ 1©4ÁÜÜÁÁDDÁÁ¬¬ÁAs in the Basic above Ô s5 Ô5ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä slightly back onto R ÁÜÜÁ2ÁDDÁÁ¬¬ÁSwing L across in front of R in upward À ÀbicycleÀÀ motion Ô s5W Ô6ÁÜÜÁ1©2Á¬¬Áà ÃSquatÄ Ä on both feet facing slightly R (Ct. 1); à ÃÄ Äà ÃPauseÄ Ä (Ct. 2) ÁÜÜÁ&ÁDDÁÁ¬¬ÁBegin to rise with weight on L, ready to repeat the basic Ô s5M ÔThe ÀbÀestoto À ÀchorusÀÀ step, called à ÃTropoliÄ Ä (literally À ÀtappingÀÀ) is danced in place between each of the ÀbÀestoto steps. The call for the next step is shouted at the begin­ning of any two measure Tropoli step. At least 4 measures of Tropoli should separate the called steps. ÀbÀestoto starts by doing tropoli for measures 5©6 of the basic Pravo. Ô s5‘ ÔÂXÜÜÂÂhDDÂÂh¬¬ÂÃÃà ÃÀbÀESTOTO © Basic © À ÀTropoliÀÀÄ Ä © Danced in place as the À ÀchorusÀÀÄÄÆT$¬Æ Ô s59 Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R in place (the step is like a fall onto the R) Ô s5á ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃTouchÄ Ä ball of L in place, taking weight very slightly Ô s5‰ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R in place Ô s51 ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃStampÄ Ä L in place Ô s5Ù Ô2ÁÜÜÁÁDDÁÁ¬¬Áà ÃREPEATÄ Ä measure 1 with opposite footwork ÂXÜÜÂÂhDDÂÂh¬¬ÂThe Tropoli step can be simulated by rocking from L to R tapping your feet as you go.ÆT$¬Æ Ô s5v ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Izvrli (Throws)Ä Ä © Shout À ÀYee©HaÀÀ during meas. 1ÄÄÆT$¬Æ Ô s5 Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R directly forward, leaving L foot on the floor Ô s5Æ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃSwingÄ Ä the L foot low and forward 2ÁÜÜÁ1ÁDDÁÁ¬¬ÁSlight À ÀuhÀÀ on R, continuing to swing the L foot Ô s5 ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä on L back in place Ô r5d! ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Izvrli Dva Puti (Izvrli Two Times)ÄÄÄ ÄÆT$¬Æ ÓÓ1©4ÁÜÜÁÁDDÁÁ¬¬ÁRepeat the above Izvrli step twice Ô r5Y# ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Napred (Forward)ÄÄÄ ÄÆT$¬Æ Ô s5$ Ô1ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä fwd on R (Ct. 1); à ÃStepÄ Ä fwd on L (Ct. 2) Ô s5¨$ Ô2ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃCloseÄ Ä R to L (Ct. 1); à ÃPauseÄ Ä (Ct. 2) 3©4ÁÜÜÁÁDDÁÁ¬¬ÁREPEAT meas. 1 5©6ÁÜÜÁÁDDÁÁ¬¬ÁIzvrli step above Ô r5E' ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Tri V'Djasno, Tri V'Ljavo (3 to the Right, 3 to the Left)ÄÄÄ ÄÆT$¬Æ Ô s5ì' Ô1ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä on R sideways to R (Ct. 1); à ÃStepÄ Ä on L behind R (Ct. 2) Ô s5”( Ô2ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä on R sideways to R (Ct. 1); à ÃStepÄ Ä on L behind R (Ct. 2) Ô s5<) Ô3ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R sideways to R Ô s5ä) ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃTapÄ Ä L next to R Ô s5Œ* ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R in place 4©6ÁÜÜÁÁDDÁÁ¬¬ÁREPEAT meas. 1©3 with opposite footwork and directionÔ4+ 0 - -èèÔ Ô r5 Ôà ÃÃÃMeasÄÄÂXÜÜÂÃÃCtÂhDDÂ Ä ÄÄÄÂh¬¬Âà ÃÃÃÀbÀESTOTO © Hlopka (Slaps)ÄÄÄ ÄÆT$¬Æ Ô s5§ Ô1ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä fwd on R (Ct. 1); à ÃStepÄ Ä fwd on L (Ct. 2) Ô s5O Ô2ÁÜÜÁ1©2Á¬¬Áà ÃCloseÄ Ä R to L Ô s5÷ Ô3ÁÜÜÁ1©2Á¬¬Áà ÃStepÄ Ä fwd on R (Ct. 1); à ÃStepÄ Ä fwd on L (Ct. 2) Ô s5Ÿ Ô4ÁÜÜÁ1©2Á¬¬Áà ÃSlapÄ Ä R on floor diagonally fwd to R Ô s5G Ô5ÁÜÜÁ1©2Á¬¬Áà ÃSlapÄ Ä R on floor Ô s5ï Ô6ÁÜÜÁ1©2Á¬¬Áà ÃSlapÄ Ä R on floor Ô s5— Ô7ÁÜÜÁ1©2Á¬¬Áà ÃSlapÄ Ä R on floor (Ct. 1); à ÃSlapÄ Ä R on floor (Ct. 2) Ô s5? Ô8ÁÜÜÁ1©2Á¬¬Áà ÃSlapÄ Ä R on floor 9©10ÁÜÜÁÁDDÁÁ¬¬ÁIzvrli step above Ô r55 ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Hlopka i Kljakane (Slaps & Squat)ÄÄÄ ÄÆT$¬Æ 1©8ÁÜÜÁÁDDÁÁ¬¬ÁHlopka step above Ô s5ƒ Ô9ÁÜÜÁÁDDÁÁ¬¬Áà ÃSquatÄ Ä in place Ô s5+ Ô10ÁÜÜÁÁDDÁÁ¬¬ÁRise à ÃUpÄ Ä from squat onto both feet Ô r5z ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © Po ÀbÀertami (In Line)ÄÄÄ ÄÆT$¬Æ Ô s5! Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStampÄ Ä on R straight fwd, twisting knee to R Ô s5É ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃStampÄ Ä on L next to R cont. fwd motion (stamp is like a scuff) Ô s5q ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStampÄ Ä on L straight fwd, twisting knee to L Ô s5 ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃStampÄ Ä on R next to L cont. fwd motion (like a scuff) 2ÁÜÜÁ1©2Á¬¬ÁRepeat meas. 1 with opposite footwork Ô s5h Ô3ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStampÄ Ä on R straight fwd, twisting knee to R Ô s5 ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStampÄ Ä on L straight fwd, twisting knee to L 4ÁÜÜÁ1©2Á¬¬ÁRepeat meas. 3 with opposite footwork 5©6ÁÜÜÁ1©2Á¬¬ÁRepeat measures 3©4 7©8ÁÜÜÁÁDDÁÁ¬¬ÁIzvrli step above Ô r5T ÔÂXÜÜÂÂhDDÂÂh¬¬Âà ÃÃÃÀbÀESTOTO © ZarediÄÄÄ ÄÆT$¬Æ Ô s5û Ô1ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä forward onto R Ô s5£ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä forward onto L turning to face diag. R Ô s5K Ô2ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R to R diagonally away from center Ô s5ó ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃTouchÄ Ä L next to R, taking weight very slightly Ô s5› ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä on R in place Ô s5C ÔÁÜÜÁ&ÁDDÁÁ¬¬Áà ÃStampÄ Ä on L in next to R Ô s5ë Ô3ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃLeapÄ Ä to L onto L, turning to face diag. L Ô s5“ ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStampÄ Ä on R beside L Ô s5; Ô4ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃStepÄ Ästraight forward onto R Ô s5ã ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃJumpÄ Ä onto both feet facing diag. R (feet should be about 12" apart) Ô s5‹ Ô5ÁÜÜÁ1ÁDDÁÁ¬¬Áà ÃLeapÄ Ä onto R back in place (now facing directly forward) Ô s53 ÔÁÜÜÁ2ÁDDÁÁ¬¬Áà ÃStepÄ Ä on L in place (ever so slightly back) 6©7ÁÜÜÁÁDDÁÁ¬¬ÁIzvrli step above (8©11)ÁDDÁÁ¬¬Á(Tropoli for 4 measures) (12©18)ÁDDÁÁ¬¬Á(Repeat again to get back on the phrase) ÁÜÜÁÁDDÁÁ¬¬ÁNote: Drop the last stamp of the Tropoli preceeding this step. Ó "à. ÓDance Description by Tom Deering Presented by Tom Deering